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Albert Pyun’s “Tales” Stand Tall

Albert Pyun’s “Tales” Stand Tall (photo)

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In the independent filmmaking world, Albert Pyun is a little more independent than most. Having made his directorial debut with “The Sword and the Sorcerer” in 1982 after serving an apprenticeship under Akira Kurosawa, Pyun carved out a unique niche as a director of low-budget, high-concept genre films starring casts slightly past their prime.

Some will think that’s a charitable description for Pyun, who has been derided as “the new Ed Wood,” but consider that his pairings of rap stars and action stars (beginning with the 1997 Ice-T/Christopher Lambert team-up “Mean Guns”) begat the trend Joel Silver popularized in the early naughts, and he was once just two weeks shy of directing “Spider-Man” (which he’ll explain below).

These days, Pyun’s movies rarely see the inside of a theater, but that’s made him a pioneer in another arena: streaming video-on-demand. With his latest film, “Tales of an Ancient Empire,” a spiritual “not for children” sequel to “Sword and the Sorcerer” starring the aforementioned Lambert and fellow titans of the fantasy genre Kevin Sorbo, Pyun is teaming up with Magic Rock Entertainment to bring the film directly into homes nationwide beginning on July 21st.

06172010_KevinSorboTalesofAnAncientEmpire.jpgIt kicks off with a live webcast of the film’s premiere on the eve of Comic-Con in San Diego where fans will be able to interact with Pyun and some of the cast during a post-screening Q & A via Twitter and Facebook. In the mean time, I had some questions of my own for the man about his long, unusual career.

More and more filmmakers are having to get used to the fact that their film will likely not have a theatrical release, but you haven’t had one in a while. Has that made it easier for you to embrace VOD?

When I started making films, there were only [maybe] 300 films released in the world in the entire year, so to be one of those 300, you had to jump through the hoops of making sure that the film was viable. Nowadays, with all the different platforms that are available and how easy it is for everybody to make a movie, people still need some type of a vetting process for their film and their ideas to make sure that it’s viable in the market.

I learned early on that once those other markets came online, like home video and cable, they were all viable outlets that got the film out to a much bigger audience than theatrical ever would. Theatrical is not something that filmmakers should think about initially. They should think about how to connect to their audience and then figure out what the best platform will be to connect to that audience. Theatrical is a little vanity-oriented. [Filmmakers] see it as validation it’s a real movie, and I’ve never seen that.

06222010_sowrdandsorcerror4.jpgWith “Sword and the Sorcerer” in the ’80s and “Sorcerers” in the ’90s and now this film, you seem to return to the fantasy genre every once a decade. What keeps you coming back?

I enjoy the fact that it allows you to put your imagination on the screen unbridled and I enjoy creating worlds — over half my films are about creating an entire universe that came out of my or our writers’ imagination. Last year, the film I enjoyed most was “District 9” — I like movies that transport you to a different setting and the way the stories can play out there in more imaginative ways than contemporary ones.

But you also went through a period in the ’90s where you were making some pretty gritty films usually featuring rap stars.

There weren’t many rap movies being made — I think “Mean Guns” was the first pairing of a traditional action hero, in that case Christopher Lambert, with a rapper, which was Ice-T. There were a lot of those movies after that, but I think my place in the industry has been to stay ahead of the curve in the concepts. In the late ’80s, visually, rap was pretty interesting and I liked what the music was saying, so I tried to bring that to the movies. Also, those were the first movies I tried to do digitally.

Air France lost half of the three movies that I did with Snoop Dogg and Big Pun and Fat Joe, so they had to be made from just the remnants — just half of shot movies. There was a little bit of a problem.

06172010_IceTMeanGuns.jpgYou mentioned the pairing of Ice T and Christopher Lambert, who I know is in this film as well. How do you go about casting?

First, I find a story that I want, and then look around for what would be the most [interesting] on a limited budget because I’m always on a limited budget. Generally, it’s pretty risky because they’re not things that people normally would imagine. I did a film called “Brainsmasher,” where I had Teri Hatcher and Andrew Dice Clay — that was a weird sort of mix. [laughs]. I try not think too much about the commercial side of things, just who would make the most interesting casting combination. That’s why a lot of the casts for my movies have been pretty weird, pretty interesting.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.

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Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.