DID YOU READ

“I’m Still Here,” Reviewed

“I’m Still Here,” Reviewed (photo)

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Casey Affleck wants us to believe his documentary about actor Joaquin Phoenix’s retirement is real. For his sake, I hope he’s lying.

If “I’m Still Here” is real, then that means Affleck saw Phoenix, his brother-in-law, throwing away his career, his sobriety, and his maybe his sanity and decided to pick up a camera and get it all on film rather than stage an intervention. Instead of helping him heal in private he’s aired his ugliest behavior in front of the entire world. In other words, if “I’m Still Here” is the genuine article, Affleck might be the worst brother-in-law in history.

But while he may not win any awards for responsible familial behavior, he deserves at least a little credit for his filmmaking skills. With his first feature as a director, Affleck has made one of the most convincing and interesting movie pranks ever (that is, if he didn’t make one of the most exploitative and morally questionable documentaries ever). For the moment, let’s assume the former.

In that case, “I’m Still Here” is the “War of the Worlds” of actor meltdown movies. Its execution is so flawless and its internal logic is so strong, that we need the end credits to tell us that the film is not what it claims to be. It’s an interesting film to watch and an even more interesting film to discuss (for that reason, do not go see this movie alone). Since watching “I’m Still Here” on Tuesday I’ve had more conversations about it, about what it is and what it means, than any film this year except “Exit Through the Gift Shop.”

Like “Exit Through the Gift Shop,” “I’m Still Here” is equal parts chronicle of and joke on the intersection of art and celebrity in our society. The facts of the movie are already well-known because they all took place on television. In 2008, Phoenix, sick of “playing the character of Joaquin” in the media (a clue, perhaps?) suddenly announced his retirement from acting and began performing as a hip hop artist. He played a nightclub in Vegas and fell off the stage. He showed up for an interview on Letterman and acted confused and possibly high.

How did we go from the man who starred in “Two Lovers,” a world-class thespian delivering an heart-wrenching performance, to the man who promoted “Two Lovers,” a sloppy, rambling weirdo who makes subway hobos look eloquent in comparison? Phoenix’s documentary fills in the gaps. When he wasn’t insisting he was done with Hollywood, Phoenix was scouring the Internet for hookers, snorting coke off their breasts, belittling his assistants, or practically stalking P. Diddy to try to convince him to produce his album.

Did Phoenix really think he had a future as a rapper? Did he ambush Diddy “Borat”-style or was Sean Combs in on the joke the whole time? I personally believe the truth of “I’m Still Here” lies somewhere in the murk between the two extremes of documentary and fiction. Though Phoenix and Affleck are the film’s credited writers, and some of the parts appear to have been filled by actors, Phoenix looks too legitimately high at times to be acting. Compare him stumbling around, puffing on a joint and doing cocaine to someone like Nicolas Cage in “Bad Lieutenant.” If Phoenix is acting in some of these scenes, he is giving one the greatest and most fearless performances of all time.

But the fact that Phoenix may be legitimately high doesn’t automatically make this a documentary either. Phoenix is a great actor; he’s also one of our craziest. How do we know he wouldn’t get genuinely stoned on camera for the sake of verisimilitude in a fiction film? I’m still not sure. And that ambuiguity is the point.

In 2010, reality and fiction are not only indistinguishable in popular culture, the difference between them is essentially irrelevant. Millions of people tune in every week to watch “Jersey Shore,” never questioning how much of the show is staged for the cameras, or written by writers, or massaged in the editing room. Whether Phoenix was high on Letterman or whether he was pretending to be high, the resultant impact on his career was the same. Whether he’s a terrible rapper or a performance artist aping the affectations of a terrible rapper, his audience wasn’t interested in parsing the difference. They just wanted to see the freak show and get a video of it on their cell phones.

If “I’m Still Here” is real, even in some small way, it is a freak show. Some of Phoenix’s antics are funny, at least until you remember the possibility that he’s not joking. On the other hand, maybe he was joking all along but nobody got the joke, and now he has to suffer the consequences. If Phoenix is as screwed up as he looks in this film, then Affleck owes his brother-in-law an apology (he might also need to explain himself to his wife, Joaquin’s sister Summer, who does not appear in the film). If it’s not then it is one hell of a hoax. This movie has to be seen to be simultaneously believed and disbelieved.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.