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Disc Covering: “I Think We’re Alone Now,” With Two Very Interesting People

Disc Covering: “I Think We’re Alone Now,” With Two Very Interesting People (photo)

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Human beings are bundles of contradictions. This week’s direct-to-DVD column is about a film that explores one contradiction fundamental to human life: our need to belong and fit in within a peer group on the one hand, and the need to feel like we’re special and stand out from the people around us on the other. It’s a documentary about two fans of the ’80s pop star Tiffany, though fans is too soft a word (and stalker may be too hard a word, since they don’t want to hurt Tiffany, just feel like she cares about them as deeply as they care about her).

Both of these people — a middle-aged man with Asperger Syndrome and an intersex woman in her thirties — are outsiders who have difficulty fitting into society. Becoming fans of Tiffany in the 1980s, when she was the epitome of the mainstream, was an attempt to be included in that society. Maintaining that fandom well into the 2000s and keeping up that fandom to the point that you know everything about her speaks to a need to feel unique: to be the best and biggest Tiffany fan in the world. So what happens when two “best and biggest” Tiffany fans meet? Tension, my friends. Sweet, fascinating tension.

I Think We’re Alone Now
Directed by Sean Donnelly

10122010_disccovering2.jpgTweetable Plot Synopsis: Interesting & kinda terrifying doc about 2 stalkerish fans of the ’80s pop icon Tiffany. Yes, apparently some people still care about her.

Biggest Success: Director Sean Donnelly has two fascinating subjects here: Jeff Turner, who’s been the past recipient of restraining orders from Tiffany because he’s done things like tried to give her a samurai sword, and Kelly McCormick, whose passion for all things Tiffany began after she had a vision about her during a coma after a near-fatal bike accident. But these characters’ frequently aberrant behavior could very easily make them the subject of ridicule, and turn “I Think We’re Alone Now” into a freak show. Thankfully, it is not. Donnelly manages to capture Turner and McCormick for good and for bad, and his camera is always sympathetic and never judgmental (though it’s occasionally embarrassed). It’s a moving portrait of two troubled people, a scary look at the dark, unhealthy side of fandom, and, yes, an occasionally funny story about the weird things they’re prone to do. (Sorry Jeff. Watching you strap on your “radionic psychotronic device” to commune spiritually with Tiffany cracked me up.)

Best Moment: Hard to pick one. The movie is just over an hour long, and many moments standout as perfect encapsulations of the characters’ warped worldviews. Maybe the most memorable is Jeff’s description to his Pastor — in front of the whole church! — of his trip to Glamourcon, which is described on the event’s website (which features ads for Playboy products) as a “celebration and marketplace of pin-up art & glamour,” but which is described by Jeff as a place to “renew friendships” with “erotic models” and “adult film stars.” And as Jeff narrates his experiences at Glamourcon to a visibly uncomfortable man of the cloth, Donnelly shows us his interactions at Glamourcon with several stars including a visibly uncomfortable Tiffany. My reaction to this incredible sequence? Visible discomfort.

10122010_disccovering3.jpg I Question: Though “I Think We’re Alone Now” is more of a pair of interlocking character studies, it does build to a climax of sorts: Jeff and Kelly meet in Las Vegas to attend a Tiffany concert. The film shows them speaking the telephone for the first time, carrying on an awkward conversation, then meeting in Vegas where they hang out and share a hotel room. The scenes are mesmerizing because of the tension that arises between the two — both want to envision themselves as the alpha dogs of Tiffany fandom, and neither is ready to share her with anyone — but Donnelly never explains how these two hooked up in the first place, and I question whether he didn’t connect them himself simply for the purpose of dramatic tension.

Lessons Learned: Never show up to a Tiffany concert early (especially on the West Coast) if you don’t want to have a conversation or ten with Jeff Turner.

10122010_disccovering4.jpgWorthy of a Theatrical Release? I can certainly understand why the film didn’t get one — it’s barely over an hour and it’s portrait of fandom is about as bleak, depressing, and uncomfortable as any documentary you will ever see. This is no “Trekkies” where it’s cute to run a Star Trek dentistry or spend all your money on action figures. Jeff and Kelly have Tiffany and almost nothing else. They live alone on disability, have very few friends, and wait for the day when Tiffany will realize that she’s meant to be with them. But that’s exactly what makes this film worthy, if nothing else, of viewing by a wider audience regardless of the platform (and, hey, if you’ve got Netflix, you can watch it instantly right now). I guess we can just chalk that up to another contradiction.

For Further Viewing: watch Jeff Turner’s reaction to watching “I Think We’re Alone Now” for the very first time.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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