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DID YOU READ

Move over Canada, New York Street is back.

Move over Canada, New York Street is back. (photo)

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It’s not that Canada isn’t a real place. It’s just that when it pops up on-screen, it frequently isn’t “Canada”: it’s a stand in for some generic American big city, being filmed in for tax purposes. Toronto is where Harold and Kumar began their trek to White Castle and Kate Hudson and Matthew McConaughey played out their subtle flirtations in “How To Lose A Guy in 10 Days.”

And, of course, Patrick Bateman may have lived and worked in Bret Easton Ellis’ New York, but he was actually working in Toronto’s TD Center, which actually does look New York-y (the architect built a near-identical building for Seagram’s in New York). In Montreal, there was “Gothika” and “Punisher: War Zone” (standing in for Baltimore more or less plausibly).

Though Hollywood productions are always willing to go and shoot wherever the best tax breaks and incentives are, right now Canada is hot once more; as Etan Vlessing notes in the Hollywood Reporter, the weak Canadian dollar’s the big draw.

I suspect that many Americans who travel to Toronto find themselves experiencing a weird sense of deja vu from constant exposure to this most exploitable of movie metropolises. And let’s not forget Vancouver — host to the first four “Scary Movie”s, both “Cats and Dogs,” and this summer’s “The A-Team.”

There’s a nice running joke in the pleasantly undistinguished comedy “Everything’s Gone Green” (notable solely as Douglas Coupland’s screenwriting debut), in which our slacker hero is repeatedly confounded by the sight of palm trees being moved around the city for American productions. Canadians must be perpetually disoriented by seeing their big cities used as stand-ins for a vague “America.”

05282010_back.jpgBut, of course, you can also go the good old backlot route. Universal is in the process of unveiling their new “New York Street,” a replacement for the backlot that burned down in 2008. “New York Street” is shorthand for a sprawling complex that also has “London,” the 1930s NYC, the present etc.

None of it would be particularly convincing to anyone who lives in the area, but it’s there, proudly continuing a tradition of a static, unchanging city that’s getting more fragmented and weird by the day. (To my eye, it still looks suspiciously like “Back to the Future,” which was shot on the old lot.)

It’s worth watching the video below just for the moment where “National Treasure” director Jon Turteltaub delivers this verdict on the quickly rebuilt lot: “My first impression was I couldn’t believe it had gotten that awesome that quickly. I added a bathroom to my house and it took four years.” The main question here: what, precisely, is in Turteltaub’s bathroom? Now that’s a real tourist attraction:

[Photos: “American Psycho,” Lions Gate, 2000; “Back To The Future,” Universal, 1985]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.