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Judd Apatow drinks PBR as summer burns.

Judd Apatow drinks PBR as summer burns. (photo)

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Friday night, the obnoxious circle-of-easy-liberal-punchlines that is HBO’s “Real Time with Bill Maher” briefly perked up as Judd Apatow dropped by to remind people that “Get Him To The Greek” is an actual movie that’s coming out and people should see it.

First he drank one of the PBRs Maher had gotten as part of a joke about life in Sarah Palin’s Alaska: “I’m a drug addict but I draw the line at that shit,” Maher cracked, indicating he hasn’t been to any shows in Brooklyn lately. They then discussed Apatow’s infallibility (as if last year’s twin financial disasters of “Year One” and “Funny People” had never happened) and Maher — a stand-up buddy of Apatow’s from back in the day — ruefully admitted “now you’ve surpassed me.”

Well, has he? It was the worst June box-office year in five years (and worse if you factor for inflation). Faced with a weekend in which there was no clear stand-out blockbuster — merely “Killers,” “Greek,” “Marmaduke” and “Splice” — the American people loudly asserted their indifference and stayed home. The much-touted return to multiplex movie-going as a response to economic tough times hit a leak.

06072010_killers1.jpg“Greek” performed solidly but unremarkably; as for “Killers” (a movie so cheap and shoddy even its explosions are unconvincing), it was interesting to watch another Apatow associate (Katherine Heigl received a big boost from “Knocked Up,” and she wastes more time on pregnancy tests here) succumb to failure. And yes, talking dogs and gene-spliced babies are still a reasonably tough sell. I suspect that a lot of movies get a boost when not-particularly-picky multiplex-goers, sold out of their intended film, settle for something else. This weekend, there was no movie that was even close to selling out, and the crush that benefits everyone never materialized.

But back to Apatow, the man allegedly better off than Maher. Apatow — who doesn’t really make political statements but whose movies are, as has been widely noted, essentially culturally conservative — was drinking that beer Maher so disapproves of as they discussed drug use. “The point of most of the movies is ‘you don’t want to behave like this,'” Apatow said. “That doesn’t come through,” Maher responded, which is absolutely true; given the amount of time Apatow’s characters spend getting funnier and funnier the more they ingest and abuse, the message isn’t terribly clear.

06072010_knocked.jpgWatching the two old friends and colleagues sit side by side, you couldn’t at least help but breathe a sigh of relief that it was Apatow, not Maher, who blew up. Whatever his flaws, Apatow lacks Maher’s noxious sense of clarity and moral absolutes. The two talked about how much they hung out and how Apatow emulated Maher when he was an up-and-coming comic, but over the years Maher has curdled into a dead-certain semi-libertarian pushing certain inflexible talking points. You get the sense Apatow, too, has a message he wants to push (such as “don’t be a stupid pothead who can’t handle adult life”), but he’s much less certain what that might be or how to present it, which makes his movies much easier to watch even if you disagree with what they’re about.

The most interesting thing about the movies he actually directs is how they’re always pulled in two directions at once: “The 40 Year Old Virgin” is about sex jokes and mocking virgins but also about affirming monogamy, “Knocked Up” is allegedly in favor of marriage but Apatow’s direction of (his wife!) Leslie Mann as a tensely married shrew undercuts his point. The ambivalence was pushed to the max in “Funny People” — a freakishly confessional film with seemingly no filter, with Apatow and co. trying to be honest about the negative problems of the obscenely wealthy — and Apatow’s a better director for it.

Here’s Apatow sharing a beer with Andrew Sullivan, the only other guy at the table drinking. Of course.

[Photos: “Real Time with Bill Maher,” HBO, 2003-present; “Killers,” Lionsgate, 2010; “Knocked Up,” Universal, 2007]

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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