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Albert Pyun’s “Tales” Stand Tall

Albert Pyun’s “Tales” Stand Tall (photo)

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In the independent filmmaking world, Albert Pyun is a little more independent than most. Having made his directorial debut with “The Sword and the Sorcerer” in 1982 after serving an apprenticeship under Akira Kurosawa, Pyun carved out a unique niche as a director of low-budget, high-concept genre films starring casts slightly past their prime.

Some will think that’s a charitable description for Pyun, who has been derided as “the new Ed Wood,” but consider that his pairings of rap stars and action stars (beginning with the 1997 Ice-T/Christopher Lambert team-up “Mean Guns”) begat the trend Joel Silver popularized in the early naughts, and he was once just two weeks shy of directing “Spider-Man” (which he’ll explain below).

These days, Pyun’s movies rarely see the inside of a theater, but that’s made him a pioneer in another arena: streaming video-on-demand. With his latest film, “Tales of an Ancient Empire,” a spiritual “not for children” sequel to “Sword and the Sorcerer” starring the aforementioned Lambert and fellow titans of the fantasy genre Kevin Sorbo, Pyun is teaming up with Magic Rock Entertainment to bring the film directly into homes nationwide beginning on July 21st.

06172010_KevinSorboTalesofAnAncientEmpire.jpgIt kicks off with a live webcast of the film’s premiere on the eve of Comic-Con in San Diego where fans will be able to interact with Pyun and some of the cast during a post-screening Q & A via Twitter and Facebook. In the mean time, I had some questions of my own for the man about his long, unusual career.

More and more filmmakers are having to get used to the fact that their film will likely not have a theatrical release, but you haven’t had one in a while. Has that made it easier for you to embrace VOD?

When I started making films, there were only [maybe] 300 films released in the world in the entire year, so to be one of those 300, you had to jump through the hoops of making sure that the film was viable. Nowadays, with all the different platforms that are available and how easy it is for everybody to make a movie, people still need some type of a vetting process for their film and their ideas to make sure that it’s viable in the market.

I learned early on that once those other markets came online, like home video and cable, they were all viable outlets that got the film out to a much bigger audience than theatrical ever would. Theatrical is not something that filmmakers should think about initially. They should think about how to connect to their audience and then figure out what the best platform will be to connect to that audience. Theatrical is a little vanity-oriented. [Filmmakers] see it as validation it’s a real movie, and I’ve never seen that.

06222010_sowrdandsorcerror4.jpgWith “Sword and the Sorcerer” in the ’80s and “Sorcerers” in the ’90s and now this film, you seem to return to the fantasy genre every once a decade. What keeps you coming back?

I enjoy the fact that it allows you to put your imagination on the screen unbridled and I enjoy creating worlds — over half my films are about creating an entire universe that came out of my or our writers’ imagination. Last year, the film I enjoyed most was “District 9” — I like movies that transport you to a different setting and the way the stories can play out there in more imaginative ways than contemporary ones.

But you also went through a period in the ’90s where you were making some pretty gritty films usually featuring rap stars.

There weren’t many rap movies being made — I think “Mean Guns” was the first pairing of a traditional action hero, in that case Christopher Lambert, with a rapper, which was Ice-T. There were a lot of those movies after that, but I think my place in the industry has been to stay ahead of the curve in the concepts. In the late ’80s, visually, rap was pretty interesting and I liked what the music was saying, so I tried to bring that to the movies. Also, those were the first movies I tried to do digitally.

Air France lost half of the three movies that I did with Snoop Dogg and Big Pun and Fat Joe, so they had to be made from just the remnants — just half of shot movies. There was a little bit of a problem.

06172010_IceTMeanGuns.jpgYou mentioned the pairing of Ice T and Christopher Lambert, who I know is in this film as well. How do you go about casting?

First, I find a story that I want, and then look around for what would be the most [interesting] on a limited budget because I’m always on a limited budget. Generally, it’s pretty risky because they’re not things that people normally would imagine. I did a film called “Brainsmasher,” where I had Teri Hatcher and Andrew Dice Clay — that was a weird sort of mix. [laughs]. I try not think too much about the commercial side of things, just who would make the most interesting casting combination. That’s why a lot of the casts for my movies have been pretty weird, pretty interesting.

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Scarface Movie Al Pacino

Wanna Play?

Say Hello to Our Scarface Quiz

Play along with movie trivia during "Scarface" tonight at 8P on IFC.

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Photo Credit: Everett Collection

Tony Montana is all about money, power and respect. And while we can’t promise you’ll get money or power by taking our Scarface quiz below, you will get respect if you get a perfect score. One out of three ain’t bad. Click below to take the quiz, and catch Scarface this month on IFC.

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Hank Azaria Commencement

Best Speech Ever

Hank Azaria’s Simpsons Advice For Grads, Questionable Shark Facts and More of This Week’s Funniest Videos

This week we're laughing at Hank's Tufts commencement speech, Jason Alexander's shark facts and more.

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Photo Credit: YouTube/Tufts University

We’ve made it! Memorial Day weekend! But before we can complain that it’s over too quickly, take a moment to bask in the pre-break lack of productivity and enjoy some lighthearted videos.

From Hank Azaria channeling Chief Wiggum and other Simpsons characters while talking to college grads to “Shark-spert” Jason Alexander sharing questionable shark facts, here are five funny things from this week you need to watch.

1. Kermit Informs Fozzie Bear That They’ve Been Canceled

It’s never easy to see someone receive bad news, much less a Muppet. But if anything, Kermit’s poise and acceptance during a time of crisis is impressive, admirable even. Fozzie Bear, on the other hand, reacts with greater similarity to how we would: with baseless anger and utter despair.


2. Jason Alexander Offers Shark “Fin Facts”

Memorial Day weekend means the start of beach season, aka Shark Feeding Season. As part of IFC’s Shark Half-A-Day Memorial Day marathon, “sharks-pert” Jason Alexander offers up some interesting “fin facts” about our sharp-toothed friends from the deep. You can also check out Jason’s beach tips, and catch the Jaws movies with more “fin facts” from Jason this Memorial Day on IFC.


3. Game of Thrones’ Emilia Clarke Confirms Dothraki Is a Real Language

With eyes still dewy from the climax of this past Sunday’s Game of Thrones (Hold the door!), the Mother of Dragons herself Emilia Clarke dropped by Late Night with Seth Meyers to throw the diehard fans a reason to smile: Yes, Dothraki is a real language. Watch Clarke discuss the phonetics and grammar involved with vying for Westeros rule.


4. Hank Azaria Gives Advice Through Simpsons Characters

Hank Azaria — star of The Simpsons, The Birdcage, and Brockmire, premiering in 2017 on IFC — gave the commencement speech at his alma mater Tufts University. In the hilarious speech, Azaria discusses how he got through college, recounts his early career struggles, and offers up life advice via fan favorite Simpsons characters like Chief Wiggum and Comic Book Guy.


5. X-Men: The Animated Series Gets Honest

Screen Junkies are back this week with another round of Honest Trailers. This entry focuses on the cartoon mutants that comprise X-Men: The Animated Series — an ultra-’90s Marvel property that predates the comic book adaptation boom of the 21st Century. But looking back at the decade of Rob Liefeld and Todd McFarlane, this video finds much to mock.

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Weird Al Comedy Bang Bang Season 5

Call Him Al

“Weird Al” Talks Comedy Bang! Bang!, His Upcoming Tour, Favorite Videos and More

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P on IFC.

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With a career spanning five decades, “Weird Al” Yankovic has defined the song parody genre and become a beloved pop culture icon. Starting June 3rd, you’ll be able to catch him as the brand new Comedy Bang! Bang! bandleader Fridays at 11P on IFC.

We recently chatted with Al about joining Scott Aukerman on the new season, his upcoming tour, favorite CB!B! characters and his future dream projects. (Hint: it might involve actors spontaneously breaking into song.)

The Comedy Bang! Bang! bandleader gig seems like a natural fit for you. Did it take any time to get acclimated?

Weird Al: Yeah. It’s a slightly different skill set. The accordion is my main act, but I don’t use it on the show at all. It’s a keyboard setup. The actual setup is a little bit of a combination of what Reggie [Watts] had and [Kid] Cudi had. And a few extra things thrown in. So I’m trying to do my own version of what they brought to the show.

You’ve been on the Comedy Bang! Bang! podcast and the show many times. Do you have a favorite CB!B! character?

Weird Al: I’d probably have to say Doctor Time. Every time Scott wants me to do an evil character, he’s always got a bad English accent. [Laughs] Any time my character goes evil, he becomes sort of British.

Any favorite guests you’ve worked with?

Weird Al: Gosh, I love them all. Paul F. Tompkins is always fun. His Andrew Lloyd Webber character, Cake Boss, everything he does. And Andy Daly as well. They’re so versatile and so amazing at improv. That’s the one thing I was a little nervous about because I’ve never been super confident with my improv skills. But Comedy Bang! Bang!, particularly the TV version, is good for that because it’s all heavily edited. So it kind of gives me permission to try out whatever comes to my mind, so if it really sucks, they’re not gonna use it. [Laughs]

Scott Aukerman Weird Al

Your upcoming tour is a continuation of your Mandatory Fun tour from last year. Any new elements to the show?

Weird Al: Well, it is the same tour, so it’s not that much different. I might freshen some video a little bit. I’m hoping to use a bit or two from the current season of Comedy Bang! Bang! and slip that into the show somewhere.

The tour starts June 3rd in St. Petersburg, Florida and ends September 24th at Radio City Music Hall. How do you keep up the pace? 

Weird Al: It’s just a mindset. I’m really only working for two hours a day, so I basically just save up my energy for the show. I relax, surf online, watch satellite TV, read a book, rest my voice, and then give it all I got when I’m onstage.

Looking back at your vast song catalog, was there ever a parody that came to you immediately upon hearing the song?

Weird Al: Yeah, that’s happened a few times. More often than not, I have to think about it and analytically work out all the variations on a theme that I can and pick out the one with the most potential. But there’s been a few times where the idea came to me spontaneously. I think the first time I saw Michael Jackson’s “Bad” video, before it was even over, I thought, “Oh! I gotta do ‘Fat’! Super-plus-sized actors trying to get through a turnstile on a subway! I gotta do that!”

Do you have a favorite of your many hilarious videos?

Weird Al: Oh boy, it’s hard to say. “White and Nerdy” has been my biggest hit and that was a really fun video to do. But in terms of making a video, “Tacky” was really fun to do because it was so easy and I got to work with amazing people like Jack Black, Margaret Cho, Kristen Schaal, Eric Stonestreet, and Aisha Tyler. And we knocked it out in a couple of hours. We were having so much fun while making it, I kinda wish we weren’t so efficient and professional. [Laughs] I could’ve done that all night.

Was it filmed all in one take or was it stitched together?

Weird Al: That was all one take. Some people say, “Oh, I see where the edit is,” but it was all one shot. We did a total of six takes, and I think four of those takes were usable, but the last one was the best.

And you were directing while performing?

Weird Al: I directed that one, yeah. We location scouted and found a building in downtown LA that I thought was good for the shoot. I’ve since seen that building in a lot of other movies and TV shows — I think it was used in The Big Lebowski and a few others. It was difficult because I start the video in one set of clothes and I also end the video in a completely different set of clothes. So while the cameras were off me, because there’s only one elevator in the building, I had to run down five flights of stairs, quickly change my clothes, and hit my mark for the end. And after the take, we’d all just watch what we did, and say, “OK, let’s do it again.”

Is there a director you’d love to work with in the future?

Weird Al: Oh gosh, yeah, but I mean, music videos are notoriously low-budget so that’s why I end up directing them myself. [Laughs] But I’d love to be in a movie codirected by Steven Spielberg and Quentin Tarantino.

Do you have a particular genre of music that you love parodying the most? Or is it more of the moment and different for each song?

Weird Al: It doesn’t necessarily revolve around personal taste so much. It really depends more on the song than the genre. But I found rap songs tend to lend themselves to parody, mostly because there’s a lot of words to play with. A lot of pop songs are repetitive, and that’s sometimes been an issue. With rap, there’s no shortage of syllables to mess around with.

Given that you’ve been so prolific and done so much, is there any type of art left that you’d like to dip your toe in? Dramatic acting, perhaps?

Weird Al: Well, if Spielberg and Tarantino want me for their film, I wouldn’t want to turn them down. But there’s no burning desire to do drama. I love doing comedy and feel comfortable doing that. Writing a musical might be something I do down the line. I don’t know when but I might take a shot at something in that area. Other than that, I’ve done pretty much all I wanted to do in my life so far. A lot of it not successfully. [Laughs] But I took a stab at it and feel gratified by that.

You’ve had such a eclectic career in music and comedy. What do you attribute your longevity to?

Weird Al: [Laughs] I don’t know what I’d attribute the longevity to. There’s a modicum of talent, but it’s mostly because I surround myself with very talented people. I’ve got a great support group, I’ve got the same band since the early ’80s, and I’ve worked with the same people for decades. And I got a very loyal fan base and I love what I do. And somehow I’ve been very lucky and it’s worked out so far.

Watch “Weird Al” in an episode from the new season of Comedy Bang! Bang! right now, before the season premiere on Friday June 3rd at 11P.

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