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Cannes Review: “Wall Street: Money Never Sleeps.”

Cannes Review: “Wall Street: Money Never Sleeps.” (photo)

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Reviewed at the 2010 Cannes Film Festival.

For at least its first half, Oliver Stone’s “Wall Street: Money Never Sleeps” — the sequel to his 1987 original — may be the cinema’s best dramatization of the 2008 financial meltdown. With its rapidly cut split-screens and downward spiraling electronic numbers reflecting on the panicked face of its protagonist Jake Moore (Shia LaBeouf), the film captures the fast, frenzied terror of computer-driven economic freefall like nothing else on recent screens.

The digital trickery of such sequences — not to mention some fantastic animated end credits — shows that Stone has embraced the new technologies of filmmaking with innovative panache. Too bad that hackneyed Hollywood melodramatic clichés get in the way of the final result.

At its best, “Money Never Sleeps” takes on the mood of Stone’s “JFK.” Conspiracy lurks in the air and great actors deliver ominous bits of dialogue: “Are we going under?” asks the innocent Jake, an ambitious trader who watches the world collapse around him. Answers Frank Langella’s wizened trader Louis Zabel: “The question is: Who isn’t?”

Even octogenarian legend Eli Wallach shows up as an old-school Streeter whistling away at his enemies. For amateur economic-watchers, the film also offers a surprisingly sophisticated account of the instruments of financial collapse, with its talk of subprime mortgages, short-selling and credit default swaps.

05142010_WallStreetMoneyNeverSleeps5.jpgBut the film falters in its overtly dramatic triangles: Jake’s girlfriend-fiancé happens to be the liberal HuffPo-like blogger daughter (Carey Mulligan, cute but underwritten) of Gordon Gekko (Michael Douglas, of course, reprising his mix of charismatic sliminess from any number of recent roles).

While Gekko, recently released from prison, uses Jake to get to his long-estranged daughter, Jake must also contend with a contentious relationship with another mentor figure, Bretton James (Josh Brolin), the head of a rival investment bank. Blink and you’ll miss it, but there’s one point in which Langella’s Zabel appears like an Obi-Wan Kenobi figment, a reminder that Jake Skywalker must resist the temptations of the dark side of Wall Street.

Stone has never been known for subtlety. When he has focused on past political events, such as “JFK” or “Platoon” and “Born on the Fourth of July,” impassioned political conviction helped smooth over any emotional excess. But as seen in his last film “W.,” his biopic of George W. Bush, Stone is less sure-footed on the contemporary homefront. His real world spaces veer toward the surreal; this must be intentional, as evidenced by some deliberately strange scenes in “Money Never Sleeps” surrounding Bretton’s philanthropic efforts. But such moments undermine the emotional truth that Stone clearly wants us to feel for his romantic leads.

Most problematic is the film’s final reels. If Stone’s central message is that money corrupts relationships, the movie’s conclusion indicates that he has ultimately sold his audience short.

“Wall Street: Money Never Sleeps” will be released by 20th Century Fox on September 24th.

[Photos: “Wall Street: Money Never Sleeps,” 20th Century Fox, 2010]

SAE SDCC 2017

SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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