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Christopher Nolan: No 3D, no cell phone, lots of diagrams.

Christopher Nolan: No 3D, no cell phone, lots of diagrams. (photo)

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“I don’t have e-mail, a cell phone…it gives me more time to think,” said Christopher Nolan, which might’ve been the greatest revelation from his appearance at this weekend’s inaugural Los Angeles Times Hero Complex Film Festival. His admission came in response to a question about online chatter concerning his films, though it was evident others are keeping track of his tight schedule, as he stopped by for a 45-minute chat with the Times’ Geoff Boucher during a break from the dub stage for “Inception.”

Although the talk was sandwiched between a double bill of “Insomnia” and “The Dark Knight,” the subject quickly turned to his latest film. There was a wave of excitement when the end credits of “Insomnia” led directly into an MPAA green band, which proved to be the beginning of “Inception” trailer #3, which is available online. Shortly after, Nolan was greeted with a standing ovation as he made his way to the stage and after a question about Robin Williams’ performance in “Insomnia” — which the director called “flawless” and considered himself lucky that it came out before “One Hour Photo,” even though “Insomnia” was shot later — Boucher started in with questions about this summer’s most anticipated film.

06122010_Inception.jpg“I’ve wanted to make a film about dreams since I was a kid,” Nolan told the audience and mentioned that he pitched the film to Warner Brothers right after finishing “Insomnia.” He gave a basic synopsis that largely resembled his recent comments to Empire magazine, about a team of extractors that can steal information from the mind. “I thought it would take months, but it took me 10 years,” said Nolan about the writing process that followed.

While he conceived of “Inception” as a heist film, he couldn’t complete it since he felt “heist films tend to be deliberately superficial,” a problem he knew was solved by the casting of Leonardo DiCaprio, of whom he likened to Guy Pearce in “Memento” with his ability to “find the emotional truth of the character.” (When Boucher brought up that six of the eight actors whose names appear on “Inception”‘s poster had been nominated for Oscars, Nolan got a laugh when he shrugged, ” I hadn’t noticed actually…it’s an incredible cast.” He also got a rise out of the audience when he said he screened “Pink Floyd’s The Wall” for cast and crew right before shooting for inspiration and “it was shocking to everybody”; he’s presenting the film next week at the L.A. Film Festival.)

But Nolan didn’t have a hard time winning over the discerning fanboy crowd. He championed practical effects, which he used extensively in concert with CG for “Inception,” explaining that he learned on “Batman Begins” that effects artists need something to start out with. After doing tests with a digital Batman, he thought most of the audience could be fooled, but he wasn’t. (“I could tell. [The artists] weren’t real happy, but it was incredibly close.”) He continued, “If you can photograph something real…they’re able to do much, much better work.”

Nolan also appeared disinterested in discussing 3D, though he couldn’t help but give a well-reasoned response to why “Inception” is one of the rare summer blockbusters to elude the treatment. “I’m not a huge fan of 3D,” said Nolan to the cheers of the audience before mentioning that he did tests with post-conversion. “They looked good, but they wouldn’t have the time to get up to my standards.” Taken out of context, those comments might appear that he was flirting with the process, but he continued, “I find the dimness of the image extremely alienating” when projecting a 3D film and mentioned the “enormous compromises” he would have to make like shooting on video first to accommodate the 3D process. He left a door open when he said “post-conversion would be the future” for him personally, if he were to make a 3D film, and acknowledged that “audiences will decide” 3D’s fate, but seemingly shut it when he said in a later answer, “I find it impossible as a viewer to forget I’m watching a movie [in 3D].”

06122010_TheDarkKnight.jpgHe also took questions about his involvement in “Superman” (“I thought [David Goyer’s] pitch was terrific and I didn’t want it to not get done,” but stressed he was only a producer on the project) and dished a little on “The Dark Knight,” saying there was a direct connection to Richard Donner’s “Superman” to his take on Batman: “I wanted to make the Batman film that would’ve been made in ’78, ’79…[Warner Brothers] never did the Dick Donner version of an extraordinary person in an ordinary world” with an esteemed cast filling out the supporting roles. Boucher also prodded Nolan to talk about his favorite scene of “The Dark Knight” — the Joker’s interrogation sequence, which he made distinctive with bright lighting and wanted near the beginning of the film — and its incredible financial success in comparison to “Batman Begins,” which Nolan believed “suffered from a lot of suspicion of the franchise” with audiences at first, but allowed for “the massive benefit of showing what you can do with the character.”

Comic book writer Ed Brubaker was in the audience and asked Nolan about his writing process and whether how much he outlines his screenplays, to which Nolan responded he doesn’t use outlines, but “I draw a lot of diagrams. It all gets a bit ‘Beautiful Mind.'” He also writes in a linear fashion and always plans to do rewrites later to “make it flow.” “It’s almost like you write a bunch of dailies and edit it into a more comprehensible form.”

[Photos: “Inception,” Warner Bros., 2010; “The Dark Knight,” Warner Bros., 2007]

SAE SDCC 2017

SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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