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Exclusive Interview: John Densmore of The Doors.

Exclusive Interview: John Densmore of The Doors. (photo)

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I dig John Densmore, not just because he was once portrayed by Kevin Dillon on screen, but because he is a believer. How easy would it be to just cash in on that catalogue of tunes for advertising? “Light My Fire,” “Break on Through,” “Love Me Two Times.” They’re almost ready made for the biggest commodities of our times, cars and male enhancement drugs. But Densmore’s not in it for the money even though others have sometimes seen no harm in commercializing The Doors, he won’t budge. Not since being chastised by Morrison in ’67 for initially going along with a Buick ad anyway.

“What was that original intent?” Densmore wrote in an article for The Nation in 2002. “What is happiness? More money? More fame? The Vietnamese believe that you’re born with happiness; you don’t have to pursue it. We tried to bomb that out of them back in my youth. From the looks of things, we might have succeeded.”

I talked to Densmore a couple months ago (sometimes these things get delayed) about Tom DiCillo’s documentary “When You’re Strange” which took on a new life when Johnny Depp came on board to narrate.

I know this film has had some tweaking over the past year but now that “When You’re Strange” is all wrapped what do you think, is this The Doors as you know them?

One of the aspects [laughs]. I’m impressed. When I first heard the idea I thought, well this is a lot of old footage, I don’t have a lot of hope for this. I got to say Tom DiCillo, assembled and wrote a beautiful narrative. It’s got more depth, and there’s some magic in there that nothing has had to this date.

You mentioned the footage which is all original from the 60’s and 70’s. Do you recall the original projects it’s culled from, “Highway” or “Feast of Friends”?

Oh sure, I know every frame. “Highway” was Jim’s film he made at UCLA, I think it was shot to be in this film. It just fits so perfectly.

Did you wince at any of that old footage or is it all sweet nostalgia now?

No wincing. Not just nostalgia, but reliving a beautiful dream I had a long time ago. I don’t quite know what it was, but it was beautiful.

You said this shows one aspect of what it was like for you guys, in the late 60’s, what would you focus in on more of that beautiful dream, or what’s missing?

I wasn’t implying that something was missing; it’s just one part, another take. Like Oliver Stone’s film, which I liked…

Oh you did?

Sure, yeah others didn’t but I did. I mean, Val Kilmer should have been nominated. It focused on the self destructive artist. But this film not only has the real people instead of actors, but you get a feeling of the period more. The 60’s and the political climate and you get a little more of Jim early, and humorous. It’s a little more well rounded.

You sure there isn’t anything from your perspective that you would have added?

Well, more drumming! [laughter] No, I’m quite pleased with it. And somehow with Johnny narrating, there’s some magic in there that’s indefinable. I don’t know, you get it, we’re there.

Dick Wolf (producer) commented about how the tonal changes Depp made and the decision to use first names made the material more intimate than it was in the first cut.

You know Johnny brought this integrity, because he knows what it’s like to be an icon. At a screening, Johnny turned around to me and he said, “Man, this is really good.” Coming from him that feels great.

What about the soundtrack does this nail it for you?

I’m very glad you brought that up. I asked Johnny, “Would you be open to reading a couple of Jim’s poems that are not in this movie?” Just to round out the soundtrack, make it more interesting. I suggested some apropos poems and he went for it. So the soundtrack has Johnny Depp sprinkled through it.

Nice. And are you pleased with the songs from The Doors catalog that were chosen, from a scoring perspective?

Yeah, Bruce Botnick our long time genius recording engineer supervised all the sounds and the songs in the film so it’s a great relief to have someone who completely understands what we’re about doing all that. So we don’t worry at all. He’s the fifth Door [laughs].

I’ve heard you’ve got some disdain for commercializing and tended to veto licensing deals, how do you feel about The Doors and advertising?

Well I’m quite reluctant. I don’t think I’ve okayed anything. Well, we all okayed one, but check out the last line of the film and that will answer that question!*

What film would you like to live inside of, if you could?

Fellini’s “8 ½.” When I was a teenager I saw that and I didn’t understand it but it just ripped my head off.

*I’m not going to spoil the last line of the film here. You’ll have to see it.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….


IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.


IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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