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When it comes to action movies, we could use less heart.

When it comes to action movies, we could use less heart. (photo)

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In an interview discussing his many, many unrealized projects with the AV Club last week, Triumph The Comic Insult Dog creator Robert Smigel moaned about studio demands to always know “Where’s the heart?” in his archly goofy, unrelentingly satirical scenarios.

“I refused to write movies with plodding, labored, forced moments that stood out,” he noted. “Now I think comedies have gotten a lot better,” citing the relentless absurdism of “Anchorman” as an example.

Nowadays, studios, in the absence of demanding comedies with heart, seem to have injected this regrettable sogginess into action films, drawing attention away from more vital matters like which expendable bad guy is about to get his ass kicked. I’m thinking, most recently, of the regrettable Jessica Biel in “The A-Team,” whose appearance drew unprecedented howls of derision each and every time she appeared on-screen at my screening. Rarely have I seen a mostly easily pleased crowd so clearly Not Having It.

Ms. Biel is not the greatest of thespians, but the protests had more to do with the fact that every time she’s on screen, Bradley Cooper’s required to tone down his sub-Ryan Reynolds act in favor of acting like an actual vulnerable human being. Specious nonsense! No one came to see that, not even the girlfriends in the audience.

06232010_ateam66.jpgOf course, the obligatory romantic sub-plot has always been with us, but it used to be more pro forma, the ritualistic female to be attained by whatever bad-ass was center screen. They certainly weren’t about to get all weepy about it.

Gushiness is a fairly recent development, something for which we can probably blame Tobey Maguire (who managed to make pining after Kirsten Dunst look realistic and heartfelt) and the widely noted aughts trend of the morally conflicted, emo superhero. This recent overdevelopment of the blockbuster heart muscle seems to work only when someone wildly over-qualified has been cast in the female part, who can underplay the role (like Gwyneth Paltrow in “Iron Man”), because these parts are always poorly written. (Which might account for the popularity of “Taken”: a Hard Man with no time for women yanks us back to the reactionary essence of the action movie.)

I was reminded of all this while watching the fine Steven Seagal film “Marked For Death,” currently available on Netflix Instant. This is the 1990 follow-up to “Hard To Kill,” which briefly took time out for Kelly LeBrock to put on her most low-cut dress and sleep with our ponytailed hero. The poster, attendantly, has her to Seagal’s left, clutching his arm and looking all “THIS IS MY MAN.”

The poster for “Marked For Death,” in contrast, gives us two Seagals — one in silhouette with a gun, and a full face glowering humorlessly, an accurate summary of what happens in the movie. Seagal shares all of three scenes with Joanna Pacula, who attempts to seduce him (flattering him by telling him it’s rare to meet a man like him who isn’t married, gay or “trying to find himself”), but he simply gets the information he needs and is on his way. Pacula is never seen again; after the final shooting, the movie’s simply over.

06232010_marked.jpgThis is not, perhaps, the most socially responsible attitude to take, but it is, nonetheless, preferable to the deep-breathing and worrying of, say, Jessica Biel. The sogginess of most action romances, in fact, is nothing more than a way to pad the running time without actually providing real chemistry or banter. Here’s wishing they would either make those roles less token and cynical and more fleshed-out (unlikely), or drop them entirely.

The absurdities of the post-“Anchorman”/”Adult Swim” comedy have gotten rid of the garbage that is the tiresome here’s-a-halfassed-concession-for-the-female-demo. Might it be too much to ask for a similar regression in the action genre? If you can’t do something well, why do it at all?

[Photos: “Anchorman,” DreamWorks Distribution, 2004; “The A-Team,” 20th Century Fox, 2010; “Marked For Death,” 20th Century Fox, 1990]

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….


IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.


IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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