DID YOU READ

Kubrick and Scorsese, not as violent as their most famous films might indicate.

Kubrick and Scorsese, not as violent as their most famous films might indicate. (photo)

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When someone says that Stanley Kubrick and Martin Scorsese are his or her two favorite directors, it doesn’t mean that much. Both are responsible for films of cold, hard, almost universally valued quality — they’re almost unassailable cinematic institutions (there’s always going to be someone around to insist a director is overrated). They’re also dorm-room staples and two of the few directors still identifiable by many people by last name alone. It’s a rare case of critical and popular love getting married.

Here’s a video mash-up of the work of the two godhead directors to get your week started with a bang. Kudos to “Leandro Copperfield,” whose “Kubrick vs. Scorsese” (guess what it’s about) has been picking up blog steam. (It’s mildly NSFW — there are, predictably, a lot of bloodshots and a little swearing):

06282010_kiss.jpgTo Copperfield’s infinite credit, the video includes bits of every single Kubrick feature (including the never-officially-released “Fear and Desire” and early boxing short “Day of the Fight”). He even gets in pieces of 1955’s “Killer’s Kiss,” a treasure trove of unintentional surrealism. This is not the work of someone who’s only dug “A Clockwork Orange,” “The Shining” and “Full Metal Jacket.” Scorsese, too, is awarded his full due: pre-“Mean Streets” material is eschewed, and there’s certainly no Michael Jackson’s “Bad” in there, but you’re basically getting the scope of the catalog.

Conventional wisdom pegs Kubrick as a master technician who was far chillier than anyone in his audience, while Scorsese is a visceral stylist whose propensity for the lurid connects beyond his personal obsessions (even as his relative indifference towards continuity editing can drive technical dweebs off the wall).

A mash-up like this proposes equality. Even as it’s making visual analogies (the “2001” monolith is no less movable, it turns out, than Daniel Day-Lewis in “Gangs of New York”), what it’s really privileging are the flashiest shots, the ones that survive best when cut to durational shreds.

Often, they’re very violent: if you’d never actually seen any of the Kubrick movies in question, you might conclude they’re just as violent as Scorsese’s (and you’d also be forced to conclude Scorsese’s work is almost exclusively violent, which is only what his fair-weather fans wish for).

06282010_age.jpgThat suggests something about the casual fandom surrounding these milestone directors. Plenty of people “like” Kubrick; very few of them are going to sit down and watch “Killer’s Kiss,” partly because it’s obscure and partly because it’s a somewhat inept (if fascinating) mash-up of noir, proto-surrealism and post-sync sound. Likewise, most of those “Goodfellas” fans somehow failed to show up for “The Age of Innocence” (or “Kundun”!).

The most popular films of both directors are the ones that go for full violent overload (except for “2001,” which is too spectacularly anomalous a challenge to ignore). And that doesn’t say anything about the scope of their work, which is broader than most would give them credit for. It just tells us that, even among the masters, people prefer flash and violence.

[Photos: “A Clockwork Orange,” Warner Bros., 1971; “Killer’s Kiss,” MGM/UA Home Entertainment, 1955; “The Age of Innocence,” Columbia, 1993]

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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