DID YOU READ

Our 10 favorite reviews from Siskel, Ebert, Roeper, and “At the Movies”

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After more than 35 years on the air and hundreds of episodes, “At the Movies” — formerly “Ebert & Roeper,” formerly “Roger Ebert & The Movies,” formerly “Siskel & Ebert,” formerly “At the Movies” again, formerly “Sneak Previews” — shot its final episode earlier this week for broadcast this weekend. In humble admiration for decades of outstanding work, we present our ten favorite reviews from the history of the show in no particular order.

“Cop and a Half” (1993)

Possibly one of the most infamous reviews of the Siskel & Ebert era, “Cop and a Half” was one of those delightful cases where the two not only profoundly disagreed about a film, but did so by speaking about it with far more intelligence and sincerity than its filmmakers ever likely intended. A lesser critic than Ebert would’ve been undermined by the images of precocious Norman D. Golden II firing a water pistol at Burt Reynolds’ crotch flashing across the screen for this comedy about a kid joining the police force, but by the time Ebert surmises, “‘Cop and a Half’ is not any kind of masterpiece, but it’s not dumb and it’s not boring either,” one is more willing to suspend their disbelief.

However, not Siskel, who waits patiently until Ebert finishes to deliver a perfectly contemptuous “Wow, where’s your big red suit and beard, Santa?” Ebert wrote years later that Siskel never could get over the review, saying “One day the mail brought an autographed photo of Norman D. Golden II, the eight-year-old co-star of “Cop and a Half,” thanking me for helping his career. I thought that was nice of the kid, until I recognized something familiar about his handwriting.” (Ebert would get Siskel back in 1996 when he convinced Siskel to “twist his thumb” for the only time when Siskel rescinded his endorsement of “Broken Arrow.”) [SS]

http://youtu.be/rzCVriUbVOk

“Hoop Dreams” (1994)

When you cover the Sundance Film Festival for television, your mandate goes something like this: stars, stars, stars. Stars bring in advertising dollars, stars headline the majority of the movies that find national distribution, and thus stars have the most relevance to a national audience. Highlighting a three-hour documentary with no name talent before it had even premiered at Sundance breaks every rule in the entertainment news book, which is why this very early review of Steve James’ “Hoop Dreams” shows Siskel and Ebert at their advocate best. They were confident that “Hoop Dreams” was one of the best documentaries either of them had ever seen, and that was all that mattered. These men took their jobs as tastemakers very seriously, and when they felt strongly about a movie they didn’t hesitate to say so. [MS]

“Kingpin” (1996)

Siskel and Ebert’s early advocacy of “Do the Right Thing” and “Hoop Dreams,” and later with Ebert’s later efforts on behalf of films like “Monster,” proved invaluable to their success, but they didn’t limit themselves to championing “important” films. The Farrelly brothers found no bigger backers during the early part of their career than the “At the Movies” duo, who could barely contain their giddiness during a review of “Kingpin.”

Although their professionalism prevented them from being completely reduced to trading punchlines like a couple of awestruck teenagers who had seen their favorite comedy for the 25th time, Siskel and Ebert come perilously close, with Siskel speaking directly in camera to the Farrellys to “thank them personally” for making him laugh so hard. “Kingpin,” ultimately, wasn’t a hit at the box office, but Siskel and Ebert’s embrace of the film not only turned it into a cult hit, but has been said to have influenced the Farrellys to push the boundaries of taste even further with their next film, “There’s Something About Mary.” [SS]

Watch the review

“Don’t Be a Menace to South Central While Drinking Your Juice in the Hood” (1996)

As demonstrated by “Kingpin,” Siskel and Ebert didn’t just take “important” movies seriously; literally any film could provide them the jumping off point for a serious discussion. This terrific review of a not-so-terrific Wayans Bros. movie addresses issues of race, stereotyping, and guilt and explores the very nature of comedy and satire in cinema, all in just four minutes. Also admirable is the fact that Ebert’s honest enough here to admit that he’s unsure how he feels about the film. In the world of television, where authority on a subject is based less on actual knowledge than the appearance of confidence in one’s own intellectual certitude, that’s not easy to do. [MS]

Watch the review

“Frozen Assets” (1992)

However, there were some things Siskel and Ebert could be sure of. Siskel would admit four years later to walking out of “Black Sheep” after he could no longer stand the sight of Chris Farley, but yet he stayed for the entirety of what he and Ebert agreed was “the worst comedy ever made.” Or at least that was before Siskel feared the filmmakers might actually use that line for marketing purposes and amended it to “the second worst comedy ever made,” setting off one of the show’s funniest discussions ever about what kind of reparations could be made in the afterlife to atone for such a film — Ebert suggests “months and months and months in a beautiful valley, with honey, and nectar, and zephyr-like breezes.” The Corbin Bernsen-Shelley Long sperm bank comedy was never released to DVD, and I’d like to think this review is why. [SS]

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Keep It Weird

10 Hilarious “Weird Al” Cameos

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P.

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Photo Credit: ABC

“Weird Al” has had one of the most unique careers in entertainment history. Sure, he made his name with parody songs, but he’s long since transcended simply poking fun at pop, becoming an American comedy staple in the process. With his new gig behind the keyboard on IFC’s Comedy Bang! Bang!, we thought we’d take a look back at just a few of his classic pop culture cameos, in which he showed he was more than just the man with the accordion and rhyming dictionary.

10. The Goldbergs

“Weird Al” came full circle with this recent cameo on this ’80s-set sitcom, once again donning the frizzy hair, mustache and Hawaiian shirt to return to his glorious retro roots.


9. Galavant

Galavant, the historical musical comedy series, was recently canceled by ABC, but not before we got to see Al as a doo-wop crooning monk who’d taken a “vow of singing.”


8. Wet Hot American Summer: First Day of Camp

Wet Hot Weird Al
Netflix

With Wet Hot American Summer making a triumphant return last summer, we all should have known they would work in a bit in which “Weird Al” played a summer camp hypnotist who turned into assassin Jon Hamm.


7. Batman: The Brave and the Bold

Wet Hot Batman
Cartoon Network

“Weird Al” creates music for all ages, so it shouldn’t be a surprise that he occasionally pops up on Saturday Morning cartoons, like this turn on Batman: The Brave and the Bold, in which he got to battle the Joker and the Penguin alongside Batman, Robin and Scooby-Doo.


6. Tim and Eric Awesome Show, Great Job!

Al has popped up on Tim Heidecker and Eric Wareheim’s bizarre ode to anti-comedy series a few times, but this wedding fever dream, straight out of the mind of a serial killer, really sort of sums it all up, whatever “all” is.


5. 30 Rock

Al is a man of many talents, but at the end of the day, he knows how to rip out a parody song with some bite. Here he puts his gifts to good use, writing lyrics to the 30 Rock theme song, and highlighting their lack of ratings in the process.


4. Halloween II

“Weird Al” shows up in just about the last place you would expect here, in Rob Zombie’s hard R horror remake. Playing a guest on what looks like an early version of Talking Dead, Al does some typical talk show shtick alongside Michael Meyers’ ethically compromised doctor, Samuel Loomis.


3. Transformers: Animated

Al has quite a history with the Transformers. His song “Dare to be Stupid” was used in 1986’s The Transformers: The Movie, and he also popped up as Wreck-Gar, a simple-minded robot brought to life by the All Spark, on Transformers: Animated.


2. The Naked Gun

Al’s stardom was ascendant in 1988, if this classic gag from Naked Gun was any indication. (He also did the theme song for the 1996 Leslie Nielsen comedy Spy Hard.)


1. Amazing Stories, “Miss Stardust”

Weird Al
NBC

Al’s first TV cameo might just be his, ahem, weirdest. As an alien affectionately known as “Cabbage Man,” “Weird Al” made quite the impression without even needing his trusty accordion.

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Sally Kellerman- Maron – Season 4, Episode 5

Hello Sally

5 Roles That Prove Sally Kellerman Is a Comedic Genius

Sally Kellerman returns to Maron this Wednesday at 9P on IFC.

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With her statuesque beauty and sarcastic verve, Sally Kellerman has put her stamp on several iconic TV and film roles. She always gave as good as she got, keeping her leading men on their toes. With Toni Maron returning to help Marc through a tough time on Wednesday’s brand new Maron, we thought it was time to revisit a few of Sally’s classic roles that prove she’s more woman than most of us can handle.

5. Judge Henderson, Moving Violations

Playing a saucy judge with a taste for bondage, Kellerman got to go full-on villain in this absurd comedy starring lesser Murray brother Joel. Who needs Bill when you’ve got Sally in a full leather getup?


4. Louise, Brewster McCloud

It takes some real talent to make a conversation about remaining celibate this sexy. Kellerman turns up the heat here, mixing sensuality with a mythic quality (she may be a fallen angel of some sort in this movie), that makes us want to forget Brewster’s dream of flying, and just spend a little more time with her on the ground.


3. Maron

Whether she’s dropping passive aggressive comments or searching for his love handles, Toni is the perfect representation of all of Marc Maron’s neuroses.


2. Back to School

Holey moley, when literature professor Dr. Diane Turner starts reading some sexy prose to her class, Rodney Dangerfield isn’t the only one whose eyes nearly pop out of his head. Kellerman proves yet again that she can mix class and crass with the best of them, playing the type of woman you can discuss erotic literature with — or just live it out with.


1. M*A*S*H

In perhaps her most iconic part, the one that scored her an Oscar nom, Kellerman plays the apple of a whole army base’s eye. It’s far from easy getting that kind of attention in the middle of a war zone, which Kellerman shows with one truly epic meltdown. Major “Hot Lips” Houlihan would make anyone’s grandpa’s war stories a littler bit easier to listen to.

Watch how Toni comes back into Marc’s life on this week’s Maron. 

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Southern Fried SNL

Watch Fred Armisen and Carrie Brownstein in SNL’s Southern Rock Supergroup

Fred and Carrie kept it mellow on the SNL season finale.

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Photo Credit: Saturday Night Live / NBC Universal

It was a veritable “band from comedy heaven” this weekend as a myriad of comedians assembled for a feel-good musical sketch in the Saturday Night Live season finale. Guest host Fred Armisen was joined by Portlandia cohort Carrie Brownstein as well as Maya Rudolph, Andy Samberg, Jason Sudeikis, Larry David, and members of the SNL cast to form faux-southern-rock supergroup The Harkin Brothers — a band whose members managed to outnumber its audience.

If The Harkin Brothers’ smooth vocal stylings remind you of The Blue Jean Committee from Documentary Now!, that’s probably not a coincidence. The BJC first appeared in a different, more regionally-specific form in a SNL sketch with Sudeikis on drums.

Watch an all-star SNL cast perform a mellow tribute to Arkansas called “Summertime in Fayetteville” in the video below.

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