Revived and Derived: “Freaks and Geeks” Ep. 17, “The Little Things”

Revived and Derived: “Freaks and Geeks” Ep. 17, “The Little Things” (photo)

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“Freaks and Geeks” is now airing on IFC, and we thought we’d take this opportunity to revisit the show that launched a thousand bromance movies. Every week, Matt Singer and Alison Willmore will be offering their thoughts on that night’s episode.

Episode 17
The Little Things
Teleplay by Jon Kasdan
Story by Jon Kasdan & Judd Apatow & Mike White
Directed by Jake Kasdan

“You know what all my protesting accomplished in the ’60s at Berkeley? 16 scars on my head from a teargas canister.” — Mr. Rosso

Three storylines run through “The Little Things”: the impending arrival of Vice President George H.W. Bush at McKinley (and the possibility that Lindsay might get to ask him a question), Sam’s growing dissatisfaction with his relationship with Cindy Sanders, and the revelation that Ken’s girlfriend Amy (Jessica Campbell) was born with both male and female genitalia. They seem like vastly different subjects for a single episode, political intrigue, relationship drama, and gender issues, but they’re united by a common theme that’s been touched on before on “Freaks and Geeks” but never to this degree of detail: the need for transparency and open dialogue in one’s life.

Rosso’s angry outburst, quoted above, is partly because he’s having one honey of a bad week and just locked his keys inside his car (actually it’s his mother’s car, which isn’t helping matters). But really he’s “p.o.’ed” because he, the eternal optimist, convinced Lindsay, the cynic, that she should be excited for the opportunity to talk to Bush, only to discover that his dreams of a frank, political discussion were a hippie’s fantasy.

10222010_fandg17_4c.jpgInstead of asking whatever question she wants, Lindsay must ask the Vice President what his favorite local restaurant is (and what’s worse, she’s going to have to do it while pimping our her dad’s sporting goods store). Though Lindsay reluctantly agrees, when she sees Mr. Rosso excluded from the assembly with Bush she pushes through and improvises a new question: “Why did your staff reject my question? Are you afraid of an open discourse with the students?”

Fear of an open discourse is what links Bush’s visit to Amy and Ken’s relationship troubles. In a moment of intimacy, Amy confesses her most closely guarded secret and provincial, inexperienced Ken has what I would describe as a moment of existential crisis. If she’s still in some small way (or in some “little things”) a guy, does that make Ken gay? Suddenly Ken and Amy, “Freaks and Geeks”‘ most stable young couple, is thrown into chaos.

Though Ken seeks advice from Rosso (and, in a really fantastic and surprising deleted scene, from Mr. Kowchevski), his moment of epiphany comes thanks to, what else, an open and frank conversation with another character who’s having his own problems with a girl: Sam, who’s slowly coming to the realization that life as Cindy’s boyfriend ain’t all it’s cracked up to be. He doesn’t like her friends, and all she wants to do is make out. Then the final straw: she doesn’t laugh once at “The Jerk.” When Sam and Ken bump into each other in the bathroom before Bush’s speech, Sam’s complaints about Cindy remind Ken why he likes Amy regardless of intersexual confusion. In a rare moment of happiness and triumph on “Freaks and Geeks” Ken apologizes profusely and asks for a second chance, which Amy happily gives him. Of course, in a typical moment of undercutting sweetness with humor on “Freaks and Geeks,” Seth Rogen knocks his head on Campbell’s tuba when he moves in for a kiss.

No such happy ending for Sam and Cindy though which, in many ways, is the relationship that defines the entire series (Since it lasted only 18 episodes, this show could only be defined by a relationship that ends badly). Alison, what do you make of their breakup and of the obvious parallels between Sam and Cindy’s problems and Lindsay and Nick’s?

Alison: Completely agreed that “Freaks & Geeks” could only be defined by an unhappy relationship — not just because of the creators’ own eventual unhappy relationship with their network, but because it would go against the nature of the show to cut away after two characters’ joyous coming together. That’s where the real story starts. And after years of pining and always slightly surprised “Oh! Hey, Cindy”s, it was inevitable that if Sam and Cindy somehow actually got together, their relationship was doomed.

Firstly, there’s always going to be a major gap between your idealized crush and the more complicated, farting, Republican reality you were too starry-eyed and far away to see before. Secondly, they’re terribly mismatched. There’s a reason any nerd-manages-to-date-the-cheerleader storyline tends to end with the first kiss — what would they have to talk about afterward? Cindy’s together with Sam, as she tells him when he breaks things off, because “you’re supposed to be nice, that’s the only reason I’m going out with you in the first place.” Their relationship is founded on her assuming he’s going to be so grateful that she deemed to date him that he would never do anything to upset or displease her. And while would-be ladies’ man Neal claims he’d be perfectly content to be with a pretty girl with whom he had nothing in common, Sam heeds the advice Lindsay gives him, that “you can’t just keep dating someone if you don’t like them.”

10222010_fandg17_2.jpgInteresting that the Weir siblings both ended up in relationships in which the other partner was the aggressor. Lindsay ends up the unwilling target for Nick’s bunny-boiling, Styx-singing suffocating adoration, and Sam here becomes embroiled in a vaguely, amusingly D/s affair with Cindy, in which she gets upset when he tries to do anything other than accompany her where she pleases, and reacts angrily when he hides the hickey she gives him as proof of ownership. In both cases, friends react badly when the desire for a break-up is mentioned, for Lindsay because the other freaks think Nick will fall apart, and for Sam because Neal can’t imagine someone’s attractiveness not taking precedent over their personality. And Cindy does turn out to be pretty awful in this episode, with her thoughts on the laziness of poor people and her need for gifts to cost a lot of money, though the unfortunate timing of Sam’s break-up does lead to a typically funny-sad “Freaks and Geeks” moment in which she gives a teary intro to the VP.

We’ve discussed before how relatively little Seth Rogen we get in this series, considering his later fame, but this episode highlights the actor’s ability to project doofus charm like none other. He’s so good at showing normally sarcastic Ken’s absolutely earnest desire to figure out what he should do next — first he confides in his best friends, who seem just as clueless about the situation as he is, and then in Mr. Rosso, who ends up taking more time affirming his own heterosexuality than addressing why Ken is questioning his. And then, brilliantly, he attempts to explore his sexuality by way of stereotypical music choices, trying out some David Bowie, then nodding along to some heavy metal, and finally, skeptically, taking in Linda Clifford’s disco interpretation of “If My Friends Could See Me Now.” He studies with great seriousness Boudoir and Playpen magazine to see if one appeals to him more than the other.

Matt, “The Little Things” is often described as the episode that launched Rogen’s movie career, with Judd Apatow spotting some real star quality in this performance — do you see the same? And what do you think of Ben Stiller’s guest spot as the career-questioning Secret Service agent?

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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