Sofia Coppola’s “Somewhere” Wins Venice, Draws Controversy

Sofia Coppola’s “Somewhere” Wins Venice, Draws Controversy (photo)

Posted by on

Top prize at this year’s Venice Film Festival went to Sofia Coppola for her film “Somewhere,” a film about a washed-up actor (played by Stephen Dorff) getting to know his 11-year-old daughter (basically it’s “I’m Still Here,” only less fictionalized). But somewhere in the Italian press, a controversy quickly began brewing over Coppola’s victory. The reason? The Venice jury was headed by Quentin Tarantino, who once dated Coppola.

The Hollywood Reporter quotes Paolo Mereghetti, film critic of Italy’s largest newpaper, as saying “The presidency of Quentin Tarantino runs the risk of turning into the most obvious conflict of interest possible if you remember that ‘Somewhere’ and ‘Road to Nowhere’ were charming and interesting in their own ways, but nothing more than that.” “Road to Nowhere,” by the way, is a new film from Monte Hellman, who directed the car chase classic (and “Death Proof” inspiration) “Two Lane Blacktop.” Hellman, a mentor of Tarantino, received a special prize from the Venice jury “for overall work.”

Do I think Tarantino was “playing favorites” with the award for Hellman? Probably. But so what? He invented a career achievement award and gave it to him. The Coppola accusation is far more serious, but also far less likely. I don’t know the state of Tarantino’s current relationship with Coppola and I haven’t seen “Somewhere.” But the mere description sounds like something up Tarantino’s alley in two big ways: a sad story of the Los Angeles underbelly (which describes every movie Tarantino made before “Death Proof”) and a faded star reclamation project for Dorff. Throw in some shots of women’s feet and Tarantino could have directed it himself. If he hadn’t had a relationship with its director, and he’d given the prize to “Somewhere” anyway, would we accuse him of liking it simply because it seemed like a movie he would make?

No, because that’s the guy’s taste. And if you don’t want Quentin Tarantino to give prizes to movies that fit his taste, don’t put him in a position to give out prizes to movies that fit his taste. Tarantino was announced as the head of the Venice jury on May 6, at the same time both Coppola and Hellman were announced as early members of the festival’s lineup. If the films weren’t worthy of consideration, or if there was concern on the part of the festival about a potential conflict of interest, they shouldn’t have been invited.

And why put all the blame on Tarantino? It wasn’t the QT Film Festival. He didn’t pick the films and he didn’t have the only vote. He was the head of a seven member jury, including composer Danny Elfman and director Arnaud Desplechin. Do they all have personal relationships with Coppola? Should we accuse them of trying to get on the Coppola wine comp list?

With respect to Mr. Mereghetti, the decisions of Tarantino’s jury, like the decisions of all juries at all festivals, are subjective. If they’d selected Mereghetti’s favorite film as the best feature, a “Somewhere” fan could have just as easily accused Tarantino of snubbing it because an ex-girlfriend he doesn’t get along with had made it. It was a no-win situation for him, and, unfortunately, for Coppola, who now has a proverbial asterisk branded into her Golden Lion.

For a full list of winners from Venice, go to the festival’s official website.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.