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David Gordon Green latest trick involves going animated.

David Gordon Green latest trick involves going animated. (photo)

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David Gordon Green is this close to getting his very own animated MTV show — “Good Vibes,” 12 episodes about “two high school surfer dudes living near the beach in California.” This after “Pineapple Express” (and preceding “Your Highness,” a medieval-ish action fantasy), which means Green’s work is getting awfully stoner-friendly these days.

“Good Vibes,” if it makes it to the air, will be the first significant non-reality show to make it onto MTV in quite a while. Unfortunately, it could join the roster of weird animated ’90s shows like “The Maxx” and “The Head” that survived just long enough to acquire small cult followings.

More interesting is the news that Green is now apparently committed to working within the studio system until they kick him out; he’s not a one-for-me, one-for-them kind of guy. He’s even still trying to get a “Suspiria” remake off the ground.

That tinkering mode makes David Gordon Green an heir to the Steven Soderbergh mad scientist school of cinema. Both seem determined to check off every micro-genre from the checklist while remaining stylistically distinctive. (Sort of: “Pineapple Express” was deliberately anonymous, in the spirit of the mediocre ’80s movies it was so deliberately courting.)

The difference is tonal: Soderbergh is instinctively a chilly, cerebral filmmaker who’s unconcerned with what audiences want (the “Ocean’s” movies are pleasing because that’s part of the concept), while Green — even at his artiest — is instinctively a populist (the lushness of “George Washington” and “All The Real Girls” is there to dilute the sting of the more painful material).

04302010_tango.jpgThe problem may turn out to be that Green is a little too committed to playing within the genre rules as much as possible. It’s hard to imagine Soderbergh paying such scrupulous homage to the likes of “Tango & Cash” (one of Green’s favorite movies) without trying to tinker with the formula. But there (and on “Eastbound and Down,” where Green flawlessly imitated Jody Hill’s style while he was out of town), Green demonstrated his willingness to purge everything interesting about his work if necessary.

That would be fine if he had Soderbergh’s command of genre tinkering, but Green’s best moments are instinctual rather than conceptual. Still, it’s interesting to watch him try to turn himself into a studio hand marrying his sensibility to the goal of turning Hollywood movies back to the ’70s and ’80s populist films he loves so much.

[Photos: “Pineapple Express,” Columbia Pictures, 2008; “Tango & Cash,” Warner Bros., 1989]


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.