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“I’m Still Here,” Reviewed

“I’m Still Here,” Reviewed (photo)

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Casey Affleck wants us to believe his documentary about actor Joaquin Phoenix’s retirement is real. For his sake, I hope he’s lying.

If “I’m Still Here” is real, then that means Affleck saw Phoenix, his brother-in-law, throwing away his career, his sobriety, and his maybe his sanity and decided to pick up a camera and get it all on film rather than stage an intervention. Instead of helping him heal in private he’s aired his ugliest behavior in front of the entire world. In other words, if “I’m Still Here” is the genuine article, Affleck might be the worst brother-in-law in history.

But while he may not win any awards for responsible familial behavior, he deserves at least a little credit for his filmmaking skills. With his first feature as a director, Affleck has made one of the most convincing and interesting movie pranks ever (that is, if he didn’t make one of the most exploitative and morally questionable documentaries ever). For the moment, let’s assume the former.

In that case, “I’m Still Here” is the “War of the Worlds” of actor meltdown movies. Its execution is so flawless and its internal logic is so strong, that we need the end credits to tell us that the film is not what it claims to be. It’s an interesting film to watch and an even more interesting film to discuss (for that reason, do not go see this movie alone). Since watching “I’m Still Here” on Tuesday I’ve had more conversations about it, about what it is and what it means, than any film this year except “Exit Through the Gift Shop.”

Like “Exit Through the Gift Shop,” “I’m Still Here” is equal parts chronicle of and joke on the intersection of art and celebrity in our society. The facts of the movie are already well-known because they all took place on television. In 2008, Phoenix, sick of “playing the character of Joaquin” in the media (a clue, perhaps?) suddenly announced his retirement from acting and began performing as a hip hop artist. He played a nightclub in Vegas and fell off the stage. He showed up for an interview on Letterman and acted confused and possibly high.

How did we go from the man who starred in “Two Lovers,” a world-class thespian delivering an heart-wrenching performance, to the man who promoted “Two Lovers,” a sloppy, rambling weirdo who makes subway hobos look eloquent in comparison? Phoenix’s documentary fills in the gaps. When he wasn’t insisting he was done with Hollywood, Phoenix was scouring the Internet for hookers, snorting coke off their breasts, belittling his assistants, or practically stalking P. Diddy to try to convince him to produce his album.

Did Phoenix really think he had a future as a rapper? Did he ambush Diddy “Borat”-style or was Sean Combs in on the joke the whole time? I personally believe the truth of “I’m Still Here” lies somewhere in the murk between the two extremes of documentary and fiction. Though Phoenix and Affleck are the film’s credited writers, and some of the parts appear to have been filled by actors, Phoenix looks too legitimately high at times to be acting. Compare him stumbling around, puffing on a joint and doing cocaine to someone like Nicolas Cage in “Bad Lieutenant.” If Phoenix is acting in some of these scenes, he is giving one the greatest and most fearless performances of all time.

But the fact that Phoenix may be legitimately high doesn’t automatically make this a documentary either. Phoenix is a great actor; he’s also one of our craziest. How do we know he wouldn’t get genuinely stoned on camera for the sake of verisimilitude in a fiction film? I’m still not sure. And that ambuiguity is the point.

In 2010, reality and fiction are not only indistinguishable in popular culture, the difference between them is essentially irrelevant. Millions of people tune in every week to watch “Jersey Shore,” never questioning how much of the show is staged for the cameras, or written by writers, or massaged in the editing room. Whether Phoenix was high on Letterman or whether he was pretending to be high, the resultant impact on his career was the same. Whether he’s a terrible rapper or a performance artist aping the affectations of a terrible rapper, his audience wasn’t interested in parsing the difference. They just wanted to see the freak show and get a video of it on their cell phones.

If “I’m Still Here” is real, even in some small way, it is a freak show. Some of Phoenix’s antics are funny, at least until you remember the possibility that he’s not joking. On the other hand, maybe he was joking all along but nobody got the joke, and now he has to suffer the consequences. If Phoenix is as screwed up as he looks in this film, then Affleck owes his brother-in-law an apology (he might also need to explain himself to his wife, Joaquin’s sister Summer, who does not appear in the film). If it’s not then it is one hell of a hoax. This movie has to be seen to be simultaneously believed and disbelieved.

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Thank Azaria

Best. Characters. Ever.

Our favorite Hank Azaria characters.

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GIFs via Giphy

Hank Azaria may well be the most prolific voice and character actor of our time. The work he’s done for The Simpsons alone has earned him a permanent place in the pop culture zeitgeist. And now he’s bringing another character to the mainstream: a washed-up sports announcer named Jim Brockmire, in the aptly titled new series Brockmire.

We’re looking forward to it. So much so that we want to look backward, too, with a short-but-sweet retrospective of some of Azaria’s important characters. Shall we begin?

Half The Recurring Simpsons Characters

He’s Comic Book Guy. He’s Chief Wiggum. He’s Apu. He’s Cletus. He’s Snake. He’s Superintendent Chalmers. He’s the Sea Captain. He’s Kurt “Can I Borrow A Feeling” Van Houten. He’s Professor Frink. He’s Carl. And he’s many more. But most importantly he’s Moe Szyslak, the staple character Azaria has voiced since his very first audition for The Simpsons.

Oh, and He’s Frank Grimes

For all the regular Simpsons characters Azaria has played over the years, his most brilliant performance may have been a one-off: Frank Grimes, the scrappy bootstrapper who worked tirelessly all his life for honest, incremental, and easily-undermined success. Azaria’s portrayal of this character was nuanced, emotional, and simply magical.

Patches O’Houlihan

Dodgeball is a “sport of violence, exclusion and degradation.” as Hank Azaria generously points out in his brief but crucial cameo in Dodgeball. That’s sage wisdom. Try applying his “five D’s” to your life on and off the court and enjoy the results.

Harold Zoid

Of Futurama fame. The crazy uncle of Dr. Zoidberg, Harold Zoid was once a lion (or lobster) of the silver screen until Smell-o-vision forced him into retirement.

Agador

The Birdcage was significant for many reasons, and the comic genius of Hank Azaria’s character “Agador” sits somewhere towards the top of that list. If you haven’t seen this movie, shame on you.

Gargamel

Nobody else could make a live-action Gargamel possible.

Ed Cochran

From Ray Donovan. Great character, great last name [editorial note: the author of this article may be bias].

Kahmunra, The Thinker, Abe Lincoln

All in the Night At The Museum: Battle Of The Smithsonian, a file that let Azaria flex his voice acting and live-action muscles in one fell swoop.

The Blue Raja

Mystery Men has everything, including a fatal case of Smash Mouth. Azaria’s iconic superhero makes the shortlist of redeemable qualities, though.

Dr. Huff

Huff put Azaria in a leading role, and it was good. So good that there is no good gif of it. Internet? More like Inter-not.

Learn more about Hank Azaria’s newest claim to fame right here, and don’t miss the premiere of Brockmire April 5 at 10P on IFC.

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Flame Out

Brockmire and Other Public Implosions

Brockmire Premieres April 5 at 10P on IFC.

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There’s less than a month until the Brockmire premiere, and to say we’re excited would be an insulting understatement. It’s not just that it stars Hank Azaria, who can do no wrong (and yes, that’s including Mystery Men, which is only cringeworthy because of Smash Mouth). It’s that the whole backstory of the titular character, Jim Brockmire, is the stuff of legends. A one-time iconic sportscaster who won the hearts of fans and players alike, he fell from grace after an unfortunate personal event triggered a seriously public meltdown. See for yourself in the NSFW Funny or Die digital short that spawned the IFC series:

See? NSFW and spectacularly catastrophic in a way that could almost be real. Which got us thinking: What are some real-life sports fails that have nothing to do with botched athletics and everything to do with going tragically off script? The internet is a dark and dirty place, friends, but these three examples are pretty special and mostly safe for work…

Disgruntled Sports Reporter

His co-anchor went offsides and he called it like he saw it.

Jim Rome vs Jim “Not Chris” Everett

You just don’t heckle a professional athlete when you’re within striking distance. Common sense.

Carl Lewis’s National Anthem

He killed it! As in murdered. It’s dead.

To see more moments just like these, we recommend spending a day in your pajamas combing through the muckiness of the internet. But to see something that’s Brockmire-level funny without having to clear your browser history, check out the sneak peeks and extras here.

Don’t miss the premiere of Brockmire April 5 at 10P on IFC.

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Mirror, Mirror

Portlandia Season 7 In Hindsight

Portlandia Season 7 Now Available Online and on the IFC App.

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Another season of Portlandia is behind us, and oh what a season it was. We laughed. We cried. And we chuckled uncomfortably while glancing nervously around the room. Like every season before it, the latest Portlandia has held a mirror up to ridiculousness of modern American life, but more than ever that same mirror has reflected our social reality in ways that are at once hysterical and sneakily thought-provoking. Here are just a few of the issues they tackled:

Nationalism

So long, America, Portland is out! And yes, the idea of Portland seceding is still less ludicrous than building a wall.

Men’s Rights

We all saw this coming. Exit gracefully, dudes.

Protests

Whatever you stand for, stand for it together. Or with at least one other person.

Free Love

No matter who we are or how we love, deep down we all have the ability to get stalky.

Social Status

Modern self-esteem basically hinges on likes, so this isn’t really a stretch at all.

These moments are just the tip of the iceberg, and much more can be found in the full seventh season of #Portlandia, available right now #online and on the #IFC app.

via GIPHY

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