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DID YOU READ

Set Visit Ringers

Set Visit Ringers (photo)

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Sometimes you just have to sit back and tip your hat to brilliant public relations. Today a whole rash of “Green Lantern” set visits were released on various movie news sites. These articles — I’ve got ten of them open in my web browser at the moment — all strike the exact same note: we are super excited for the “Green Lantern” movie but we can’t tell you why.

I understand the appeal of set visits. As a kid, they were always my favorite articles in movie magazines. I loved Premiere‘s long-running column of Hollywood production photos by David Strick. And the collection of green power rings on my desk suggests nobody is looking forward to a “Green Lantern” movie more than I am. I’m also under no illusions that set visits are anything other than publicity tools, even under optimal circumstances. But good set visit reports should pull back the curtain that shields us from how movies are made. We want to be tantalized, sure, but we also want to learn something, too.

That ethos is totally absent in these “Green Lantern” set visit pieces. No chance of getting behind the curtain here; the experience is more akin to listening to someone describe how cool a club is while you’re stuck waiting behind the velvet rope. At this point, Warner Bros. has barred the journalists who visited the “Green Lantern” set from revealing almost any of the specifics of what they saw. However they were either permitted or encouraged to publish these “previews” (a word that pops up again and again in the articles) voicing their enthusiasm for the project in the most general and non-specific ways possible. The results all look and sound almost identical: “We can’t reveal too much now,” and “we’re not allowed to tell you everything we saw” and “the studio’s not allowing us to go into too much detail about what we saw,” but nevertheless “I really couldn’t be more excited” and “all of my faith in the film has been restored,” and “this movie is going to look incredible on the big screen.”

In other words, all these writers are permitted to share is unsubstantiated enthusiasm. This has to be one of the most ingenious PR moves in Hollywood history. If you allow these journalists to share details of the production, you also allow for the possibility that readers might form their own potentially negative opinions (“I don’t care what he says, that sounds lame.”). By controlling their reports this way, what you’re left with are ten identical pieces of hype. The only reasonable response for a reader, besides jealousy of the authors, is excitement. You can’t question because there’s nothing to question.

For a far more interesting variation on the standard set visit article, check out filmmaker and critic Michael Tully’s recent series on Hammer to Nail about his trip to the set of David Gordon Green’s “Your Highness.” Tully provides plenty of the requisite “dirt” — details of the production, interviews with the cast and creators — but he also writes honestly about he felt traveling to Ireland on someone else’s dime to interview people he knows personally. It’s a good read; no question of journalistic ethics escapes his site.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.