Even a doc about Arabian horses can be controversial.

Even a doc about Arabian horses can be controversial. (photo)

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Some documentarians specialize in controversy, so much so that news of them can start to seem a little routine. (Michael Moore made someone angry? Do tell!) Then there are other filmmakers, less well-known, who just can’t catch a break even when they’re trying to keep their heads down.

Such is the case with Jo Franklin, who’s been making documentaries for 30 years and is now encountering her latest stumbling block: the Saudi Arabian government wants to destroy all copies of her documentary about Arabian horses. No, really.

The movie in question is “A Gift From The Desert: The Arabian Horse,” an hour-long doc that’s about pretty much what it sounds like. Franklin filmed in Saudi Arabia, Oman and Kentucky. According to Franklin, there’s two main reasons for the Saudi government’s displeasure. First, the movie shows female horse riders, a hot-button issue as the kingdom continues to internally hash out its stance on women’s rights. Second: King Abdullah’s stable has an Irish vet and a head trainer who’s British, and foreign workers are problematic.

The real surprise here, though, is that the Saudi government really doesn’t trust Franklin, who’s in way done as much for the Arab world as any TV documentarian. In 1980, Franklin was working on her three-part documentary for PBS “Saudi Arabia” when all diplomatic hell broke loose over “Death of a Princess,” a doc about the execution of an adulterous woman, in which interview transcripts were filmed.

06172010_death.jpgThe political consequences were off the charts: amongst other fall-out, restrictions were placed on visas for British businessman, Concorde flights were blocked from Saudi airspace, and Mobil placed a hilariously disingenuous ad in the New York Times claiming that the company cared just because they were interested in the moral issues at stake (“We believe that if a free society is to survive, we must openly and candidly discuss these issue”) — not because they were, like, worried about access to oil.

Franklin, though, went ahead and finished her film, which the AP deemed “a fascinating look at an ancient and, until recently, closed [country], hurtled within the last half-century into a modern world.”

She went on to make a series on “The Oil Countries” and then — most controversially — another PBS doc called “Days of Rage,” about the Palestinian intifada uprising that began in 1987 that, among other things, was called “orchestrated Palestinian propaganda.” (That link contains more acid political flashbacks than you can handle.)

So what does Franklin do? She makes a documentary about horses — and now she’s an enemy of Saudi Arabia! Some people just can’t win. It’s a hard-knock life for documentarians, but come on. Equestrian fans just don’t care and no one else will pick up on this as a talking point besides the usual Breitbart folks. And this time they’ll have a real point.

[Photos: “A Gift From The Desert: The Arabian Horse,” SeaCastle, 2010; “Death of a Princess,” ITV, 1980]


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.