DID YOU READ

Set Visit Ringers

Set Visit Ringers (photo)

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Sometimes you just have to sit back and tip your hat to brilliant public relations. Today a whole rash of “Green Lantern” set visits were released on various movie news sites. These articles — I’ve got ten of them open in my web browser at the moment — all strike the exact same note: we are super excited for the “Green Lantern” movie but we can’t tell you why.

I understand the appeal of set visits. As a kid, they were always my favorite articles in movie magazines. I loved Premiere‘s long-running column of Hollywood production photos by David Strick. And the collection of green power rings on my desk suggests nobody is looking forward to a “Green Lantern” movie more than I am. I’m also under no illusions that set visits are anything other than publicity tools, even under optimal circumstances. But good set visit reports should pull back the curtain that shields us from how movies are made. We want to be tantalized, sure, but we also want to learn something, too.

That ethos is totally absent in these “Green Lantern” set visit pieces. No chance of getting behind the curtain here; the experience is more akin to listening to someone describe how cool a club is while you’re stuck waiting behind the velvet rope. At this point, Warner Bros. has barred the journalists who visited the “Green Lantern” set from revealing almost any of the specifics of what they saw. However they were either permitted or encouraged to publish these “previews” (a word that pops up again and again in the articles) voicing their enthusiasm for the project in the most general and non-specific ways possible. The results all look and sound almost identical: “We can’t reveal too much now,” and “we’re not allowed to tell you everything we saw” and “the studio’s not allowing us to go into too much detail about what we saw,” but nevertheless “I really couldn’t be more excited” and “all of my faith in the film has been restored,” and “this movie is going to look incredible on the big screen.”

In other words, all these writers are permitted to share is unsubstantiated enthusiasm. This has to be one of the most ingenious PR moves in Hollywood history. If you allow these journalists to share details of the production, you also allow for the possibility that readers might form their own potentially negative opinions (“I don’t care what he says, that sounds lame.”). By controlling their reports this way, what you’re left with are ten identical pieces of hype. The only reasonable response for a reader, besides jealousy of the authors, is excitement. You can’t question because there’s nothing to question.

For a far more interesting variation on the standard set visit article, check out filmmaker and critic Michael Tully’s recent series on Hammer to Nail about his trip to the set of David Gordon Green’s “Your Highness.” Tully provides plenty of the requisite “dirt” — details of the production, interviews with the cast and creators — but he also writes honestly about he felt traveling to Ireland on someone else’s dime to interview people he knows personally. It’s a good read; no question of journalistic ethics escapes his site.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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