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Werner Herzog on Death, Los Angeles and Avoiding Introspection

Werner Herzog on Death, Los Angeles and Avoiding Introspection (photo)

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Presumably, Werner Herzog needs no introduction. Like an atmospheric phenomenon or a law of physics, the German filmmaker has been some kind of constant for over more than four decades of world cinema. That he continues to be a major presence in the world of film — churning out both documentaries and narrative features with supernatural regularity – certainly speaks to his uncompromising nature. But it also speaks to his adaptability – the same guy who made deranged German jungle adventures with Klaus Kinski is now making deranged American cop flicks with Nicolas Cage.

With the upcoming DVD release of his striking, impossibly strange thriller “My Son, My Son, What Have Ye Done,” in which Michael Shannon plays an actor whose experiences with the far edge of civilization cause him to go mad and kill his mother with a sword, Herzog continues his exploration of the ways that myth and banality cruelly intersect in the world. True to form, the relentlessly busy director also is about to premiere his latest docs “Happy People: A Year in the Taiga” at Telluride and “Cave of Forgotten Dreams” at the Toronto Film Festival. He spoke to us recently about his recent journeys in American cinema, his new documentaries, his love of Los Angeles, and about old friends.

First of all, I was sorry to read about the recent death of Bruno S., who starred in “Stroszek” and “The Enigma of Kaspar Hauser.” Had you been in touch with him before he died?

In February, I spent a whole evening with him. He was already ailing. I remember that he had a handful of pills and complained about his heart condition. His name [Bruno Schleinstein] is known by now. At the time we made the films together, he didn’t want his name to be revealed; he wanted to remain the unknown soldier of cinema. It saddens me deeply that he passed away.

What was he like?

We’d need 48 hours to get into that. He was a very complicated person. He was tragically destroyed in his childhood. A man with an aura of tragedy around him that is unprecedented on any film screen in the world. We’ve never had anyone like him. In a way he was the best actor with whom I worked.

09022010_WernerHerzogHappyPeople.jpgYou seem to be constantly working, and always on a broad range of subjects. Do you just stumble into these subjects, or do you have some idea beforehand of what you want to do next?

Normally, the films stumble into me. It’s not that I’m sitting there and trying to figure out from the bestseller list which book could I convert into a film. The film I just finished — “Happy People: A Year in the Taiga” — was a complete stumbling of a film into me, almost literally. I went to the house of a friend, and I only stopped by because there was a huge parking spot near him. I stopped and I knocked on his door. And I see on his plasma screen there’s something playing. He wanted to turn it off, and I said, “No, no, this looks interesting.” And I ended up watching four hours of this Russian film about hunters in Siberia [originally directed by Dmitry Vasyukov]. And I thought one should make an international version of it.

The film was way too long, the commentary was not right, the music was bad. And we said, why not? And within a few weeks, I was working on this. I wrote a new commentary and spoke it myself, and got Klaus Badelt to compose music for it. There’s such wonderful material in it — it was such a joy to work on it. That’s the wonderful thing about Los Angeles. Things get done here. It’s not just people talking.

A lot of directors I talk to have a lot of terrible things to say about Los Angeles. But you’re something of a cheerleader for the city.

I moved to Los Angeles because my wife and I decided we had to live in the city with the most substance in the United States. And I do not regret it for a second. Don’t be misled by the superficial glitz and glamour of Hollywood. It’s the city with the most cultural substance. If you want to go into finance, go to New York. If you’re in the oil business, go to Houston. If you want substance, go to Los Angeles. I’m just proclaiming the banalities of tomorrow. [laughs]

09022010_caveofforgottendreams1.jpgYou’ve also got a documentary premiering in Toronto soon.

Yes. It is my film about Paleolithic caves, “Cave of Forgotten Dreams.” This film, I must say, has been a longtime fascination of mine. It was the first independent fascination I had, when I was 12 — independent of school and family.

So it was a long time lingering, and then I heard about the Chauvet Cave, which [has] the oldest cave paintings ever found, more than twice as old as anything else ever found. Dating back 32,000 years, a time when Neanderthal man was roaming around. And it’s fantastic, completely accomplished art. Phenomenal.

The film is going to be in 3D?

Yes. In principle, I am a skeptic of 3D, but in this case, it was the best decision. Some subjects are made for 3D, literally. You will see when you see the film.

“My Son, My Son, What Have Ye Done?” feels like something of a departure for you. It seems to take place in a very ordered world — very suburban and placid, and has a very precise, ordered style to go along with it.

I think your observation about the very well-ordered American suburbia is interesting, because it makes it scarier that this ordered world is invaded by fear and horror. And when you speak about this orderly world, it points to the film itself, because the film is so very disciplined in its narrative and structure. In that sense, you’re right, it’s like no other film I have made.

09022010_WernerHerzogMySonMySon.jpgThere’s the slow invasion of fear into such an orderly world, which makes the film in a strange way very scary for me — existentially scary. It’s not like the axe coming at you; there’s a certain anonymous, ominous fear creeping up on you in this world. That made the story more fascinating for me.

Michael Shannon’s character is like someone out of myth adrift in a very orderly, American environment.

Yes. Or someone who has an almost quasi-religious mission, who listens to his inner voices. But I think we should put “orderly” in quotes, because it goes completely wild from these spaces. I mean, we have the largest tree stump in the world and a midget on top of it. The tiniest horse in the world mounted by a tiny rider. We are going into the wildest possible corners of the imagination. But you have to have a solid basis from where you depart.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.