DID YOU READ

Japan vs. “The Cove”: The battle continues.

Japan vs. “The Cove”: The battle continues. (photo)

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“The Cove” is the little documentary that just won’t quit. All along, it’s been clear that “The Cove” is really two separate movies: one of them is an entertaining, “Ocean’s”-style activism-as-heist-film designed for outside-of-Japan viewing. The other is designed to be shown in Japan in order to get a national dialogue going about ending whaling/dolphin slaughter.

But a mere three theaters in Japan agreed to show the film, and they all canceled “after receiving a flood of angry phone calls and warnings of protests by nationalists, who have been screaming slogans outside the Tokyo office of the Japanese distributor in recent months.”

A group of cultural figures, including Hirokazu Kore-eda (“Still Walking,” “After Life”), signed a counter-petition, saying that regardless of the divisiveness of the subject, “This is a film that has been widely shown abroad. If the work, which is about Japan, cannot be shown in Japan, it only underlines the weakness of the freedom of speech in Japan.”

06082010_cove.jpg“The Cove” has been an on-and-off source of outrage since last September, the first time the movie screened in Japan and, coincidentally, when whaling season begins. It’s a hot button issue: Two anti-whaling activist face 18 months in jail for stealing whale meat; Australia is suing Japan over whaling in the International Court of Justice; two former whalers just went whistleblower on the research program.

Against this background, a key talking point has emerged on the part of people who don’t want “The Cove” released in Japan — it’s racist and culturally insensitive. Take a gander, for example, at Japanese news clip from last year, in which a man from the local Taiji government speaks calmly about how he thinks “one should recognize that different people have different points of view and different cultural beliefs. […] I’d like to ask them one more time to discuss things in a more friendly manner.” The newscast is painted in terms of foreigners inexplicably coming into this town and trying to disrupt a 400-year-old tradition.

But Richard O’Barry — the main activist featured in the film — seems like the kind of mono-minded loon who really cares about animals more than people. I mean that as a compliment, sort of — there’s little evidence O’Barry cares where he is, he only cares about the dolphins.

06082010_freewilly.jpgAnd nowhere in any of the arguments over the film is the most salient point (and the only one that won over someone like me, who could care less about animals): the meat being sold has potentially toxic amounts of mercury in it.

In the meantime, if you want to get a feel for the tenor of the debate, here’s an entertaining clip from Japanese TV with a panel of Japanese vs. foreigners (and it’s cast in those terms). Takeshi Kitano is there, for some reason, though he doesn’t say a single word (perhaps wisely). People yell about whether whales are smart or not, and about cannibalism. They argue about whether people are just getting worked up about cute animals (point, kinda). It’s nuts:

[Photos: “The Cove,” Roadside Attractions, 2009; “Free Willy,” Warner Bros., 1993]

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.