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Kubrick and Scorsese, not as violent as their most famous films might indicate.

Kubrick and Scorsese, not as violent as their most famous films might indicate. (photo)

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When someone says that Stanley Kubrick and Martin Scorsese are his or her two favorite directors, it doesn’t mean that much. Both are responsible for films of cold, hard, almost universally valued quality — they’re almost unassailable cinematic institutions (there’s always going to be someone around to insist a director is overrated). They’re also dorm-room staples and two of the few directors still identifiable by many people by last name alone. It’s a rare case of critical and popular love getting married.

Here’s a video mash-up of the work of the two godhead directors to get your week started with a bang. Kudos to “Leandro Copperfield,” whose “Kubrick vs. Scorsese” (guess what it’s about) has been picking up blog steam. (It’s mildly NSFW — there are, predictably, a lot of bloodshots and a little swearing):

06282010_kiss.jpgTo Copperfield’s infinite credit, the video includes bits of every single Kubrick feature (including the never-officially-released “Fear and Desire” and early boxing short “Day of the Fight”). He even gets in pieces of 1955’s “Killer’s Kiss,” a treasure trove of unintentional surrealism. This is not the work of someone who’s only dug “A Clockwork Orange,” “The Shining” and “Full Metal Jacket.” Scorsese, too, is awarded his full due: pre-“Mean Streets” material is eschewed, and there’s certainly no Michael Jackson’s “Bad” in there, but you’re basically getting the scope of the catalog.

Conventional wisdom pegs Kubrick as a master technician who was far chillier than anyone in his audience, while Scorsese is a visceral stylist whose propensity for the lurid connects beyond his personal obsessions (even as his relative indifference towards continuity editing can drive technical dweebs off the wall).

A mash-up like this proposes equality. Even as it’s making visual analogies (the “2001” monolith is no less movable, it turns out, than Daniel Day-Lewis in “Gangs of New York”), what it’s really privileging are the flashiest shots, the ones that survive best when cut to durational shreds.

Often, they’re very violent: if you’d never actually seen any of the Kubrick movies in question, you might conclude they’re just as violent as Scorsese’s (and you’d also be forced to conclude Scorsese’s work is almost exclusively violent, which is only what his fair-weather fans wish for).

06282010_age.jpgThat suggests something about the casual fandom surrounding these milestone directors. Plenty of people “like” Kubrick; very few of them are going to sit down and watch “Killer’s Kiss,” partly because it’s obscure and partly because it’s a somewhat inept (if fascinating) mash-up of noir, proto-surrealism and post-sync sound. Likewise, most of those “Goodfellas” fans somehow failed to show up for “The Age of Innocence” (or “Kundun”!).

The most popular films of both directors are the ones that go for full violent overload (except for “2001,” which is too spectacularly anomalous a challenge to ignore). And that doesn’t say anything about the scope of their work, which is broader than most would give them credit for. It just tells us that, even among the masters, people prefer flash and violence.

[Photos: “A Clockwork Orange,” Warner Bros., 1971; “Killer’s Kiss,” MGM/UA Home Entertainment, 1955; “The Age of Innocence,” Columbia, 1993]

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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