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Kubrick and Scorsese, not as violent as their most famous films might indicate.

Kubrick and Scorsese, not as violent as their most famous films might indicate. (photo)

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When someone says that Stanley Kubrick and Martin Scorsese are his or her two favorite directors, it doesn’t mean that much. Both are responsible for films of cold, hard, almost universally valued quality — they’re almost unassailable cinematic institutions (there’s always going to be someone around to insist a director is overrated). They’re also dorm-room staples and two of the few directors still identifiable by many people by last name alone. It’s a rare case of critical and popular love getting married.

Here’s a video mash-up of the work of the two godhead directors to get your week started with a bang. Kudos to “Leandro Copperfield,” whose “Kubrick vs. Scorsese” (guess what it’s about) has been picking up blog steam. (It’s mildly NSFW — there are, predictably, a lot of bloodshots and a little swearing):

06282010_kiss.jpgTo Copperfield’s infinite credit, the video includes bits of every single Kubrick feature (including the never-officially-released “Fear and Desire” and early boxing short “Day of the Fight”). He even gets in pieces of 1955’s “Killer’s Kiss,” a treasure trove of unintentional surrealism. This is not the work of someone who’s only dug “A Clockwork Orange,” “The Shining” and “Full Metal Jacket.” Scorsese, too, is awarded his full due: pre-“Mean Streets” material is eschewed, and there’s certainly no Michael Jackson’s “Bad” in there, but you’re basically getting the scope of the catalog.

Conventional wisdom pegs Kubrick as a master technician who was far chillier than anyone in his audience, while Scorsese is a visceral stylist whose propensity for the lurid connects beyond his personal obsessions (even as his relative indifference towards continuity editing can drive technical dweebs off the wall).

A mash-up like this proposes equality. Even as it’s making visual analogies (the “2001” monolith is no less movable, it turns out, than Daniel Day-Lewis in “Gangs of New York”), what it’s really privileging are the flashiest shots, the ones that survive best when cut to durational shreds.

Often, they’re very violent: if you’d never actually seen any of the Kubrick movies in question, you might conclude they’re just as violent as Scorsese’s (and you’d also be forced to conclude Scorsese’s work is almost exclusively violent, which is only what his fair-weather fans wish for).

06282010_age.jpgThat suggests something about the casual fandom surrounding these milestone directors. Plenty of people “like” Kubrick; very few of them are going to sit down and watch “Killer’s Kiss,” partly because it’s obscure and partly because it’s a somewhat inept (if fascinating) mash-up of noir, proto-surrealism and post-sync sound. Likewise, most of those “Goodfellas” fans somehow failed to show up for “The Age of Innocence” (or “Kundun”!).

The most popular films of both directors are the ones that go for full violent overload (except for “2001,” which is too spectacularly anomalous a challenge to ignore). And that doesn’t say anything about the scope of their work, which is broader than most would give them credit for. It just tells us that, even among the masters, people prefer flash and violence.

[Photos: “A Clockwork Orange,” Warner Bros., 1971; “Killer’s Kiss,” MGM/UA Home Entertainment, 1955; “The Age of Innocence,” Columbia, 1993]

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Sally Kellerman- Maron – Season 4, Episode 5

Hello Sally

5 Roles That Prove Sally Kellerman Is a Comedic Genius

Sally Kellerman returns to Maron this Wednesday at 9P on IFC.

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With her statuesque beauty and sarcastic verve, Sally Kellerman has put her stamp on several iconic TV and film roles. She always gave as good as she got, keeping her leading men on their toes. With Toni Maron returning to help Marc through a tough time on Wednesday’s brand new Maron, we thought it was time to revisit a few of Sally’s classic roles that prove she’s more woman than most of us can handle.

5. Judge Henderson, Moving Violations

Playing a saucy judge with a taste for bondage, Kellerman got to go full-on villain in this absurd comedy starring lesser Murray brother Joel. Who needs Bill when you’ve got Sally in a full leather getup?


4. Louise, Brewster McCloud

It takes some real talent to make a conversation about remaining celibate this sexy. Kellerman turns up the heat here, mixing sensuality with a mythic quality (she may be a fallen angel of some sort in this movie), that makes us want to forget Brewster’s dream of flying, and just spend a little more time with her on the ground.


3. Maron

Whether she’s dropping passive aggressive comments or searching for his love handles, Toni is the perfect representation of all of Marc Maron’s neuroses.


2. Back to School

Holey moley, when literature professor Dr. Diane Turner starts reading some sexy prose to her class, Rodney Dangerfield isn’t the only one whose eyes nearly pop out of his head. Kellerman proves yet again that she can mix class and crass with the best of them, playing the type of woman you can discuss erotic literature with — or just live it out with.


1. M*A*S*H

In perhaps her most iconic part, the one that scored her an Oscar nom, Kellerman plays the apple of a whole army base’s eye. It’s far from easy getting that kind of attention in the middle of a war zone, which Kellerman shows with one truly epic meltdown. Major “Hot Lips” Houlihan would make anyone’s grandpa’s war stories a littler bit easier to listen to.

Watch how Toni comes back into Marc’s life on this week’s Maron. 

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Southern Fried SNL

Watch Fred Armisen and Carrie Brownstein in SNL’s Southern Rock Supergroup

Fred and Carrie kept it mellow on the SNL season finale.

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Photo Credit: Saturday Night Live / NBC Universal

It was a veritable “band from comedy heaven” this weekend as a myriad of comedians assembled for a feel-good musical sketch in the Saturday Night Live season finale. Guest host Fred Armisen was joined by Portlandia cohort Carrie Brownstein as well as Maya Rudolph, Andy Samberg, Jason Sudeikis, Larry David, and members of the SNL cast to form faux-southern-rock supergroup The Harkin Brothers — a band whose members managed to outnumber its audience.

If The Harkin Brothers’ smooth vocal stylings remind you of The Blue Jean Committee from Documentary Now!, that’s probably not a coincidence. The BJC first appeared in a different, more regionally-specific form in a SNL sketch with Sudeikis on drums.

Watch an all-star SNL cast perform a mellow tribute to Arkansas called “Summertime in Fayetteville” in the video below.

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Farewell Mr. Fred

5 Funniest Sketches From Fred Armisen’s SNL Season Finale

Is "Farewell, Mr. Bunting" the best SNL sketch of the season?

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Photo Credit: Saturday Night Live / NBC Universal

The 41st season of Saturday Night Live drew to a close this past weekend, and star of Portlandia and Documentary Now! Fred Armisen hosted the occasion. A former SNL player himself, this homecoming allowed Fred to show off the comedy chops and character skills he’s honed since leaving Studio 8H.

Here are the 5 funniest sketches from the season finale of Saturday Night Live hosted by Fred Armisen.

1. Farewell, Mr. Bunting

What appears to be a straightforward take on the maudlin climax of the 1989 Robin Williams classic Dead Poets Society takes quite an unexpected turn. But if you’re really watching, you’ll realize it’s completely organic and integral to the plot.


2. Fred’s Monologue and One-Man Show

Actor, writer, producer, musician, impressionist — Fred can do it all. So tackling the many characters in the story of his life is a cakewalk for such a talent. Here, Fred takes us on the emotional journey through the day he got the job at SNL and luckily he leaves no detail, however minor or insignificant, out of the performance.


3. New Girlfriend

We were wondering what characters Fred would bring back, but we didn’t predict Regine. Fellow SNL alum Jason Sudeikis appears in this sketch as Regine’s new boyfriend, who introduces his pals to his snarky, raunchy lady. Watch Aidy Bryant try not to crack up at Fred/Regine’s joygasms.


4. Expedition

Three of the biggest stars in American colonialism are Meriwether Lewis, William Clark, and Sacagawea. But what most history books choose to omit is the simmering sexual tension between the three explorers. Fortunately, a group of community players illustrate the historical figures’ lustful dynamic to a high school class in graphic detail.


5. Escape Pod

As an interstellar ship begins breaking apart, Fred plays the lucky member of the space crew who wins access to the last escape pod. But a heartfelt goodbye is mitigated by the pod’s virtual assistant ensuring all the luxuries and pampering are to the occupant’s liking.

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