DID YOU READ

The unexpected cult status of Peyton Reed’s “Bring It On.”

The unexpected cult status of Peyton Reed’s “Bring It On.” (photo)

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The New Beverly in Los Angeles is hosting a tenth anniversary midnight screening of “Bring It On,” this weekend. By virtue of being better than it needs to be, “Bring It On” is one of the few studio teen films of the last decade to earned non-studio-manufactured goodwill, a small cult of genuine affection.

Part of that has to do with its relatively sharp craft, and part has to do with director Peyton Reed, who was, for a while, a rising young auteur and whose career might, at any moment, resurge unexpectedly.

Reed’s directed music videos (he did three for Superchunk) as well as a few episodes of “Mr. Show” and all (!) of “The Weird Al Show.” “Bring It On” was his feature debut, one of those “most pleasant surprise of summer” type movies.

While Reed won’t be making it to the screening, he did do an interview with Aint It Cool News talking about “Bring It On”‘s nervous conception. The main question, he reveals, was thinking about how to push the sexual aspects while keeping a PG-13 rating: “You cannot separate sexuality from cheerleading,” he notes. “It is inherently what it is – growing up with the Dallas Cowboy Cheerleaders and all of that stuff. But it’s kind of a dangerous thing to do when you’re making a studio, PG-13 movie and trying to push the sexuality.”

07152010_downwithlove.jpgDespite this, he and editor Larry Bock — unpretentious veteran of “Rambo: First Blood Part II,” “Breakin'” and “Bill & Ted’s Excellent Adventure” — watched ’70s cheerleader exploitation movies while editing. The relatively low-budget film ($28 million) was a sleeper hit ($90 million worldwide); like “American Pie,” it spawned four increasingly shoddy direct-to-video sequels with little discernible relation to each other.

That minor success seemingly gave Reed the carte blanche to make “Down With Love,” as obsessive an homage to the Doris Day/Rock Hudson sex comedies as Todd Haynes’ “Far From Heaven” was to Sirk — with slightly broader sex jokes. The production design is glossy, the frame of reference specific, but both movies play like musicals without the musical numbers. If they’re too bright and shiny to be subtle, they’re bouncy enough to achieve a sort of grace.

The interview glosses over Reed’s post-“Bring It On” career, which is a shame. “The Break-Up” isn’t fun to watch, but it’s unexpectedly scabrous for what should’ve been a light summer romance. (The New Yorker‘s Richard Brody actually compared it to Sirk.)

07152010_break.jpgIn Reed’s telling, Vince Vaughn’s storytelling ambitions, Jennifer Aniston’s post-Brad Pitt angst and Reed’s own relationship woes made for a film that “can be very unpleasant to watch” but came from a place that “was very real to all of us at the time.” (The movie somehow made money anyway.)

The interview ends with the off-the-record-ish disclosure that Reed’s quitting comedy and working on vintage sci-fi. He’s obviously a cinephile and, if not turning out quite the type of films that get you deemed an auteur these days, is at least someone trying to make formulaic comedies and dramas seem fresh again.

Here’s one of Reed’s Superchunk videos (co-directed with Phil Morrison) that turns the “Smells Like Teen Spirit” mosh pit and thrashing into a more innocent pillow fight, complete with milk and cookies:

[Photos: “Bring It On,” Universal, 2000; “Down With Love,” Twentieth Century Fox, 2003; “The Break-Up,” Universal, 2006]

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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