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Chris Klein and the cruel comedy of audition tapes.

Chris Klein and the cruel comedy of audition tapes. (photo)

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Poor Chris Klein. It’s bad enough that the guy has been reduced to appearing in stuff like “Street Fighter: The Legend of Chun-Li.” Now, he has to deal with the fact that late last week someone leaked a tape of his failed audition for the movie version of “Mamma Mia!” online.

After some awkward small talk, Klein says, “Let’s go, shall we? Before I embarrass myself further,” then proceeds to embarrass himself further and farther and more intensely than most of us will ever do in our lives.

For three-and-a-half excruciating minutes, Klein absolutely butchers ABBA’s “Lay All Your Love On Me.” Flat notes, vocal cracks, intense stares to camera, eyebrows that defy logic and gravity by refusing to go down — it’s beyond terrible; it’s guy-on-“American Idol”-who-can’t-sing-but-who-gets-to-audition-for-the-judges-so-Simon-can-make-fun-of-him terrible.

Good sport that he is, Klein has made his own self-deprecating response video, in which he flunks auditions for “Twilight,” “Dreamgirls,” and more. But it doesn’t do much to erase the discomfort of the original. And while everyone’s falling all over themselves to make fun of Klein (including, let’s not forget, Klein himself), we should remember that most auditions are incredibly, incredibly awkward. Every actor has bad ones; most actors are just lucky that they don’t wind up on the Internet in front of millions and millions of people.

Even successful auditions can get awkward. Christopher Reeve scored the role of his life with a great reading of the rooftop flirtation scene between The Man of Steel and Lois Lane from “Superman.” But the poor guy was so nervous, he sweated through his tights; he spends almost the entire scene in the classic superhero hands-on-hips pose, revealing some not-so-super pit stains (the evidence is in the below clip, beginning around 2:17):

Seth Rogen was still an unpolished Canadian teenager when he auditioned for a role in “Freaks and Geeks.” Judd Apatow, the show’s producer, cast Rogen, then brought him along to his next show, “Undeclared,” encouraged him to write, and turned him into a movie star. It all started with this one very nervous audition. Look at the way Rogen fidgets and fixes his shirt; see the deer-in-the-headlights stare. Does this look like the audition of the future young king of mainstream comedy?

Or consider these two auditions by “300” and “The Ugly Truth”‘ star Gerard Butler, reading for the role of Dracula in “Dracula 2000” — or at least I think these are two auditions for “Dracula 2000.” Sporting a terrible heavy metal wig and guyliner, Butler is so hilariously over-the-top that if I didn’t know he ultimately got the part, I’d swear this was a parody à la Chris Klein’s face-saving Funny or Die sketch. Judge for yourself:

This is why there are casting directors. It’s up to them to see past these unrefined moments to the potential underneath. That doesn’t make the process any less strange or, at times, any less of a crapshoot. To wit, here’s a funny scene that lampoons that very idea from Shane Black’s “Kiss Kiss Bang Bang,” in which Robert Downey Jr. plays a robber who hides out from the police at a casting call with unexpected results:

Now, that is a great audition. But, please Chris Klein, don’t get any ideas and show up to your next one bleeding.

On the plus side, Klein’s fridge-nuking moment is about to be replaced in the public consciousness by another hilariously weird audition, this one featuring (and put online by) silicon-based life form Heidi Montag. In it, Montag tries to prove to Michael Bay that she’s ready to take over for Megan Fox in “Transformers 3” by clumsily shooting a pistol on a gun range. I wonder if she knows any ABBA songs.

[Photo: “Street Fighter: The Legend of Chun Li, 20th Century Fox, 2009]

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.