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Revived and Derived: “Freaks and Geeks” Ep. 14, “Dead Dogs and Gym Teachers”

Revived and Derived: “Freaks and Geeks” Ep. 14, “Dead Dogs and Gym Teachers” (photo)

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“Freaks and Geeks” is now airing on IFC, and we thought we’d take this opportunity to revisit the show that launched a thousand bromance movies. Every week, Matt Singer and Alison Willmore will be offering their thoughts on that night’s episode.

Episode 14
Dead Dogs and Gym Teachers
Written by Judd Apatow & Bob Nickman
Directed by Judd Apatow

“You couldn’t see through my cloud of smoke / You held my heart, now it’s bloody and broke / And is your green army jacket the only thing keeping you warm tonight? / Lady L!” — Nick

Matt: There’s one really important aspect of “Freaks and Geeks” that we haven’t talked about enough in this column, and that’s its use of music. “Dead Dogs and Gym Teachers,” a streamlined but very solid episode from Judd Apatow and co-writer Bob Nickman, is a good place to bring it into our discussion because features examples of all the different ways the creators worked their favorite songs into the show.

Yes “Freaks and Geeks” had a great soundtrack (filled this week with The Who, since Lindsay and the freaks are preparing for their big concert in Detroit). But it also used music as a vehicle for comedy or personal expression. Or sometimes both: I don’t know that there’s any moment on “Freaks and Geeks” as simultaneously funny and revealing about character as Nick’s musical tribute to Lindsay, “Lady L.” In another brilliant, fearless performance, Jason Segel terribly sings and terribly accompanies himself on guitar a song whose terrible lyrics he wrote himself (terribly). Those lyrics include both obvious jokes (the one about the green army jacket always kills me) and subtle nods to continuity — the line about his “cloud of smoke” is a clear reference to Lindsay’s objections to Nick’s pot use last week on “Chokin’ and Tokin.'”

There’s also another music-as-callback-moment in the final scene between Lindsay and Millie, who nearly becomes a freak this week in the wake of her beloved dog Goliath’s tragic death at the vehicularly dogslaughtering hands of Kim Kelly. Saved from the abyss of drink and Pete Townsend lyrics by Kim’s last minute admission of guilt, Millie retreats to her room with with Lindsay, where the pair reminisce about Goliath to the comforting sounds of Seals and Crofts’ “Summer Breeze,” a perfect choice for the scene for three reasons: the song matches the conversation’s nostalgic tone; it reassures us that after her flirtation with freakdom and rock and roll, Millie’s retreated to geekdom and easy listening; and it’s also callback to “Chokin’ and Tokin,'” where Millie mentioned learning what potheads look like at a Seals and Crofts concert last summer.

The other brilliant performance this week belongs to Martin Starr. He’s already proven himself “Freaks and Geeks” most dependable comic relief dozens of times over, but he surprises us this time with the strength of his dramatic chops during Bill’s storyline about coming to terms with his mom’s new boyfriend. In an ingenious (and also continuity-heavy) twist, Gloria Haverchuck is dating none other than McKinley gym teacher and Bill’s arch-nemesis in “The Diary” Mr. Fredericks. Starr’s front and center during two silent sequences: one in which Bill delights in the pleasures of solitude with a grilled cheese sandwich and “The Dinah Shore Show,” and another where he smolders at the sight of a boxer-shorted Fredericks refreshing himself after sleeping with Bill’s mom with a cup of orange juice he drinks out of Bill’s personal mug. Alison, both moments are series’ highlights for me, but which do you prefer and why?

Alison: That scene of Bill watching TV is my favorite of the two, a truly excellent mix of humor and pathos. We’ve seen early instances of the show turning things over to a solo Martin Starr, but it’s always been for the sake of pure comedy, watching him pretend to talk on the phone in character as Jaime Sommers or reenact Cindy’s squeaking chair/passing gas moment. This episode’s montage of Bill coming home to what’s obviously a ritual of chocolate cake, a grilled cheese sandwich and some quality time with the television is a touching ode to a latchkey childhood. It feels almost intrusive to take in Starr’s unguarded laughter at Gary Shandling’s unheard stand-up bit, direct to camera, around a mouthful of processed food product.

His happiness in that scene adds to our appreciation of his resentment of Coach Fredericks’ appearance in his mother’s life — Bill doesn’t exactly have an easy time of things socially, and his comfort at home alone stands in sharp contrast to the agonies he often has to endure during the school day. Any new addition to the place that serves as his sanctuary is bound to be resented. That the addition is the guy who oversees gym class, the setting of so many geek scenes of humiliation, that he seems like someone who always has and always will fail to understand Bill, and that he might be permanent, prompts Bill to act out in a way we’ve never seen before.

09302010_fandg14_2.jpgTom Wilson also deserves a salute for his fine work in this episode, articulating Fredericks’ good intentions and his cluelessness. He may work with kids, but he doesn’t have any of his own, and his half-informed attempts to befriend his girlfriend’s son are additionally handicapped by the fact that he and Bill might as well speak different languages. Whether insulting the geeks’ beloved Bill Murray (“the funniest man on the planet!”) or running Bill off the go-kart road in the name of competition, he can’t seem to help but take wrong steps, even when he’s on the right path. The expression on his face in the morning-after scene is a delightful mix of wary, abashed and purposefully casual — he forces himself to make eye-contact and offer Bill some orange juice, but it takes him a few tries and some deep breaths.

The moment between Bill and Fredericks in the car has the kind of no-bullshit brilliance of “Freaks and Geeks” at its finest — one that has, notably, no background music at all. Fredericks crawls into the back seat to talk to Bill, but that’s the only concession he makes in what’s otherwise a brutally honest conversation that boils down to the fact that if Bill’s mom wants to be with Fredericks, and if Bill wants her to be happy, then he’s going to have to learn to accept the man into his life, even if they never really get along. And oh, god, Bill crying is somehow extra sad, perhaps because he has to take off those coke-bottle glasses and without them seems a different person.

Matt, if there’s one aspect to this episode I have trouble with, it’s how quickly Millie descends into freakdom. Does her path seem a little accelerated to you, given what we know of her character?

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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