DID YOU READ

“The Dungeon Masters” Blonde Redhead Soundtrack and DVD Release

“The Dungeon Masters” Blonde Redhead Soundtrack and DVD Release (photo)

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With a new Blonde Redhead release on the horizon, I decided to re-visit “The Dungeon Masters” after a conversation with the film’s editor, Christine Khalafian, who kindly reminded me that the NY trio scored it. The doc, which centers on three hardcore D&D players and their troubles during the economic crush of 2008 is getting an expanded edition DVD release August 3 too. You don’t have to own dice with more than six sides, have a thing for chicks with elf ears, or have Blonde Redhead on your iPod to appreciate this film and the exceptionally strange people it follows either.

I asked director Keven McAlester why he approached Blonde Redhead to do the score, hoping to reveal some secret LARP coven they all rolled with but the choice had more to do with a fan seeking a band he loved to create the right mood for a film that treads a fine line with it’s subjects. Not that “The Dungeon Masters” ever seeks to mock, but even when you treat a Sphere of Annihilation, or a girl wearing elf ears seriously, there’s the risk of tipping into total farce. “When it came time to approach people, Blonde Redhead seemed like a perfect fit,” McAlester told me. “We had an initial conversation that made me even more excited to work with them — they had really smart ideas, they were incredibly nice, and Kazu Makino kept referencing Georges Delerue’s music for ‘Contempt,’ which is probably my favorite film score ever.”

There was a lot of great music in the film already — including the songs “Folios” by The New Year, “Dirty Knives” by Bangs, “When Company Comes” by the Feelies, and “Ghosts of a Different Dream” by Guided by Voices — but Blonde Redhead agreed it needed more and went to work on various pieces for about six weeks. They also agreed that some of the existing music was “too obvious, a hat on a hat is the current jargon for that, I think,” McAlester added.

After some ideas back and forth, McAlester convened with the band for a week in their Brooklyn studio space. “I’m sure the last couple of days drove them crazy, as it would any serious musician,” he said of the final recordings. “Because that final push involves stuff like moving a drumbeat three seconds earlier to hit an edit cue, and so on. Regardless, the results were genuinely great. They made the film miles better.”

There will be a limited-edition vinyl release of Blonde Redhead’s compositions for the soundtrack in the near future, perhaps around the time their next record, “Penny Sparkle,” hits in September. If you’re interested in being notified about the exact release date, email tdm@antidotefilms.com to request. And hit up Netflix on August 3rd if you’ve not seen the film yet.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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