DID YOU READ

Our 10 favorite reviews from Siskel, Ebert, Roeper, and “At the Movies”

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After more than 35 years on the air and hundreds of episodes, “At the Movies” — formerly “Ebert & Roeper,” formerly “Roger Ebert & The Movies,” formerly “Siskel & Ebert,” formerly “At the Movies” again, formerly “Sneak Previews” — shot its final episode earlier this week for broadcast this weekend. In humble admiration for decades of outstanding work, we present our ten favorite reviews from the history of the show in no particular order.

“Cop and a Half” (1993)

Possibly one of the most infamous reviews of the Siskel & Ebert era, “Cop and a Half” was one of those delightful cases where the two not only profoundly disagreed about a film, but did so by speaking about it with far more intelligence and sincerity than its filmmakers ever likely intended. A lesser critic than Ebert would’ve been undermined by the images of precocious Norman D. Golden II firing a water pistol at Burt Reynolds’ crotch flashing across the screen for this comedy about a kid joining the police force, but by the time Ebert surmises, “‘Cop and a Half’ is not any kind of masterpiece, but it’s not dumb and it’s not boring either,” one is more willing to suspend their disbelief.

However, not Siskel, who waits patiently until Ebert finishes to deliver a perfectly contemptuous “Wow, where’s your big red suit and beard, Santa?” Ebert wrote years later that Siskel never could get over the review, saying “One day the mail brought an autographed photo of Norman D. Golden II, the eight-year-old co-star of “Cop and a Half,” thanking me for helping his career. I thought that was nice of the kid, until I recognized something familiar about his handwriting.” (Ebert would get Siskel back in 1996 when he convinced Siskel to “twist his thumb” for the only time when Siskel rescinded his endorsement of “Broken Arrow.”) [SS]

http://youtu.be/rzCVriUbVOk

“Hoop Dreams” (1994)

When you cover the Sundance Film Festival for television, your mandate goes something like this: stars, stars, stars. Stars bring in advertising dollars, stars headline the majority of the movies that find national distribution, and thus stars have the most relevance to a national audience. Highlighting a three-hour documentary with no name talent before it had even premiered at Sundance breaks every rule in the entertainment news book, which is why this very early review of Steve James’ “Hoop Dreams” shows Siskel and Ebert at their advocate best. They were confident that “Hoop Dreams” was one of the best documentaries either of them had ever seen, and that was all that mattered. These men took their jobs as tastemakers very seriously, and when they felt strongly about a movie they didn’t hesitate to say so. [MS]

“Kingpin” (1996)

Siskel and Ebert’s early advocacy of “Do the Right Thing” and “Hoop Dreams,” and later with Ebert’s later efforts on behalf of films like “Monster,” proved invaluable to their success, but they didn’t limit themselves to championing “important” films. The Farrelly brothers found no bigger backers during the early part of their career than the “At the Movies” duo, who could barely contain their giddiness during a review of “Kingpin.”

Although their professionalism prevented them from being completely reduced to trading punchlines like a couple of awestruck teenagers who had seen their favorite comedy for the 25th time, Siskel and Ebert come perilously close, with Siskel speaking directly in camera to the Farrellys to “thank them personally” for making him laugh so hard. “Kingpin,” ultimately, wasn’t a hit at the box office, but Siskel and Ebert’s embrace of the film not only turned it into a cult hit, but has been said to have influenced the Farrellys to push the boundaries of taste even further with their next film, “There’s Something About Mary.” [SS]

Watch the review

“Don’t Be a Menace to South Central While Drinking Your Juice in the Hood” (1996)

As demonstrated by “Kingpin,” Siskel and Ebert didn’t just take “important” movies seriously; literally any film could provide them the jumping off point for a serious discussion. This terrific review of a not-so-terrific Wayans Bros. movie addresses issues of race, stereotyping, and guilt and explores the very nature of comedy and satire in cinema, all in just four minutes. Also admirable is the fact that Ebert’s honest enough here to admit that he’s unsure how he feels about the film. In the world of television, where authority on a subject is based less on actual knowledge than the appearance of confidence in one’s own intellectual certitude, that’s not easy to do. [MS]

Watch the review

“Frozen Assets” (1992)

However, there were some things Siskel and Ebert could be sure of. Siskel would admit four years later to walking out of “Black Sheep” after he could no longer stand the sight of Chris Farley, but yet he stayed for the entirety of what he and Ebert agreed was “the worst comedy ever made.” Or at least that was before Siskel feared the filmmakers might actually use that line for marketing purposes and amended it to “the second worst comedy ever made,” setting off one of the show’s funniest discussions ever about what kind of reparations could be made in the afterlife to atone for such a film — Ebert suggests “months and months and months in a beautiful valley, with honey, and nectar, and zephyr-like breezes.” The Corbin Bernsen-Shelley Long sperm bank comedy was never released to DVD, and I’d like to think this review is why. [SS]

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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