DID YOU READ

“Lil Poison”: To the Victor Go the Spoils

“Lil Poison”: To the Victor Go the Spoils (photo)

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12 year old Victor DeLeon III goes by an alias that strikes fear into the hearts of gamers everywhere. In the professional competitive gaming circuit, he goes by the name Lil Poison, and he’s been the youngest pro gamer in the world for the last half-decade. The peculiarity of a tweenager pwning players twice and thrice his age got the attention of the New York Times, ABC News and other major media outlets.

It’s also spawned a new documentary called, fittingly, “Lil Poison,” which just premiered at the New York International Latino Film Festival. Over the last three-and-a-half years, filmmaker Beth Earl followed Lil Poison and his father Victor DeLeon, Jr. — aka Papa Poison — to the Major League Gaming promotion’s tournaments, chronicling the pre-teen’s career. What emerged isn’t just a portrait of a kid’s improbable victories, though. The doc comes upon the DeLeons as the parents’ marriage crumbles and focuses on a tween who’s trying to fulfill his father’s vicarious dreams of fame and success.

That father, Victor DeLeon, Jr., works as a night manager when the film opens and his relationship with his son’s talent forms the crux of the movie’s arc. As he gleefully shuttles Lil Poison from competition to competition, he says, “Tournaments are where I feel respected.” But, of course, viewers will ruefully note that he’s not the one doing the winning. Papa Poison proves to be the worst kind of manager/coach, too, by using threats and guilt to attempt to motivate his son into exhausting practice sessions.

The child’s mother pipes in every so often to voice her displeasure at her son being treated like a cash cow, but the film places her on its fringes. You get to shuddering when she’s on screen because the pattern quickly emerges that what she’s saying won’t be heeded or that an ugly argument with her ex-husband is about to start. More warm scenes of her with Little Victor would’ve gone a long way to girding the film’s emotional structure.

Some of the device Earl uses are way too twee, as well. The grade-school notebook scribbles and earnest voiceover by Little Victor force the issue a bit too much. We know he’s a kid who just wants a normal life; it’s there in just about every scene he’s in. Another of the films flaw.s comes from its overlong gameplay sequences. It’s always been tough to convey the drama and tension of playing a video game on film and, despite some clever graphical tricks on Earl’s part, it remains quite boring to watch gamers chase each other around a Halo multiplayer map.

Even if “Lil Poison” lands on predictable territory sometimes, the raw material still tugs at your heart. The heartache of a boy whose sense of self-worth is tied up in making Dad feel good, the elder Victor’s deep insecurities and the wince-inducing confrontations between Mom and Dad will make you squirm.

Tears well up in both Poisons’ eyes as Little Victor loses a key match in an important tourney, and it’s almost too much to bear when Dad shoots Little Victor in a real-life birthday paintball match, sending him down to the ground writhing in pain. The pain from the somewhat accidental shooting passes quickly but the entire audience will be guaranteed to be thinking, “Haven’t you already done enough?!”

It’s almost enough to make you forget the talent driving all of this. It seems at times that Little Victor’s skills runs at odds to his personality. Here’s a kid who could live every grade-schooler’s dream and play violent video games that he’s not supposed to all the time. But he doesn’t want to. His hamster, Wii Sports sessions and classical music mean more to him.

That paradox puts the lie to the hysteria of video game addiction. Early on in the film, the camera holds tight on the super-intense look of laserlike concentration on Lil Poison’s face. Where the film winds up is in a place that lets you believe Victor DeLeon III’s singular talents may be being nurtured in a baggage-free environment.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.