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Deconstructing Angelina Jolie

Deconstructing Angelina Jolie (photo)

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Is there a movie star that the public is more wary of than Angelina Jolie? Tom Cruise has become the punchline to an overextended joke. But bring up Jolie in conversation and you’re apt to hear something like fear.

Beneath the complaints about how weird she is, or the desperate claims she’s not that beautiful or talented, or the disapproval over her breaking up Brad Pitt’s marriage to Jennifer Aniston, snakes a thin coppery current of unease. It’s always been something with Jolie. At first, it was her goth look and her tattoos and her public affection toward her brother.

Then, it was her marriage to Billy Bob Thornton and the vials of each other’s blood they wore around their necks. (If “Wuthering Heights” were published today, there’d be people worrying that Heathcliff and Cathy don’t seem to be making healthy choices.) Motherhood is a role fetishized across the board, from Tea Partiers to NPR junkies. When Jolie took it on, it was taken as more proof of her essential weirdness. People look at Jolie and think, You can’t trust her.

I’m not the first critic to note that director Phillip Noyce puts the public’s distrust of Jolie to use in his ace spy thriller “Salt.” For most of the picture, we don’t know whether Jolie’s Evelyn Salt is a CIA agent or a Soviet mole. The question of Salt’s allegiance is finally answered, but Noyce’s masterstroke is that he makes the answer irrelevant to the pleasure of watching the splendor of Jolie in her full leonine regality.

WANTED, Universal 2008“Salt” would be an engrossing, fleet, well-crafted entertainment in any season. In the midst of the elephantine waste of most summer blockbusters, it’s a reminder that there can be more to action moviemaking than thudding incompetence. But it’s most interesting as a meditation on the singularity of Angelina Jolie, who may be the most commanding star presence in the movies right now.

If we discuss her in terms of presence, it’s because, with occasional exceptions like the unsatisfying “A Mighty Heart,” Angelina Jolie seems not so much interested in acting on screen as being. You could argue that too many lousy pictures like “Wanted” or “Gone in 60 Seconds” or ” Beowulf” have diminished her reputation — until you remember that even in the days of “Gia,” “Playing By Heart,” “George Wallace” and “Girl, Interrupted” it was easier to get people to discuss her as a tabloid freak than to take her seriously as an actress. That’s nothing new. It’s always harder to convince people that a beautiful woman can act.

As much as we might wish to see Jolie get to do something more than action movies, even one as good as “Salt,” you have to wonder if perhaps she’s become too powerful a presence to be cast in everyday roles. Once we could accept movie goddesses as part of the power and beauty of cinema. You didn’t expect to encounter a creature like Ava Gardner or Elizabeth Taylor in real life, but they seemed right at home on-screen, a world scaled to the enormity of their presence. It’s harder for us to accept the existence of such creatures in a time when empty irony rules and the governing ethos is the cultural fragmentation and segregation of the digital age.

07282010_mrmrssmith1.jpgThe moment that may have revealed her stature as a movie goddess better than any other might well be the Jennifer-Brad-Angelina triangle. In the onslaught of gossip, very few people were willing to talk openly about how the Pitt-Jolie match made sense. It was easy to cast Jennifer Aniston as our version of poor Debbie Reynolds. Really, she was our version of Eddie Fisher. (It also made perfect sense that a match that busted up a marriage came to be during the making of “Mr. and Mrs. Smith,” a dark romantic comedy in which the very institution of marriage is an incitement to murder.)

When you listen to the women who don’t like Angelina Jolie, it’s impossible not to hear something in their voices that tells you they consider her a threat to all those nice, sensitive girls. But we’d already seen evidence of that on screen. No action heroine of Jolie’s will ever commit a killing as lethal and thorough as the one Jolie administered to Winona Ryder in “Girl, Interrupted.” Cast in a supporting role in Ryder’s pet project — “The Bell Jar” as princess fantasy — Jolie, as the bad girl, without breaking a sweat, stomped all over the picture’s moon-eyed, poetic suffering leading lady. It was akin to hearing the Sex Pistols in 1977 and believing, for a moment, that you’d never have to listen to the Eagles again.

But it’s wrong to assume that women are the only ones frightened by Jolie. How can Angelina Jolie not seem like a threat in an age that makes a movie star out of Amy Adams, the perfect movie-star crush for men who never got over being smitten with their first-grade teacher? I don’t know if it’s possible to watch Jolie and not feel as if she’s scrutinizing everything in front of her, including the audience. She may be the most appraising actress ever to look into a camera. Each line reading, each gaze sizes up whoever is in front of her and God help anyone who doesn’t measure up.

That kind of power comes at a price. There are very few performances able to stand up to such an on-screen partner. It’s no accident that, for most of “Salt,” Jolie is by herself. She’s thrilling to watch in motion, leaping from the roof of one moving truck to another, zooming through stalled traffic on a motorbike, kicking and punching and whirling. But for much of the movie, we’re simply watching her alone, putting together some spy gadget or information in her head.


Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at


Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.


Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…