French directors, coming and going.

French directors, coming and going. (photo)

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News surfaced today that Luc Besson is shopping a love story around to the studios — which, as The Playlist astutely pointed out, means he’s “looking to return to the world (and financing) of Hollywood filmmaking.” He wouldn’t precisely be returning, per se: all of Besson’s English-language films (“The Professional,” “The Fifth Element,” “The Messenger”) were, in fact, mostly financed by the French.

Despite his widely noted success as a one-man producer of Eurotrash action films for the global market (here most visible in “Taken” and the “Transporter” films), there comes a time when every man wants Hollywood money, and lord knows Besson has proven his instincts as to the kind of action movies that sell worldwide are fairly impeccable.

The Besson factory is also a training ground for action directors who can then be shipped over to the US. EuropaCorp (co-founded by Besson and Pierre-Ange Le Pogam in 1985) has helped break directors like Alejandre Aja (who went from “Haute Tension” to “The Hills Have Eyes” and the upcoming “Piranha 3-D”), Louis Leterrier (from the first two “Transporter” films to “The Incredible Hulk” and “Clash of the Titans”) and Xavier Gens (who graduated from the Europa co-produced “Hitman” to the upcoming “The Divide,” which features the killer cast of Milo Ventimiglia, Michael Biehn, Rosanna Arquette and Courtney B. Vance), with more surely coming our way as more and more of the globally successful action films.

Arguably the Besson factory has proven better at training and seeding competent action guys than Hollywood. We’re poised to get as many French directors as there were Hong Kong action guys bouncing around in the ’90s. (But do American action dudes ever end up getting called abroad? Particularly if they’ve spent years stuck in development hell and might be eager to get out.)

06232010_brotherhood.jpgThere are, however, limits to what these imports will put up with. As fewer massive blockbusters are made (at greater prices), there’s only so much patience these filmmakers will have before high-tailing it out of the country, back to the efficiencies of the Besson method. Witness Christophe Gans: not actually a Besson graduate (he got his start working with Brian Yuzna, noted schlock horror producer/director), but still the director of the second-highest-grossing French film in America of the last decades, “The Brotherhood of the Wolf.”

Having made “Silent Hill” and been stuck since trying to get samurai-vs.-demons video game adaptation “Onimusha” off the ground, Gans has had it. So back he’s going to France for “Fantomas,” the 12th (!) version of the insanely durable series about a mastermind sociopath.

Lesson learned here? Talent can flow to Hollywood from France, but — per Besson’s example (who was here for three years in the ’80s, then went back) and per his patronage as well — it won’t necessarily stay here. Screw around with them and they’ll just fly back. Who can blame them?

[Photos: “Transporter 2,” 20th Century Fox, 2005; “The Brotherhood of the Wolf,” Universal, 2003]


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.