The (Homo)Social Network

The (Homo)Social Network (photo)

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Women in “The Social Network” are “less prizes than they are props,” writes Rebecca Davis O’Brien at The Daily Beast, “buxom extras literally bussed in to fill the roles of doting groupies, vengeful sluts, or dumpy, feminist killjoys.” “What are we to do with a great film that makes women look so awful?” she asks, going on to target the film’s portrayal of Asian women and its “shots that linger on women’s bodies.” Tracy Clark-Flory at Salon claims that “Ultimately, the question becomes whether the film’s sexism is intentional and, if so, whether it accurately reflects reality.”

Does “The Social Network” have a problem with women? I wouldn’t say so, but its characters sure do. Are women underrepresented in the film? Sure. It’s a story about guys! Desperate, socially inept guys. It’s a cinematic sausage fest. Of the different arguments being floated on this topic, the one that I find the most troubling is voiced by O’Brien’s sarcastic “who wants a brilliant movie marred by some obligatory ‘strong lady’ type-casting?” Who wants a movie marred by obligatory casting of any sort?

The suggestion that Aaron Sorkin and David Fincher had an obligation to insert a token “strong lady” character in order to make their film more demographically friendly or underline how their own intentions are separate from their characters is condescending to audiences. The film world still leans incredibly toward male perspectives, male characters and male audiences, and the way to fix that is by supporting and encouraging women making and working in movies, not by implying the need for an artificial quota of “go girl”ness.

09212010_socialnetwork2.jpgWe don’t see women involved in the running of Facebook because we hardly see the company once it has actually become one, with an office and a more gender equitable mix of staffers, much less when it got around to hiring Sheryl Sandberg as COO in 2008. The film’s about Facebook’s dorm room origin story, not a treatise on the tech world at large. It’s about the gap between the pursuit of success and the pursuit of happiness.

We don’t see women around much in general in the film because our main characters have no idea how to meet or pursue or talk to them. The smart, grounded girl the film starts out with — Rooney Mara’s Erica Albright — walks out on the asshole she’s been dating after he simultaneously ignores and talks down to her. It’s an affirming moment, but we don’t go with her, because it’s the asshole that “The Social Network” is about.

Mark Zuckerberg, or at least the Mark Zuckerberg of the movie, embodied by Jesse Eisenberg, finds the seeds of his company in the type of obscurely vengeful thought we’ve all found consolation in at one time or another — “You’ll be sorry when I’m famous/dead/beautiful/successful/rich!” What’s tragic about Zuckerberg is that even as he builds the company that will become a part of the lives of half a billion people, that will make him the world’s youngest billionaire, he’s still just a closed-off workaholic who has trouble relating to people, and his ex isn’t going to come crawling back because of his achievements.

Zuckerberg starts the film off wanting to distinguish himself, beyond getting into Harvard — he wants to get into a final club “because they’re exclusive,” and, as an afterthought, “they’re fun and they lead to a better life.” He wants the trappings of success because he thinks, like membership in a final club, they somehow lead to love and happiness, but he doesn’t care about money and the people who seek him and Eduardo out because of Facebook’s rise are, unsurprisingly, parasitic and unstable — like Brenda Song’s Christy character, certainly, but also like Justin Timberlake’s Sean Parker, the dot-com rock star who’s all hot air.

10052010_socialnetwork4.jpg“The Social Network” doesn’t present a world in which women are all “gold-diggers, drunken floozies and that ‘bitch’ who got away,” it presents one in which those are pretty much the handful that cross the paths of our main characters, who do everything possible to meet girls except actually go out and meet them. That ridiculous party that’s juxtaposed with Mark’s assembling of Facemash.com isn’t meant to be a feasible depiction of what life in the final clubs is like — the members order in kegs of beer and kegs of ladies. It stands for everything Mark thinks he’s missing out on, the debaucherous good time the elite are surely having while he sits at home stewing in his own self-loathing. What would he even do if he was invited? He’d just sit in the corner with his laptop.

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Back to Work

How the Comedy Bang! Bang! Crew Spent Their Break

Watch the final season of Comedy Bang! Bang! Fridays at 11 and 11:30P on IFC.

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Comedy Bang! Bang! is finally back this Friday October 28th at 11P. Even though the show has been on break, the cast and crew have stayed very busy. After ensuring each of CBB’s final episodes will be the best yet and kissing each other goodbye, the Comedy Bang! Bang! family left the studio to try some new things. Catch up with what the CB!B! cast and crew have been up to during the break and then make sure you watch back-to-back episodes every Friday on IFC.

“Weird Al”

Weird Al keyboard
“Weird Al” Yankovic is probably best known as the Comedy Bang! Bang! co-host and bandleader. But, apparently he’s also a musical parodist and comedy icon. While season 5 has been on break, he’s been busy with a cross-country live tour. His live performances continue after the Comedy Bang! Bang! premiere with a headlining gig at Tenacious D’s Festival Supreme.

Scott Aukerman

Scott Aukerman is the Comedy Bang! Bang! host with the most. He’s also the host with the most jobs. According to the show’s IMDB trivia page, Scott stays busy with a podcast that has the same name as the TV show. He’s also a producer of multiple TV shows on SeeSo and recently helped his famous friend Zach Galifianakis interview Hillary Clinton.

Neil Campbell

When Comedy Bang! Bang! is in full swing Neil Campbell is busy writing Emmy-caliber puns and keeping the time as fan-favorite Maxwell Keeper. But given a short break he’s made the leap to guest starring on (and writing for) Fox’s cop comedy Brooklyn Nine-Nine. It’s a classic cop swap.

Slow Joey

Slow Joey glue
Slow Joey is usually busy on set being one of Scott Aukerman’s best friends and playing his favorite game Caves and Chameleons. But did you know he’s also Hollywood actor Haley Joel Osment? He is.

Mike Hanford

CBB John Lennon
Mike Hanford is both a writer for Comedy Bang! Bang! behind the scenes and Mike the Boom Operator on the screen—but also kind of behind the scenes. Mike helped Comedy Bang! Bang! go international with the live CBB tour in Australia and Great Britain. He’s never been seen in the same room as John Lennon.

Sir Couchley

CBB Sir Couchley
Sir Couchley, the Comedy Bang! Bang! couch who occasionally talks, has been waiting patiently for new celebrity guests to sit on his plush cushions.

Get ready to say Comedy Bye! Bye! and watch the final season of Comedy Bang! Bang! Fridays at 11 and 11:30P on IFC.

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Documentary Now! Robert Evans Mansion

The Reel Deal

Everything You Need To Know About “Mr. Runner Up” Inspiration Robert Evans

Watch the two-part finale of Documentary Now! this Wednesday at 10P on IFC.

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Photo Credit: Everett Collection

In its upcoming two-part finale, Documentary Now! spoofs the crown jewel of docs: The Kid Stays In The Picture. It’s the autobiographical documentary about Robert Evans, the unlikely Hollywood mogul whose mix of self-aggrandizing bravado, classic good looks and extremely circumstantial good luck took him from being a salesman to an actor to the head of Paramount Pictures.

If you’ve never seen the film, it’s totally worth it. Rotten Tomatoes agrees, with a staggeringly-high approval rating. Watch it before, or watch it after — doesn’t matter. You’ll appreciate it whenever.

In the meantime, here’s a bit of background that will come in handy…

Robert Loves Robert

Robert Evans desk

USA Films/Everett Collection

Robert Evans is the ultimate Robert Evans fan. The movie was narrated by Robert Evans and based on his memoir of the same name. It is totally unbiased.

He’s Kind Of A Big Deal

Robert Evans, Chinatown
Paramount Pictures

Evans produced some of Hollywood’s true classics: Chinatown, Rosemary’s Baby, The Godfather, Love Story…the list goes on. Totally legit and amazing movies.

He’s Also Kind Of A Joke

Wag The Dog
New Line Cinema

Evans has been parodied in TV shows and movies like Entourage and Wag The Dog. He is the quintessential “producer” you already have in your head.

So Wrong He’s Right

Robert Evans Slap
20th Century Film Corp

Robert Evans is a notorious narcissist whose love of self is so blind and sincere that it’s actually adorable.

There’s Something Missing

via Giphy

Entire sections of Robert Evans’ life are left out of the documentary. Maybe it’s because of timing. Maybe it’s because real life isn’t a tidy narrative. Who knows.

He Blew It

Spider coke

Evans had a pretty spectacular fall from grace. He was convicted of cocaine trafficking in the early 80’s, and was connected to a contract killing during the production of The Cotton Club. Oops.

Losing Is For Losers

Everett Collection
Everett Collection

In the Robert Evans mythology, all tragedies are just triumphs in disguise, and every story has a happy ending…for Robert Evans.

Bill Hader Jerry Wallach

With these simple facts in hand you are now prepared to thoroughly enjoy the two-part finale of Documentary Now! starting this Wednesday at 10/9c on IFC.

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Weird Roles

Anthony Michael Hall’s Most Rotten Movies

Catch Anthony Michael Hall in Weird Science on Friday at 8P on IFC.

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Photo Credit: Universal/Everett Collection

Anthony Michael Hall was the quintessential ’80s nerd. We love him in classics like The Breakfast Club and National Lampoon’s Vacation. But even the brainiest among us has his weak spots. In honor of Weird Science airing this Rotten Friday, we analyze Hall’s worst movies.

Weird Science (1985) 56%

A low point for John Hughes, Weird Science is way too wacky for its own good. Anthony Michael Hall’s Gary and his pal Wyatt (Ilan Mitchell-Smith) create the “perfect woman.” Supernatural chaos ensues. The film costars a young Bill Paxton, floppy disks, and a general disconnect from all reality.

The Caveman’s Valentine (2001) 46%

This ambitious drama starring Samuel L. Jackson couldn’t live up to its rich premise. Jackson plays Romulus, a Juilliard-educated, paranoid schizophrenic who lives in a cave. Hall co-stars as Bob, a rich man, who wants to see Romulus play the piano. The plot centers around Romulus investigating a murder, but with so much going on, the movie never quite finds its rhythm.

All About the Benjamins (2002) 30%

Ice Cube plays a bounty hunter who teams up with Mike Epps’ con man to catch diamond thieves. Hall plays Lil J, a small-time drug dealer. It’s definitely a role we’ve never seen Hall in, but overall the movie isn’t funny or original enough to justify its violence.

Freddy Got Fingered (2001) 11%

This showcase for Tom Green’s goofy gross-out comedy is often hailed as one of the worst films of all time. Green plays Gord, a 20-something slacker, who dreams of having his own animated series. Hall is Dave Davidson, a CEO of an animation studio who eventually helps Gord find success. Too bad Tom Green wasn’t so lucky.

Johnny Be Good (1988) 0%

Hall plays against type as Johnny Walker, a star quarterback. Robert Downey Jr. is his best friend and Uma Thurman plays his devoted girlfriend. Despite the support of a future A-list cast, the movie lacks central conflict and charm. Or, as TV Guide put it, “Johnny be worthless.” Ouch.

Catch the “Too Rotten to Miss” Weird Science this Friday at 8P on IFC.

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