DID YOU READ

Eric Idle’s Very Naughty “Messiah”

Eric Idle’s Very Naughty “Messiah” (photo)

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On October 23, 2009, The Royal Albert Hall in London hosted an oratorio, a night of singing and orchestral music from a choir, symphony, and soloists. The performers were in their formal wear. The conductor wore tails. The house was packed. It was like a scene from an especially tony episode of PBS’ “Great Performances.” Or, at least, it was… until a man strode onto the Albert Hall stage in full drag, wig and pearls, to introduce and narrate the evening’s entertainment: a one-night-only performance of “Not the Messiah (He’s a Very Naughty Boy),” a spoof of Handel’s “The Messiah” based on Monty Python’s “Life of Brian.” The man in drag was one of those Pythons, Michael Palin. The “Baritonish” soloist to his left was fellow Python alum Eric Idle, who wrote “Not the Messiah” with his longtime musical collaborator John Du Prez.

Idle has the sort of career that makes him seem ill-suited to his last name. He’s spent the years since Python’s dissolution in the early 1980s not only acting, but writing (most famously the Broadway musical “Spamalot” with Du Prez, but also several novels and non-fiction books) and touring (with shows like “Eric Idle Exploits Monty Python”) as well.

Though Idle and Du Prez had already performed “Not the Messiah” in more than a dozen times all over the world, last fall’s concert at the Albert Hall, documented in the new DVD of the same name, was special, publicly reuniting four of the five surviving Pythons — Idle, Palin, Terry Jones, and Terry Gilliam — for the first time in years. I spoke with Idle about the origin of the project, setting Python to music, and why he’s glad “Flying Circus”‘s success in the United States came after the series had already ended in England.

05312010_ericidle2.jpgYou said on the recent Monty Python documentary series “Almost the Truth” that the origins of “Life of Brian” came on the “Holy Grail” press tour, when a journalist asked you what was next for Python and you responded, “Jesus Christ: Lust for Glory.” Did something similar happen for “Not the Messiah” while you were doing press for “Spamalot”?

No it came about because my cousin, Peter Oundjian, who’s the principal conductor of the Toronto Symphony Orchestra, wanted us to work together on some kind of comedy that could bring people back into the symphony hall, especially young people. I thought that was a nice idea but I didn’t know what it should be. When I thought about it, I realized, “My gosh, ‘The Messiah’ — what about ‘Not the Messiah?’ It’ll be really perfect. We’ll tell the story of Brian and we’ll treat it as if it were a grand oratorio with real singers and opera people. That will add to the mock heroic quality and make it funnier.”

This seems like a much more challenging endeavor than just making “Brian” into “Spamalot 2” on Broadway.

Oh yeah, it’s much more musical. We had 240 musicians. And it’s always challenging whenever we do it, because you usually just get one day with the orchestra to practice the whole thing, this complex piece of music. Normally you’d have three or four days, and the choir would have rehearsed it, and the soloists have rehearsed it. But each place we go — if we go to Washington, we have to get the Washington Symphony Orchestra. We go to Houston, we have to get the Houston Symphony Orchestra. Each time is a huge, new job. It’s not like a musical that you can just tour.

Did you re-watch “Life of Brian” as you were writing the libretto?

05312010_ericidle3.jpgNot really, because I tried to think about “The Messiah,” not the movie. In England they also have this thing called the Nine Carols service where the head shepherds announce things and tell the story; that was also in my mind as being similar to the structure of what we’re doing here, telling a story about a woman who gets knocked up by a Roman centurion and gives birth to Brian in a cowshed and then the tragedy of him being mistaken for a messiah.

Were you a “Messiah” fan?

I love “The Messiah.” It’s the most wonderful piece of music. But it’s been bizarre because we’ve gone to places where they’ve done ten nights of “The Messiah” and we were on the last night as “Not The Messiah.” [laughs]

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.