2010 Holiday Movie Guide – Screenings

2010 Holiday Movie Guide – Screenings (photo)

Posted by on

The 2010 Holiday Movie Guide. What's showing when, where and how.

The 2010 IFC Holiday Film Guide

Although the holiday season means time off work for most other industries in the U.S., it means it’s awards season for the film business, which in turn necessitates plenty of tributes and accolades to be presented on the East and West Coasts at your local repertory theater in advance of the Oscars where movie stars can be seen and Q & As are conducted. Yet in New York and Los Angeles, there will be a wealth of other options as neighborhood theaters flood their screens with contemporary cinema from other parts of the world, classic movies in their full bigscreen glory, and certain-to-be-fun nods to the holidays, whether it’s Halloween or Christmas. If you live in one of these areas or see fit to travel, these are the events worth the trouble over the next few months.

by Stephen Saito

From coast to coast, these are the one-night only events, career retrospectives and films that can only truly be appreciated on the big screen worthy of celebrations unto themselves this holiday season.



Screenings in Los Angeles

Donnie Darko, Newmarket Films, 2001

“Donnie Darko,” Newmarket Films, 2001

The Aero Theatre

For perhaps the most surreal experience you will find in this season’s holiday preview, one should head over to the Aero Theatre in Santa Monica on October 27th for a screening of “Donnie Darko” where writer/director Richard Kelly will be doing a live commentary for an audience sitting in the very same place Jake Gyllenhaal, Jena Malone and Frank the Bunny sat nearly a decade ago. It is only midway through a super cool week at the theater that will see animator Bill Plympton present his latest “Idiots and Angels” (Oct. 28), a pre-Halloween screening of 1980’s horror flick “The Changeling” (Oct. 29, with director Peter Medak in person), the 5th Annual Dusk-to-Dawn Horrorthon (Oct. 30) and “The Monster Squad” on Halloween night.

The Aero will also get in the thick of this year’s Oscar race with in-person tributes to Robert Duvall (Oct. 26, with a double feature of “Get Low” and “Tomorrow”), Mark Ruffalo (Nov. 5, with “The Kids Are All Right” and his still-undistributed directorial debut “Sympathy for Delicious”), Pierce Brosnan (Nov. 20, with “The Ghost Writer” and “The Matador”) and a special screening of “The Social Network” with Aaron Sorkin, among others to be announced on November 21st. They will also honor the late, great Arthur Penn on November 19th with two of his lesser seen films “Mickey One” and “Night Moves,” and Sid & Marty Kroft with a screening of “Pufnstuf” (Nov. 20), followed by a discussion with “Attack of the Show”‘s Olivia Munn.

However, the Aero will also be the place for L.A. premieres in November, including Edward Burns’ “Nice Guy Johnny” (Nov. 2nd, with the actor in person), the Malcolm McDowell thriller “Pound of Flesh” (Nov. 6th, where McDowell will appear in person with Timothy Bottoms and director Tamar Hoffs), “With Great Power: The Stan Lee Story” (Nov. 7, with the documentary’s crew in person), Henry Jaglom’s “Queen of the Lot” (Nov. 15, with Jaglom in person), the Belgian thriller “Illegal” (Nov. 17), and Soviet-era doc “The Desert of Forbidden Art” (Nov. 18). But the bulk of premieres will be reserved for the Aero’s two major series from abroad this holiday season: New German Cinema, which starts this week with Sönke Wortmann’s “Pope Joan,” starring John Goodman and David Wenham (Oct. 22), as well as Germany’s Oscar submission “When We Leave,” “The Woman With 5 Elephants” and “Vincent Wants to Sea” (Oct. 24); and the survey of contemporary Italian film that is Cinema Italian Style (Nov. 10-14) that includes the U.S. premieres of “The Pursuit of Happyness” director Gabriele Muccino’s “Kiss Me Again,” Daniele Luchetti’s “Our Life,” John Turturro’s “Passion” and more.

There will also be many opportunities to revisit the classics, including some that have been revisited from their original form, such as a special screening of Gillo Pontecorvo’s “Burn!” (Nov. 4, with screenwriter Larry Karaszewski) in its original uncut European form. Other repertory highlights include “Singin’ in the Rain” (Nov. 26), “It Happened One Night” and “My Man Godfrey” (Nov. 27) and “The Wizard of Oz” (Nov. 28), followed by “Return to Oz” with a Q & A to follow between “A History of Violence” screenwriter Josh Olson and director and sound designing legend Walter Murch.

The Cinefamily

The Fairfax theater is wasting no time with interesting programming, bringing “The Room”‘s Tommy Wiseau to headline “The Diabolical Dr. Cinefamily’s Horrifying Anthology Of Horror Anthologies” this Friday, October 22nd with his short “The House That Dripped Blood on Alex.” It’s only the start of the mischief the Cinefamily will up to during the lead up to Halloween where they will present a double bill of Doris Wishman’s “A Night to Dismember” and 1988’s “Don’t Panic” (Oct. 23), a Comedy Death-Ray screening of “The Blob” remake (with Brian Posehn, Oct. 25), Doug Benson’s Movie Interruptions screening of the killer ape flick “Link” (Oct. 27), Cinefamily’s 100 Most Outrageous Kills (Oct. 29), a Heavy Metal Halloween Party & Fundraiser (Oct. 30), and a double feature of William Castle’s “House on Haunted Hill” and “The Tingler” on Halloween night. (And they’re sparing no expense – the seats will be wired as Mr. Castle always wanted.)

November brings special guests to Cinefamily, chief among them animator Bill Plympton with a collection of shorts on November 1st, Helen Slater with “The Legend of Billy Jean” (Nov. 6), a rare screening of Radley Metzger’s uncut erotic drama “Score” (Nov. 7, with the director and actress Lynn Lowry in person), and a sneak preview of the Jim Carrey comedy “I Love You Phillip Morris” (Nov. 28) with writer/directors Glenn Ficarra and John Requa in person. The rest of the month will be dominated by the Friday series Neon Noir, a run of double bills of ’80s suspense films like “The Driver” and “Thief” (Nov. 5), “American Gigolo” and “Breathless” (Nov. 12), “52 Pick-Up” and “Body Double” (Nov. 19), as well as screenings of William Eggleston’s “Stranded in Canton” (Nov. 2), the 1920 silent “The Devil’s Claim” (Nov. 3), an evening of Roman Polanski shorts (Nov. 9, with live musical accompaniment from Sza/Za), the L.A. premiere of Jean-Stéphane Sauvaire’s children’s war film “Johnny Mad Dog” (Nov. 13), puppeteer and artist Wayne White’s one-man show “You’re Supposed to All Act Impressed” (Nov. 16), the restored “Metropolis” (Nov. 17), the doc “The Invention of Dr. Nakamats” (Nov. 18), and the two-day “Destroy All Movies” punk film fest hosted by the Alamo Drafthouse’s Zack Carlson and Bryan Connolly on November 20th and 21st. The Cinefamily will also hold screenings of Sylvain Chomet’s “The Illusionist” (Dec. 7), Josh Fox’s doc “Gasland” (Dec. 9) and in an event sure to sell out soon, the “Party Down” Memorial Service with co-creators John Enborn and Dan Etheridge in person to mourn the much beloved Hollywood catering comedy that was canceled by Starz earlier this year.

Watch More

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet