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Toronto 2010: Richard Ayoade Steers “Submarine”

Toronto 2010: Richard Ayoade Steers “Submarine” (photo)

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“I have a very sarcastic sounding, insincere voice,” joked Richard Ayoade during his introduction to “Submarine,” an adaptation of Joe Dunthorne’s coming-of-age novel about Oliver Tate (Craig Roberts), a 15-year-old consumed with looking up words like “atavistic” in the dictionary, saving his parents (Sally Hawkins and Noah Taylor) from being split up by a mulleted motivational speaker (Paddy Considine), and romancing his humble classmate Jordana Bevan (Yasmin Paige).

Certainly, Ayoade can be self-effacing, as one might know from his turn as a regular on Britcoms auch as “The IT Crowd,” but as a first-time director, he is never anything less than genuine, even while wringing laughs from the most embarrassing of experiences from growing up. His directorial debut will surely draw comparisons to Wes Anderson and Hal Ashby for its bittersweet take on adolescence told with style to spare, but “Submarine” is a wholly original creation that I must admit I couldn’t hear all the dialogue for since raucous laughter was constantly trampling over the lines at the film’s premiere at the Toronto Film Festival.

09172010_RichardAyoadeSubmarine.jpgShortly before Ayoade and his “Submarine” crew (including Ben Stiller, an executive producer) closed a deal with the Weinstein Company to bring the film to audiences everywhere soon enough, he sat down to discuss making the jump to making features from directing videos for the likes of Vampire Weekend and the Arctic Monkeys (frontman Alex Turner returns the favor with an original soundtrack for the film), the unusual influences for his teenage tale, and the sequel he’d like to tackle next.

How did this become your first feature?

It was, in many respects, random in that I had done a music video for Warp [the film’s production company] and somebody who works at Warp went to college with Joe Dunthorne, who had written the novel, so they sent me it before it had come out. I wasn’t aware of the book through being shopped or anything and they thought I might be worth considering to adapt it and I just decided to try because I really liked the book and didn’t necessarily think it was translatable very readily and it’s very internal, it’s all in the first person.

There were a number of things that seemed to indicate you shouldn’t try to adapt it, but I’ve always liked that subject area, partly because it feels peculiarly American, I guess. A show like “Dawson’s Creek” is unthinkable in England or “My So-Called Life” or “The Wonder Years” or anything like that, or “The Graduate” or those John Hughes films. There’s no real genre of that in England of what you’d call the teen genre. It just doesn’t exist. So I’ve always been very interested in that.

09172010_Submarine6.jpgI imagine that’s something you both wanted to embrace for particular story beats and overcome to make something original.

The thing you don’t necessarily think about more in this than potentially doing any genre of film, whether they’re the well-mined tropes of the horror film or a thriller or all of those types of films, is that they have their own clichés and rules and in some sense, it’s inescapable. You just hope that the characters in it feel real and right and it felt from the novel, there’s something different about the character of Oliver Tate that was different to characters I’ve seen in other things or read about in other books, so I guess that gave me the confidence to try and attempt it.

You mentioned the other night that many of the things in Oliver’s room were similar to knickknacks you had as a kid — how much of yourself did you want in the film?

I suppose you end up investing yourself into it in some regards because that’s your way of attacking it, in the same way that I think all good acting performances have something of the person playing them brought to it. Otherwise, it becomes a form of mimicry that doesn’t have any depth to it. So inevitably, you bring things that have meaning to you or you feel will inform it in some way or things that you feel are correct. I like in “The Graduate” how Dustin Hoffman is said to give Mike Nichols’ cough and Mike Nichols did that in meetings. If you put personal things into what you do, you feel that it’s authentic or they have some form of meaning to you.

Since you came up as a comedian, that’s such an improv-heavy medium and you’re obviously a film geek and this film has such precision. Did those two things collide on this film?

I think it’s both in a way that I suppose, for example, a lot of comedians write through improvisation and that you end up boiling it down and you keep the good bits. I think improvisation for its own sake isn’t particularly interesting.

09172010_SallyHawkinsSubmarine.jpgThere’s a tension when someone’s improvising in the room because there’s a one-offness to it, but as soon as it’s captured, it can seem incredibly baggy and self-indulgent and meandering, so you hope to have the illusion of improvisation without the long passages of rubbish that can come out of it.

You mentioned “The Graduate,” but were there other films that got you in the mood to make this one?

Oddly enough, the films that felt most directly influential on it were “Taxi Driver” and “Badlands,” not because of the subject matter particularly, but the dispassionate voiceover and they’re both having central characters who have an idea of their own legacy and even though clearly the subject matter of this is much less cataclysmic or violent or brooding or mythic than those films, there’s something about having a character with a stated view of reality juxtaposed with the view of reality the audience sees.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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