This browser is supported only in Windows 10 and above.


Revived and Derived: “Freaks and Geeks” Ep. 16, “Smooching and Mooching”

Revived and Derived: “Freaks and Geeks” Ep. 16, “Smooching and Mooching” (photo)

Posted by on

“Freaks and Geeks” is now airing on IFC, and we thought we’d take this opportunity to revisit the show that launched a thousand bromance movies. Every week, Matt Singer and Alison Willmore will be offering their thoughts on that night’s episode.

Episode 16
Smooching and Mooching
Written by Steve Bannos
Directed by Jake Kasdan

“That’s one cult I wouldn’t mind joining.” — Neal

Of all the storylines that would have benefited from more space to breathe as we near the end of “Freaks and Geeks,” I think that Sam’s, in this episode, could have most used a few episodes over which to build. But “Smooching and Mooching” is the third to last episode of the series, and at this point the creators were obviously just trying to fit in as many of their best ideas as possible. And so we see Neal’s thwarted spin the bottle expertise, Bill ending up in the closet with Vicki Appleby (Joanna García), Nick staying at and hanging out with the Weirs, and Sam finally getting together with his dream girl Cindy.

Does the last have a touch of nerd wish fulfillment? A little, though in typical “Freaks and Geeks” fashion, it comes with a brutal twist that will be unveiled in the next episode. (Bill making out with the head cheerleader is much more blatant wish fulfillment, but it’s handled so sweetly that I adore it anyway.) And there’s been foreshadowing of the ways in which Cindy is more complicated and less perfect than Sam’s idealized conception of her, in lab partner Bill’s glimpse into her home life in “Girlfriends and Boyfriend,” and in this episode’s troubling declaration that Cindy wants to get together with Sam because “I never date nice guys. I should try it, I think I deserve to.” After experiencing heartbreak and apparent handsiness from Todd Schellinger, Cindy’s looking for someone to adore her completely and treat her well — a relationship that’s safe, at least for her, and one that she’ll be able to control. The future doesn’t look bright for Sam in that scenario.

10152010_fandg16_3.jpgBut for now, for a little while, things looks great for the geeks, with Sam overcoming his insecurities and, with no small amount of guidance from Cindy, asking his longterm crush out and getting to kiss her (and I love John Francis Daley’s alarmed face and flopping legs as she pushes him down on the bed), and Bill overcoming his aversion to French kissing thanks to Vicki’s expertise. Poor Neal, after all that practice with the bottle and that test peck on Morty the ventriloquist’s figure from “Noshing and Moshing,” can’t replicate his accuracy at home (my guess — different carpet texture) and ends up alone. He most deserves the great tune playing during the spin the bottle scene, Warren Zevon’s “Poor, Poor Pitiful Me.”

As unlikely as the pairing of Vicki and Bill is, I like how it’s handled here, with Bill’s fears of being treated as repellent by the girls forced into contact with him by the inescapable power of a party game (“I just don’t want to see the expression of their face when they see that the bottle lands on me”) all being realized. Vicki grimaces and rolls her eyes and can only bring herself to offer him her hand and then her cheek, and Bill puts her in her place when chance compels them to spend seven minutes in heaven, calling her out on her behavior and telling her how little interest he has in touching her. The conversation they have after — with Bill asking “What’s it like being pretty?” — is funny and heartbreaking and another quintessential moment for the character, another of those startling, moving instances of honesty that this show does so well.

Speaking of honesty, Matt, Nick’s stint as houseguest of the Weirs brings out some wonderful openness from Harold, who obviously sees in Nick a bit of himself as a boy, and who explains to Lindsay why he will always see her as his daughter foremost and someone to be protected. What did you make of his unexpected compassion for Nick and what it implies about his relationship with his own father?

Matt: It’s a wonderful series of scenes, and perfectly in keeping with the primarily theme of “Smooching and Mooching” (and one of the main themes of “Freaks and Geeks” as a whole): people aren’t always who we think they are. Vicki isn’t quite the snob she appears to be, Cindi isn’t quite the uncomplicated pretty girl she appears to be, and, yes, Mr. Weir isn’t quite the tyrannical patriarch he often appears to be. I love that his kindness to Nick — letting him stay on the Weir family couch for a few days, complimenting his smarts — is tempered by his trademark brutal honesty. Mr. Weir feels bad for Nick because his father treated him in a similar way. But that doesn’t mean he won’t call him on his laziness. When Nick’s rock music interrupts the Weirs’ “quiet hour,” Harold gives Nick some straight talk. Listening to rock music isn’t homework for a drummer, as Nick claims, it’s procrastination; practicing the drums would be homework. And if your father took your drums, as Nick’s dad did? Take your sticks and practice on something else. It’s great advice, particularly when you consider that by giving it Mr. Weir is actively and knowingly encouraging Nick to make more noise in his house, not less.

10152010_fandg16_5.jpgThough I feel like we could say this every week in this column (and practically do), this is one of my very favorite episodes of “Freaks and Geeks.” It’s got that perfect blend of sweetness and sadness (sort of the televisual equivalent of a Sour Patch Kid), with amazing characters and compelling storylines. And even though there’s no doubt the Sam and Cindy relationship gets compressed, the show still found time to dawdle. I love the scene, for example, where the geeks debate which movie is superior: “Caddyshack” or “The Jerk” (My vote: “Caddyshack,” though it’s close). It serves no narrative purpose, and it doesn’t contribute to our knowledge of the characters (unless I’m missing how Neal being able to recite the terrible third act of “Stripes” enriches our understanding of his struggle with his parents’ divorce). But it’s a faithful recreation of a conversation that thousands of geeks have had in thousands of high school cafeteria about thousands of movies. It reminds us that high school is high drama, but it’s also about trivial conversations with your buddies like that one.

Details like that that make the series special. You can tell “Freaks and Geeks” was made by people who cared, simply by paying attention to the work on those details, the things that don’t need to be there, but are. Watching the background on “Freaks and Geeks” always pays off. For example, check out the TV stand behind Bill while Neal teaches him how to play (and cheat at) spin the bottle. Notice the stack of board games. Observe their titles: Risk and Probe. Now consider the content of Neal and Bill’s conversation (as well as Bill’s pathological fear of French kisses). Alison, that can’t be a coincidence, no?

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

Watch More