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DID YOU READ

Our 10 favorite reviews from Siskel, Ebert, Roeper, and “At the Movies”

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After more than 35 years on the air and hundreds of episodes, “At the Movies” — formerly “Ebert & Roeper,” formerly “Roger Ebert & The Movies,” formerly “Siskel & Ebert,” formerly “At the Movies” again, formerly “Sneak Previews” — shot its final episode earlier this week for broadcast this weekend. In humble admiration for decades of outstanding work, we present our ten favorite reviews from the history of the show in no particular order.

“Cop and a Half” (1993)

Possibly one of the most infamous reviews of the Siskel & Ebert era, “Cop and a Half” was one of those delightful cases where the two not only profoundly disagreed about a film, but did so by speaking about it with far more intelligence and sincerity than its filmmakers ever likely intended. A lesser critic than Ebert would’ve been undermined by the images of precocious Norman D. Golden II firing a water pistol at Burt Reynolds’ crotch flashing across the screen for this comedy about a kid joining the police force, but by the time Ebert surmises, “‘Cop and a Half’ is not any kind of masterpiece, but it’s not dumb and it’s not boring either,” one is more willing to suspend their disbelief.

However, not Siskel, who waits patiently until Ebert finishes to deliver a perfectly contemptuous “Wow, where’s your big red suit and beard, Santa?” Ebert wrote years later that Siskel never could get over the review, saying “One day the mail brought an autographed photo of Norman D. Golden II, the eight-year-old co-star of “Cop and a Half,” thanking me for helping his career. I thought that was nice of the kid, until I recognized something familiar about his handwriting.” (Ebert would get Siskel back in 1996 when he convinced Siskel to “twist his thumb” for the only time when Siskel rescinded his endorsement of “Broken Arrow.”) [SS]

http://youtu.be/rzCVriUbVOk

“Hoop Dreams” (1994)

When you cover the Sundance Film Festival for television, your mandate goes something like this: stars, stars, stars. Stars bring in advertising dollars, stars headline the majority of the movies that find national distribution, and thus stars have the most relevance to a national audience. Highlighting a three-hour documentary with no name talent before it had even premiered at Sundance breaks every rule in the entertainment news book, which is why this very early review of Steve James’ “Hoop Dreams” shows Siskel and Ebert at their advocate best. They were confident that “Hoop Dreams” was one of the best documentaries either of them had ever seen, and that was all that mattered. These men took their jobs as tastemakers very seriously, and when they felt strongly about a movie they didn’t hesitate to say so. [MS]

“Kingpin” (1996)

Siskel and Ebert’s early advocacy of “Do the Right Thing” and “Hoop Dreams,” and later with Ebert’s later efforts on behalf of films like “Monster,” proved invaluable to their success, but they didn’t limit themselves to championing “important” films. The Farrelly brothers found no bigger backers during the early part of their career than the “At the Movies” duo, who could barely contain their giddiness during a review of “Kingpin.”

Although their professionalism prevented them from being completely reduced to trading punchlines like a couple of awestruck teenagers who had seen their favorite comedy for the 25th time, Siskel and Ebert come perilously close, with Siskel speaking directly in camera to the Farrellys to “thank them personally” for making him laugh so hard. “Kingpin,” ultimately, wasn’t a hit at the box office, but Siskel and Ebert’s embrace of the film not only turned it into a cult hit, but has been said to have influenced the Farrellys to push the boundaries of taste even further with their next film, “There’s Something About Mary.” [SS]

Watch the review

“Don’t Be a Menace to South Central While Drinking Your Juice in the Hood” (1996)

As demonstrated by “Kingpin,” Siskel and Ebert didn’t just take “important” movies seriously; literally any film could provide them the jumping off point for a serious discussion. This terrific review of a not-so-terrific Wayans Bros. movie addresses issues of race, stereotyping, and guilt and explores the very nature of comedy and satire in cinema, all in just four minutes. Also admirable is the fact that Ebert’s honest enough here to admit that he’s unsure how he feels about the film. In the world of television, where authority on a subject is based less on actual knowledge than the appearance of confidence in one’s own intellectual certitude, that’s not easy to do. [MS]

Watch the review

“Frozen Assets” (1992)

However, there were some things Siskel and Ebert could be sure of. Siskel would admit four years later to walking out of “Black Sheep” after he could no longer stand the sight of Chris Farley, but yet he stayed for the entirety of what he and Ebert agreed was “the worst comedy ever made.” Or at least that was before Siskel feared the filmmakers might actually use that line for marketing purposes and amended it to “the second worst comedy ever made,” setting off one of the show’s funniest discussions ever about what kind of reparations could be made in the afterlife to atone for such a film — Ebert suggests “months and months and months in a beautiful valley, with honey, and nectar, and zephyr-like breezes.” The Corbin Bernsen-Shelley Long sperm bank comedy was never released to DVD, and I’d like to think this review is why. [SS]

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

E.coli-class-

IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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