“Slackistan,” Reviewed

“Slackistan,” Reviewed (photo)

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Reviewed at the 2010 Abu Dhabi Film Festival.

“Slackistan,” the first feature from Hammad Khan, belongs to that familiar breed of film about life as someone young, aimless and under- or unemployed, with too much time to fill in the company of funny friends — think “Reality Bites,” or “Swingers” (a film given more than one tip of the hat here), or “Kicking and Screaming,” or countless others. What sets “Slackistan” apart from the pack is the fact that it’s centered in Islamabad, the capital of Pakistan and “the city that always sleeps,” according to our hero and sometimes narrator Hasan (Shahbaz Hamid Shigri), a would-be filmmaker who’s managed to obtain an HDV camera but has so far left it sitting in its box.

The post-collegiate twentysomethings in “Slackistan” are wealthy, and there’s no question in the movie that their standard issue quarterlife issues about identity, how to get started on adulthood and whether they really want to do that in the first place are luxurious ones compared to most everyone else around them. Their houses are staffed with servants, and the streets they roam are filled with the unnoticed laboring and less well-off. But Hasan and his friends are likable, recognizable types. There’s slick Sherry (Ali Rehman Khan), nice guy Saad (Osman Khalid Butt), unlucky in love Zara (Shahana Khan Khalil) and pensive Aisha (Aisha Linnea Akthar), Hasan’s best friend and longterm crush. (Most of the actors are non-pros, and some are more comfortable on camera than others.) The five classmates graduated a year ago, around the time democracy returned to the country, and their stagnation is paralleled to a larger national disillusionment felt in the aftermath of those raised hopes. Now they wander the city in different configurations, cruising in a borrowed car, stopping by cafes and restaurants and each other’s houses, congregating at the occasional party.

“Slackistan” has the ragged look and feel of a ’90s indie, with flat visuals, title cards announcing the start of each new anecdote and heavy use of music from local bands. But the slack style and pacing don’t get in the way of the fascinating locale, a place where the characters’ boredom legitimately springs from a lack of opportunities, but leaving also feels like admitting defeat. Hasan and his friends often have more in common with western culture than with the average Islamabad resident. They live in a comfortable bubble of financial ease, they drink, surf the web and speak to each other in a mix of English and Urdu, and the lure of getting out of town is ever present — Hasan’s brother lives in New York, and Aisha’s readying herself for grad school in Boston. Hasan feels increasingly despondent about what he should do next, and about his creative opportunities — the city has no cinema, and he can’t even locate a copy of “Mean Streets” at the DVD store (“There’s not enough piracy of ’70s movies,” he sighs).

Hasan’s malaise may be of the conventional post-college variety — he loves Aisha but can’t bring himself to tell her, he wants to make a movie but can’t actually get started, and he realizes and is frustrated by these things — and his voiceover observations more self-pitying than profound, but the realities of the country he lives add pungency to the narrative, because who else is in a better place to rebuild and to affect change than these intelligent, worldly characters? Getting out of town may be the obvious and easiest option as an individual, but, as “Slackistan” suggests in its ending, there’s a bravery and worthiness to trying to hack it at home.

“Slackistan” does not yet have U.S. distribution.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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