DID YOU READ

Toronto 2010: “Trust,” Reviewed

Toronto 2010: “Trust,” Reviewed (photo)

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Reviewed at the 2010 Toronto Film Festival.

Nothing comes easy in “Trust,” a drama about pedophilia that will inevitably face heavy scrutiny should it make it out of Toronto, and even with Clive Owen and Catherine Keener, there’s reason to be skeptical. It is at once an attempt to deal with one of the last taboos in a way that keeps audiences engaged and it’s directed by one of the stars of “Friends” that refuses to employ the stylistic flourishes or overt moralizing that usually make such films easier to digest. Yet a lack of artistic creativity shouldn’t be mistaken for a lack of narrative ambition.

Schwimmer takes the road less traveled with “Trust,” the story of a 14-year-old named Annie, who becomes the victim of an online predator after months of IMs and texts with a boy she thinks is her own age, discussing volleyball and the other girls at her school. Except that Annie never really considers herself a victim, even after she meets her virtual boyfriend ChRLeeCA in the flesh, discovers he’s 40 and the two engage in not entirely consensual sex at a local motel where her mind drifts after some uncertain protests. In her eyes, if she’s a victim of anything, it’s what happens after the act, when her admission to a friend at school leads to a search for a man she still considers her “boyfriend” that truly has nasty repercussions.

Since Owen plays her father, this would be the part where you’d expect him to double pump a nearby shotgun and get angry for her, but to their great credit, the script from Andy Bellin and Robert Festinger leaves far more ambiguity than that. (It’s worth noting Festinger was last co-credited with the screenplay for “In the Bedroom.”) As the adult most shaken by Annie’s situation, Owen goes from pushing forward with an ad campaign of scantily clad models at work to wondering what he’s done wrong as a parent when there really might not be an answer. (Keener plays his wife and hits some nice grace notes in an underwritten part.)

09112010_Trust-1.jpgTo build some tension, Schwimmer indulges in some searching for the wanted pedophile, bringing in a FBI investigator (Jason Clarke) and a psychiatrist (Viola Davis) to help with any familial trauma, but “Trust” defiantly bucks the notion of being a chase film or some sort of Lifetime movie of the week in favor of realistically depicting the aftermath of such an incident. In their anger and confusion, Keener and Owen raise their voices more than once over what to do, appearing less mature at times than their young daughter who has the insecurities of a teenager that feed into her headstrong nature. First-time actress Liana Liberato gives a poised performance as Annie, though if there is any concession to the reality of movies versus actual reality, it’s that her cherubic dimples scream an innocence that tips the film’s hand as to where it’s going in the first act.

Schwimmer also has his limitations as a filmmaker, for better or worse. Whereas “Run Fatboy Run” suffered as a comedy from his restraint, “Trust” benefits from it, usually knowing when to let certain scenes breathe and when to pull back in others. There are a few instants where a heavy hand pokes through – Owen’s internal struggle ultimately manifests into some unexpected physical violence and Schwimmer is none too subtle in amping up the score and going crazy with the editing. But by that point, he’s generated enough goodwill by respecting the audience’s intelligence to make the more uneven aspects forgivable.

Considering there haven’t been many films of note to take on pedophilia with sophistication and ample consideration, and the few that have usually try to provoke by taking great strides to humanize the pedophile, “Trust” is a bold film, just for humanizing the victims by showing their flaws and making their plight seem all the more relatable.

“Trust” currently does not have U.S. distribution.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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