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The (Homo)Social Network

The (Homo)Social Network (photo)

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Women in “The Social Network” are “less prizes than they are props,” writes Rebecca Davis O’Brien at The Daily Beast, “buxom extras literally bussed in to fill the roles of doting groupies, vengeful sluts, or dumpy, feminist killjoys.” “What are we to do with a great film that makes women look so awful?” she asks, going on to target the film’s portrayal of Asian women and its “shots that linger on women’s bodies.” Tracy Clark-Flory at Salon claims that “Ultimately, the question becomes whether the film’s sexism is intentional and, if so, whether it accurately reflects reality.”

Does “The Social Network” have a problem with women? I wouldn’t say so, but its characters sure do. Are women underrepresented in the film? Sure. It’s a story about guys! Desperate, socially inept guys. It’s a cinematic sausage fest. Of the different arguments being floated on this topic, the one that I find the most troubling is voiced by O’Brien’s sarcastic “who wants a brilliant movie marred by some obligatory ‘strong lady’ type-casting?” Who wants a movie marred by obligatory casting of any sort?

The suggestion that Aaron Sorkin and David Fincher had an obligation to insert a token “strong lady” character in order to make their film more demographically friendly or underline how their own intentions are separate from their characters is condescending to audiences. The film world still leans incredibly toward male perspectives, male characters and male audiences, and the way to fix that is by supporting and encouraging women making and working in movies, not by implying the need for an artificial quota of “go girl”ness.

09212010_socialnetwork2.jpgWe don’t see women involved in the running of Facebook because we hardly see the company once it has actually become one, with an office and a more gender equitable mix of staffers, much less when it got around to hiring Sheryl Sandberg as COO in 2008. The film’s about Facebook’s dorm room origin story, not a treatise on the tech world at large. It’s about the gap between the pursuit of success and the pursuit of happiness.

We don’t see women around much in general in the film because our main characters have no idea how to meet or pursue or talk to them. The smart, grounded girl the film starts out with — Rooney Mara’s Erica Albright — walks out on the asshole she’s been dating after he simultaneously ignores and talks down to her. It’s an affirming moment, but we don’t go with her, because it’s the asshole that “The Social Network” is about.

Mark Zuckerberg, or at least the Mark Zuckerberg of the movie, embodied by Jesse Eisenberg, finds the seeds of his company in the type of obscurely vengeful thought we’ve all found consolation in at one time or another — “You’ll be sorry when I’m famous/dead/beautiful/successful/rich!” What’s tragic about Zuckerberg is that even as he builds the company that will become a part of the lives of half a billion people, that will make him the world’s youngest billionaire, he’s still just a closed-off workaholic who has trouble relating to people, and his ex isn’t going to come crawling back because of his achievements.

Zuckerberg starts the film off wanting to distinguish himself, beyond getting into Harvard — he wants to get into a final club “because they’re exclusive,” and, as an afterthought, “they’re fun and they lead to a better life.” He wants the trappings of success because he thinks, like membership in a final club, they somehow lead to love and happiness, but he doesn’t care about money and the people who seek him and Eduardo out because of Facebook’s rise are, unsurprisingly, parasitic and unstable — like Brenda Song’s Christy character, certainly, but also like Justin Timberlake’s Sean Parker, the dot-com rock star who’s all hot air.

10052010_socialnetwork4.jpg“The Social Network” doesn’t present a world in which women are all “gold-diggers, drunken floozies and that ‘bitch’ who got away,” it presents one in which those are pretty much the handful that cross the paths of our main characters, who do everything possible to meet girls except actually go out and meet them. That ridiculous party that’s juxtaposed with Mark’s assembling of Facemash.com isn’t meant to be a feasible depiction of what life in the final clubs is like — the members order in kegs of beer and kegs of ladies. It stands for everything Mark thinks he’s missing out on, the debaucherous good time the elite are surely having while he sits at home stewing in his own self-loathing. What would he even do if he was invited? He’d just sit in the corner with his laptop.

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John C. McGinley -Photo Credit Kim Simms/IFC

Necessary Evil

Get Freaky With New Stan Against Evil Photos

Stan Against Evil haunts IFC starting November 2nd at 10P with back-to-back episodes.

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From the warped minds behind The Simpsons and The Walking Dead comes your next horror comedy obsession.

Stan Against Evil employs ghoulish horror and pitch-black comedy that’ll both tingle the spine and tickle the ribs. And before the demon-possessed festivities kick off Wednesday, November 2nd at 10P ET with back-to-back episodes, we’ve got a glimpse at stars John C. McGinley and Janet Varney as mismatched small New England town sheriffs Stan Miller and Evie Barret who find themselves pitted against witches, demonic goats and other bizarre horrors.

Check out the Stan Against Evil stars — both living and undead — in the brand new photos below. Follow Stan on Facebook and Twitter for more updates as we approach the scarifiying November 2nd premiere.

Janet Varney Stan Against Evil

Witch Stan Against Evil

Book Stan Against Evil

Demon Stan Against Evil

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Zombieland Jesse Eisenberg

Brain Dead

The 10 Funniest Zombie Movies

Catch Zombieland this month on IFC.

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Photo Credit: Columbia/courtesy Everett Collection

Zombie movies are based on our fear of mortality, but if there’s one thing action heroes do best it’s laugh in the face of death. The rotting, easily-shotgunned face of death. We’re enjoying undeath this month on IFC with Zombieland, so we’re also counting down the 10 funniest zombie movies. Run!

10. Army of Darkness

Ash Army of Darkness
Universal Pictures

Ashley J. Williams is the hardest working blue-collar demon fighter in movie history. (Even though he causes most of the problems he solves in the first place.) When he’s not defeating the Deadites, he’s delivering hilarious quips with typical deadpan flair.


9. Fido

Fido
Lionsgate Films

Fido is a fantastic comedy, but you should expect that with stand-up superstar Billy Connolly in the title role. A nightmarish 1950s-esque world of white picket fences and decaying flesh sets the scene for painfully funny interactions between the living and the dead — and it’s quickly revealed that the zombies are better family figures than many of the upstanding citizens.


8. Dead Snow

Dead Snow ramps up the camp with an isolated group of teenagers battling an entire zombie Nazi division, and it doesn’t skimp on the gore in the process. One of our heroes looks really badass when he amputates his own arm to escape the effects of a zombie bite — only to look down in despair when a zombie chomps on his crotch.


7. Dead and Breakfast

Line Dance
Anchor Bay Entertainment

Dead and Breakfast is a musical zombie comedy, and even with all that you might not expect what happens next. You always knew a zombie movie would have to do a “Thriller” moment. You might not have expected the filmmakers to turn the Michael Jackson hit into a country-style line dance.


6. Dead Alive

Lord of the Rings-meister Peter Jackson cut his teeth on gory, outrageous horror comedies, and his 1992 New Zealand film Braindead (known as Dead Alive in America) is one of his best. It also can claim the definitive zombie baby scene.


5. Warm Bodies

Dead Heat
Summit Entertainment

Warm Bodies takes Romeo and Juliet to a new, gorier level. The warm and loving Julie falls for the mono-syllabic “R,” whose dead heart really is brought back to life by her affection. There’s a great parody of teen romance movies with a musical montage makeover sequence where the zombie is transformed into an attractive date.


4. Return of the Living Dead Part 2

Screwdriver
Lorimar Entertainment

Return of the Living Dead Part 2 is, true to its name, the revenge of the original brain-eating zombie movie. Part 2 goes all-out on the comedy, and while some super-serious fans may balk, there are a lot of great gags to enjoy. Our favorite has to be the zombie literally saying what’s going through its head, a hilarious moment as brain munchers rarely get great lines despite being the whole point of these films.


3. Dawn of the Dead

Dawn of the Dead
Universal Pictures

Dawn of the Dead is an unrelenting attack of undead horror and despair, but that doesn’t mean there isn’t time for fun. Because when you’ve got an infinite supply of zombies and ammunition while chilling on the roof of your gun store, you can kill time and celebrity look-a-likes.


2. Shaun of the Dead

Shaun of the Dead Records
Universal Pictures

Shaun of the Dead isn’t just an excellent comedy — it’s a love-letter to zombie movies. An early scene where the tired Shaun stumbles through a zombified wasteland as if it was another unpleasant work morning is wonderful, but the funniest bit has to be the life-or-death music reviewing scene, where our heroes decide which records can be spared or used to fight off a hungry undead.


1. Zombieland

Zombieland
Columbia Pictures

There are hundreds of zombie movies, but there was never any doubt which one was the funniest. Because only one has Bill Murray. His brief appearance as an actor whose zombie impersonation goes a little too well is an instant cinema classic. And also the funniest thing ever to happen because of Garfield.

For more laughs and scares, check out a sneak peek of IFC’s Stan Against Evil, premiering November 2nd at 10P with back-to-back episodes, below.

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Scary Movie 2

Rotten Fruit

Catch Scary Spoofs and Kung Fu Keanu on IFC’s Rotten Fridays

Scary Movie 2, The Matrix Revolutions and more are coming to IFC's Rotten Fridays.

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Warner Bros.

Compelling plots, believable characters and plausible conflicts are standard in Hollywood classics. But sometimes our brains need a break, which is why IFC and Rotten Tomatoes have teamed up to give you the best of the worst, the “too rotten to miss” movies every Friday at 8P throughout September.

This month’s crop of “Rotten” favorites includes highlights (and lowlights) from Keanu Reeves, Sylvester Stallone and more. Check out the full schedule below and start planning your most sarcastic live-tweet commentary.

Rotten Fridays

“Too Rotten to Miss Movies” every Friday @8P on IFC.

The Matrix Revolutions (Tomatometer: 36% Rotten) – Friday, September 2nd starting @ 8P
Speed 2: Cruise Control (Tomatometer: 3% Rotten) – Friday, September 9th starting @ 8P
Epic Movie (Tomatometer: 2% Rotten) – Friday, September 16th starting @ 8P
Scary Movie 2 (Tomatometer: 15% Rotten) – Friday, September 23rd starting @ 8P
Rocky IV (Tomatometer: 39% Rotten) – Friday, September 30th starting @ 8P

Kick back with The Matrix Revolutions this Friday at 8P on IFC!

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