DID YOU READ

“Marwencol,” Reviewed

“Marwencol,” Reviewed (photo)

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This review originally ran as part of our coverage of the 2010 SXSW Film Festival.

“Marwencol” opens the way I might imagine the fleeting final seconds of memories would flood through the mind of a G.I. Joe figurine before meeting its maker. There’s a montage the includes the daily raising of the flag, that time Joe made it with one of the nurses, the day he shuffled off the battlefield wounded with the help of a medic. And then director Jeff Malmberg pulls back to show there’s a man in the background documenting all of it with a digital camera.

Moments later, we realize these could’ve just as easily been the images that passed through Mark Hogancamp’s consciousness as he was laying bloodied and beaten outside of a bar in Kingston, NY. Hogancamp, the man with the camera, had been left in a coma and lost much of his memory in the attack by five strangers. When he regained some of his cognitive ability, he began to develop the alternate world of Marwencol, a fully realized World War II-era town “in Belgium” populated by immaculately detailed Barbies, Steve McQueen dolls and other plastic figurines.

09022010_marwencol2.jpgA place where men are men and women wear Manolo Blahnik slingbacks, Marwencol is both a retreat from Hogancamp’s real life of trying to figure out who he was as well as the menial work of sweeping up at a local restaurant, and a playground for all of his obsessions and fantasies that have all the twists and turns of a 1940s pulp novel. Every person from his real life has a Marwencol doppelganger, from his best friend Bert, who is immortalized in plasticine as a British commander, to his next door neighbor Colleen, the object of Mark’s intense affections who indulges him up to a point and whose Barbie doll falls for Captain Hogancamp.

Though Colleen’s real marriage prevents that from happening in reality, it doesn’t prevent Mark from naming a tank (and the last third of the town’s name) in her honor. (To the director’s credit, as compelling as Hogancamp’s personal story is, Malmberg’s smart enough to realize Hogancamp’s storylines for his characters, full of love triangles and combat intrigue, are equally entertaining and devotes plenty of time to simply displaying the still portraits of the villagers in eerily realistic action.)

Malmberg actually wasn’t the first to come across Hogancamp’s pictures; instead, that honor would belong to a photographer named David Naugle and Tod Lippy, the editor of the cultural journal Esopus, which was the first to publish Hogancamp’s work in an artistic context. Ultimately, the duo’s legitimization of what had simply been a therapeutic exercise for Hogancamp plants the seed for what becomes the film’s narrative backbone as he prepares for a gallery opening in the city. The film also gradually weaves in the details of the brutal attack that befell Hogancamp in 2000, suggesting that the creation of Marwencol wasn’t his first attempt of creating an alternate identity for himself.

09022010_marwencol3.jpgSince Hogancamp is fuzzy on the details of his life before the beating and still a bit taciturn — he was married once and an alcoholic, with his diaries from his recovery being among the few items left that can jog his memory — the film itself is a bit rough around the edges as the interviews with Mark’s friends and family mostly only illustrate how much of an enigma the man always was. Still, “Marwencol” is a film that never sits in judgment of its subject, a quality that allows for unforced answers to the usually ineffable questions of how art is created, how it can heal and how artists can reconcile their reality to the one that stands outside their door.

“Marwencol” opens in New York on October 8th.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.