YouTube wins its copyright case with Viacom.

YouTube wins its copyright case with Viacom. (photo)

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When two corporations engage in legal battle, like oversized Transformers locked in mortal combat, it can be difficult to know who to root for. In the case of Viacom vs. YouTube, however, the moral advantage lay (just barely) with the Google-owned video giant, which had been sued by Viacom for $1 billion in copyright infringement (55% of what Google paid for YouTube to begin with, no less).

Viacom insisted YouTube had an obligation to immediately remove all copyrighted clips from its website; YouTube said they only had an obligation to pull videos identified by their copyright holders. The judge sided with YouTube; since they pulled all videos as soon as they were identified, they’re off the hook.

Here’s why this is good news. First, this does seem like some kind of karmic lesson. For a long time Viacom’s been secretly uploading clips through 18 different marketing agencies, often deliberately making the videos look messy to convey the impression of piracy:

Viacom’s efforts to disguise its promotional use of YouTube worked so well that even its own employees could not keep track of everything it was posting or leaving up on the site. As a result, on countless occasions Viacom demanded the removal of clips that it had uploaded to YouTube, only to return later to sheepishly ask for their reinstatement. In fact, some of the very clips that Viacom is suing us over were actually uploaded by Viacom itself.

Corporations can rarely get everyone on the same page, of course, but that’s going a little far. Either way, it wasn’t a factor in the judge’s summary decision in favor of YouTube — it was merely that their responsibility ended in removing the offending videos when identified. As anyone who’s ever tried to find, say, vintage MTV clips on YouTube knows, Viacom has been more vigilant than most in obsessively monitoring what’s on the website.

(First prize for YouTube watchfulness has to go to Universal, whose DVDs must have some killer identifying technology in them — most surviving clips are of people filming movies off their TVs. Surprisingly indifferent is Disney, who appear to have no problem with many of their movies being uploaded in full.)

06252010_beavis.jpgInternet pirates can be an outspoken/obnoxious group, full of rhetoric about freedom of speech, creativity and why prices are too high and their backs are against the wall — a difficult position to take when you’ve got a hard drive full of movies and a high-speed connection to match, but never mind.

YouTube clips, though, are the least of a corporation’s problems. If you want to watch a major corporate film from the last fifteen years or so, you probably don’t even need to torrent. Just run a keyword search, and pretty soon you’re streaming a low-grade copy of a film hosted — most likely — by a website based in Japan or China or by a service like MegaVideo, where users obsessively re-up movies as soon as they’re pulled.

Compared to that, YouTube isn’t that big of a factor. The reality is that this corporate whack-a-mole mentality is misdirected. Don’t worry about clips — most people are so intent on hunting down their favorite moments rather than watching a whole film that you might as well run with it. The battle to protect material will be fought film by film until (hopefully) a legal solution is found that people will actually pay for. It’ll be a case of pulling the movies one at a time, just as it is now.

I do wish, in any case, Viacom would knock it off a bit, if only because of weird situations like the “Beavis and Butt-Head” music videos — too expensive to license again for the DVDs, too good to be confined to VHS bootleg purgatory. Four months ago, a cache of B&B videos not available on DVD suddenly popped up on YouTube, and now I’m suddenly wondering if they’re one of the group of videos uploaded surreptitiously by someone at Viacom. Really, I’ll take any excuse to post this:

[Photos: “Anatomy of a Murder,” Columbia, 1959; “Beavis and Butt-Head,” MTV, 1993-97]


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.