This browser is supported only in Windows 10 and above.


“Metropolis” returns us to days of futures past.

“Metropolis” returns us to days of futures past. (photo)

Posted by on

In movie theaters all over the country this weekend, audiences will flock to “Iron Man 2” for a view of the future — the alluring yet unsettling intersection of man and machine. At Film Forum this weekend, New Yorkers will have the chance to see the same thing in its original form, in the “complete” version of Fritz Lang’s silent sci-fi masterpiece, “Metropolis.”

Though that description is a bit of a misnomer — this version is still missing some footage, including at least one important sequence – the newly restored “Metropolis” is still far closer to Lang’s original 150-minute cut than anything anyone has seen since 1927. Shortly after its premiere, Paramount, the film’s U.S. distributor, cut the film by almost an hour out of concern that American audiences wouldn’t sit still for the full runtime. (By the by, “Iron Man 2” runs 124 minutes.)

In the intervening years, “Metropolis” has undergone numerous transformations, ironic for a film that is very much about the nature of transformation, including some cuts of less than 90 minutes. The most recent “definitive” restoration from 2002 (available on a “Restored Authorized Edition” from Kino, who is also distributing this “complete” version) ran 124 minutes and required ample use of expository intertitles to replace lost scenes.

As detailed in the New York Times by Larry Rohter, the breakthrough came when Argentinean film archivist Fernando Peña found a nearly complete 16mm print of “Metropolis” buried in the archives of Argentina’s Museo del Cine. That eventually led to this new version, which marries previously lost sequences from the Argentinean print to the 2002 restoration.

05062010_MetropolisRestoration2.jpgYou don’t need to be a Lang scholar to identify the additions. Because of the smaller 16mm negative, the new footage is letterboxed on the top and left sides of the frame (plus there’s no mistaking the grain and dirt of the Argentinean scenes for the stunning clarity of the 2002 restoration). The improvements in narrative coherence far outweigh any distraction caused by the sudden drops in visual quality.

Plus, even without the enhancements, the movie is still one of the coolest pieces of eye candy the movies have ever produced, and easily one of the top five best-designed productions in history. (The score, by Gottfried Huppertz, remains a classic as well.) Any excuse to see this film projected on a big screen is a good one. A viewing of “Metropolis” is like a ticket to the past and a gateway to the future all at once. The ideas it contained — the thematic ones about the war between religion and technology by writer Thea von Harbou, and the astonishing visual ones by Lang — continue to inspire films to this day. Eat your heart out, Tony Stark.

Here’s one particularly exemplary sequence, the introduction of worker-devouring “Moloch” machine. This is not Huppertz’s score.

[Photos: “Metropolis,” Kino, 1927]

Watch More

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More