This browser is supported only in Windows 10 and above.


Talking with Tommy Tallarico, Part 3

Talking with Tommy Tallarico, Part 3 (photo)

Posted by on

In the final part of my talk with game composer Tommy Tallarico, we chat about the Japanese and U.S. game music markets, and the beginnings of the Video Games Live tour. (See parts one and two.)

In Japan, there’s a long tradition of soundtrack albums for video games that seem to sell well. Why do you think that hasn’t happened here?

I would love nothing more than to say that, “Oh yeah, it’s such a big business over there.” But the reality is that it’s actually somewhat of a myth. You can find soundtracks for every single anime that’s probably ever come out, right? I mean, there’s thousands of them over there. Here in America, there is about 70 to 100 video game soundtrack albums released every year, and some of them are selling in the hundreds of thousands of units. Some of them — most of them — the average video game soundtrack does better, sells better than the average film score in America.

We average about 10,000-15,000 in sales, and film scores are in about 5,000-6,000 range. Now, the difference of course being that a big AAA film, like our Titanics or the Avatars or the Spidermans or whatever, their soundtracks will sell in the hundreds of millions. Titanic sold 17 million albums. So we haven’t had our “Titanic” yet but, overall, it’s just as relevant over here. I will give you an example, our album, our first albums that we released, “Video Games Live, Volume 1”, we debut at number 10 on the Billboard Charts. And hoping to take that number 1 spot with our — at least in the classical category, when our second one comes out in a couple of weeks.

So, in terms of the set list and the way it’s evolved, how do you choose new music to put into the concert? Do you make it fit into a larger flow you have in mind for the show?

I don’t care if the game’s come out yet or if it hasn’t sold any units. It has to be great music. When I create a set list for the show, I need it to be dynamic. I don’t want it to just be all of the same style of music. All giant thematic music for two hours gets old really quick. I wanted some interactive fun segments in there. It might be bringing somebody up on stage and having them be the controller of a spaceship from “Space Invaders” and having them run back and forth, and the ship follows him wherever he goes, while the orchestra is playing the music and counting down the level.

07272010_tommy_silver_headshot_large.jpgThen we have soloists as well. We will bring soloists out like Martin Leung, the Video Game Pianist, who is the kid who blindfolded himself and played the “Mario” theme on piano; he got over 40 million views of that video where he does that. He comes on tour with us, and he is always changing up and doing cool things. And then I will come out with the guitar towards the end of the show to kind of bring a little different feeling there.

It’s probably important to note that I’ve created over 60 segments for Video Games Live, but we can only play about 18-20 of them a night. So I have never actually played the same show twice, ever. For example, this is our fifth year back to LA for E3, and the set list was 90% different than any other show we have ever played there before.

It sounds like you’ve built up a nice repertoire of material.

When I first started Video Games Live over eight years ago, everybody thought I was completely insane. “This isn’t Japan,” they said. Even in Japan, they thought we were nuts. At the first show at the Hollywood Bowl on July 6, 2005, it was the first time that the music to “Metal Gear Solid” had ever been played live.

That’s really surprising, especially for “MGS.”

Amazing, right? And obviously things like “Halo” and “Warcraft” had never been performed live. “Sonic the Hedgehog”, never been performed live until we did it at the Hollywood Bowl. Once we did that first show, and over 11,000 people showed up, people started believing in it. Now, a lot of the publishers are very, very supportive of what we do.

You know, who wouldn’t want their product on something like a PBS, that’s going to reach 90 million households? It really is a positive thing for their product. You know the deal: whenever video games come up in the national media in this day and age, it’s something negative. “Oh, ‘Grand Theft Auto’ and Hot Coffee!” Or, “this guy killed these teenagers and he was playing this game.” “Oh, video games aren’t art” Whatever the national story is at the time, it’s usually negative.

Well, here is something that’s positive. Here is something where video games aren’t what you think they are, for all you non-gamers out there. A small percentage of games actually have an M rating, and a smaller percentage of games are having negative things happen. And here is a celebration of the industry with Video Games Live, in a culturally significant and artistic way.

The Video Games Live special is airing on PBS during July and August. Check your local PBS station to see when it’ll be on.

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

Watch More