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Christopher Nolan: No 3D, no cell phone, lots of diagrams.

Christopher Nolan: No 3D, no cell phone, lots of diagrams. (photo)

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“I don’t have e-mail, a cell phone…it gives me more time to think,” said Christopher Nolan, which might’ve been the greatest revelation from his appearance at this weekend’s inaugural Los Angeles Times Hero Complex Film Festival. His admission came in response to a question about online chatter concerning his films, though it was evident others are keeping track of his tight schedule, as he stopped by for a 45-minute chat with the Times’ Geoff Boucher during a break from the dub stage for “Inception.”

Although the talk was sandwiched between a double bill of “Insomnia” and “The Dark Knight,” the subject quickly turned to his latest film. There was a wave of excitement when the end credits of “Insomnia” led directly into an MPAA green band, which proved to be the beginning of “Inception” trailer #3, which is available online. Shortly after, Nolan was greeted with a standing ovation as he made his way to the stage and after a question about Robin Williams’ performance in “Insomnia” — which the director called “flawless” and considered himself lucky that it came out before “One Hour Photo,” even though “Insomnia” was shot later — Boucher started in with questions about this summer’s most anticipated film.

06122010_Inception.jpg“I’ve wanted to make a film about dreams since I was a kid,” Nolan told the audience and mentioned that he pitched the film to Warner Brothers right after finishing “Insomnia.” He gave a basic synopsis that largely resembled his recent comments to Empire magazine, about a team of extractors that can steal information from the mind. “I thought it would take months, but it took me 10 years,” said Nolan about the writing process that followed.

While he conceived of “Inception” as a heist film, he couldn’t complete it since he felt “heist films tend to be deliberately superficial,” a problem he knew was solved by the casting of Leonardo DiCaprio, of whom he likened to Guy Pearce in “Memento” with his ability to “find the emotional truth of the character.” (When Boucher brought up that six of the eight actors whose names appear on “Inception”‘s poster had been nominated for Oscars, Nolan got a laugh when he shrugged, ” I hadn’t noticed actually…it’s an incredible cast.” He also got a rise out of the audience when he said he screened “Pink Floyd’s The Wall” for cast and crew right before shooting for inspiration and “it was shocking to everybody”; he’s presenting the film next week at the L.A. Film Festival.)

But Nolan didn’t have a hard time winning over the discerning fanboy crowd. He championed practical effects, which he used extensively in concert with CG for “Inception,” explaining that he learned on “Batman Begins” that effects artists need something to start out with. After doing tests with a digital Batman, he thought most of the audience could be fooled, but he wasn’t. (“I could tell. [The artists] weren’t real happy, but it was incredibly close.”) He continued, “If you can photograph something real…they’re able to do much, much better work.”

Nolan also appeared disinterested in discussing 3D, though he couldn’t help but give a well-reasoned response to why “Inception” is one of the rare summer blockbusters to elude the treatment. “I’m not a huge fan of 3D,” said Nolan to the cheers of the audience before mentioning that he did tests with post-conversion. “They looked good, but they wouldn’t have the time to get up to my standards.” Taken out of context, those comments might appear that he was flirting with the process, but he continued, “I find the dimness of the image extremely alienating” when projecting a 3D film and mentioned the “enormous compromises” he would have to make like shooting on video first to accommodate the 3D process. He left a door open when he said “post-conversion would be the future” for him personally, if he were to make a 3D film, and acknowledged that “audiences will decide” 3D’s fate, but seemingly shut it when he said in a later answer, “I find it impossible as a viewer to forget I’m watching a movie [in 3D].”

06122010_TheDarkKnight.jpgHe also took questions about his involvement in “Superman” (“I thought [David Goyer’s] pitch was terrific and I didn’t want it to not get done,” but stressed he was only a producer on the project) and dished a little on “The Dark Knight,” saying there was a direct connection to Richard Donner’s “Superman” to his take on Batman: “I wanted to make the Batman film that would’ve been made in ’78, ’79…[Warner Brothers] never did the Dick Donner version of an extraordinary person in an ordinary world” with an esteemed cast filling out the supporting roles. Boucher also prodded Nolan to talk about his favorite scene of “The Dark Knight” — the Joker’s interrogation sequence, which he made distinctive with bright lighting and wanted near the beginning of the film — and its incredible financial success in comparison to “Batman Begins,” which Nolan believed “suffered from a lot of suspicion of the franchise” with audiences at first, but allowed for “the massive benefit of showing what you can do with the character.”

Comic book writer Ed Brubaker was in the audience and asked Nolan about his writing process and whether how much he outlines his screenplays, to which Nolan responded he doesn’t use outlines, but “I draw a lot of diagrams. It all gets a bit ‘Beautiful Mind.'” He also writes in a linear fashion and always plans to do rewrites later to “make it flow.” “It’s almost like you write a bunch of dailies and edit it into a more comprehensible form.”

[Photos: “Inception,” Warner Bros., 2010; “The Dark Knight,” Warner Bros., 2007]

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GIF Giving

The Funniest Gifs From the Maron Season Premiere

Watch the Maron season premiere now on IFC.com and the IFC app.

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Last night, Marc Maron returned in all his haggard glory in the darkly hilarious season premiere of Maron. In case you’re not caught up, Marc has fallen into a downward spiral of drugs and addiction, having lost his house, his podcast, his cats, and the ability to say he doesn’t live in a storage unit. And only someone like Marc can make the situation laugh-out-loud funny.

Here are the 5 funniest GIFs from last night’s Maron premiere, which you can watch right now on IFC.com and the IFC app.

1. Dave Anthony, Professional Truth Teller.

Maron Not Okay


2. Storage locker etiquette is important.

Maron Storage Locker


3. We’re sure Chris Hardwick would love to have Marc back on Talking Dead.

Maron Dumb Show


4. We can’t unsee Dave in that apron.

Maron Shit Bucket


5. The first step is listening. Marc has a lot of steps to go.

Maron Shut Up

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Marc Maron, Craig Anton – Maron – Season 4, Episode 3

The Reviews Are In

Critics Are Raving About the New Season of Maron

Watch the Maron season premiere right now on IFC.com and the IFC app.

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Last night saw the return of Marc Maron, more than a little worse for wear, in the pitch-black premiere of Maron’s fourth season. Having fallen back into addiction, Marc’s lost his house, his podcast, and even his cats, and is now residing in a storage unit.

Maron

Part two of the double-shot premiere found our favorite curmudgeon dealing with the assorted characters in the Clean Living Rehab Center. The season’s heavy themes and unflinching performances earned much praise from fans and critics.

Check out what people said about last night’s premiere of Maron. And in case you missed the premiere, you can watch it now on IFC.com and the IFC app

Joe Berkowitz of Co.Create: “For the first time ever, Maron has veered way off the course of its creator’s timeline — into a chaotic alternate reality — and it’s the boldest creative leap in the series’ run yet…This particular downward trajectory provides a window into a world where the actual Marc Maron ends up hitting rock bottom. This world turns out to offer darkly comic possibilities, such as a rehab facilitator trying to get an in-patient Maron to be a guest on his podcast.”

Jason Tabrys of Uproxx: “[Whether] this is the beginning of the end for Maron, or just the start of a new phase, the fourth season’s off to an intriguing start that should make for compelling viewing.”

Neil Genzlinger of The New York Times: “[The] premiere does effectively, yet comedically, show two truths of substance abuse: Addicts need enablers who fuel their problem, either deliberately or inadvertently, and most need someone to intervene to help them climb out of the pit.”

Vikram Murthi of AV Club: “By shifting the series’ premise from a man struggling to maintain success to a man desperately trying to get it back, Maron has found a whole new energy…Maron doesn’t bring Marc down to a low point just for kicks but to demonstrate what happens when people forget what’s important and succumb to their worst selves. The fourth season effectively channels the raw vitality of [the WTF podcast’s] early days, when Maron was trying to dig his way out of a hole by embracing the world around him instead of pushing it away. ‘I’m gonna be okay, right?’ Maron asks Dave at the clinic. ‘Or not,’ Dave replies honestly. ‘But you have to try.’ Maron’s entire career has been about trying, and Maron’s fourth season succeeds by placing that idea at its center.”

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Bridesmaids Roommates Matt Lucas 1920

Roommate Not Wanted

The 10 Worst Roommates In Pop Culture History

Find out how Marc deals with his new roommate on the season premiere of Maron available now on IFC.com and the IFC app.

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Photo Credit: Universal/Everett Collection

Last night’s season premiere of Maron found Marc’s disastrous downward spiral landing him in rehab with an annoying roommate who breaks into rhymes whenever he feels like it. Played in an inspired bit of casting by real life celebrity rapper Chet Hanks, Trey makes Marc’s life a living hell by taking his stuff and doing unspeakable things to his bed. Check out some other insufferable roommates from pop culture below, and be sure to catch up on the two-episode Maron season premiere on IFC.com and the IFC app to see how Marc deals with his new rapping bunkmate.

10. Scott Pilgrim, Scott Pilgrim Vs the World

Scott Pilgrim

Scott Pilgrim is the ultimate geek heroic fantasy. In that he’s living in a constructed fantasy world while ignoring all the people who have to deal with his failures. Saintly roommate Wallace Wells offers rent, food, and even his own bed to his eternally immature friend who rewards him by whining and leaving clothes on the floor.


9. Hooch, Turner & Hooch

Turner and Hooch

Nobody likes being forced to share their home. This goes double when you’re a police officer, the work is a murder investigation, and the unwelcome guest is a dog spraying more fluid than a leak in the Hoover Dam.


8. Floyd, True Romance

True Romance

Perfectly portrayed by Brad Pitt, Floyd is the worst kind of stoner roommate. He never answers the door, and barely moves from his position on the couch. Even worse, he rats out your pals’ location to a tough-looking stranger who comes to the door without a second thought. Not to “condescend” to you Floyd, but you’re kind of a tool. You probably never share that honey bear bong.


7. Gil and Brynn, Bridesmaids

Bridesmaids

Annie (Kristen Wiig) is already at a low point when her roommates Gil (Matt Lucas) and Brynn (Rebel Wilson) ask her to move out. To make matters worse, the tattoo-obsessed Brynn isn’t even Annie’s roommate — her brother has been letting her stay rent free so she can wear Annie’s clothes and read her journal.


6. Eddie, Friends

You might remember Eddie (played by the always reliably deadpan Adam Goldberg) as Chandler’s roommate who moved in after Joey moved into his own place with his big time soap opera money. Eddie proved to be a complete psycho, accusing Chandler of sleeping with his ex-girlfriend Tilly and watching his new roomie while he sleeps. In the end, Chandler tells Eddie that Hannibal Lector would make a better roommate. Could he be any creepier??


5. Bevers, Broad City

Bevers Broad City

What’s worse than an annoying roommate who eats all your food, tries on your clothes, and never seems to leave the apartment? How about a guy who isn’t even technically your roommate, but in fact the boyfriend of your roommate who is never around. If you’re going to hang out in your underwear all day, the least you could do is pay rent, dude.


4. Chris Knight, Real Genius

Real Genius

Freshman Mitch Taylor faces every college student’s worst nightmare: a pushy roommate. Chris Knight might be a genius, but within the first minute of their acquaintance he’s thrown out Mitch’s clothes, talked about his genitals, and smashed the dorm-room window.


3. Oscar Madison, The Odd Couple

Odd Couple

The Odd Couple defined the idea of mismatched roommates. Uptight neat-freak Felix and easygoing slob Oscar were meant to be just as bad as each other, but anyone who’s ever lived with other people knows that the lazy one is always the worst. At least the obsessive is keeping things clean while annoying you.


2. Roberto, Futurama

Futurama

Fry’s regular robotic roommate is an indestructibly amoral freeloader who’d sell Fry’s kidneys if he could think of a suitably lazy way to extract them. But Bender is the deity of domestic bliss compared to Roberto, the stabbing-obsessed psychobot who shares Fry’s room in the robot asylum.


1. Hedra Carlson, Single White Female

Single White Female

Hedra Carlson takes “drinking the last of the milk” to the ultimate extreme, stealing her roommate’s boyfriend, identity, and takes a stab at stealing her life. Well, it’s more of a butcher’s hook slash than a stab. Which makes it all the worse.

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