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Review: “My Queen Karo,” a commune coming-of-age.

Review: “My Queen Karo,” a commune coming-of-age. (photo)

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Reviewed at the 2010 Tribeca Film Festival.

Like those pictures that can be interpreted as either a vase or the silhouettes of two lovers, “My Queen Karo” might be a young girl’s coming of age story set in a squatters commune, or it might be the tale of the disintegration of a squatters commune as seen through the eyes of a child. It’s a far better, if uneasier, film for this fluctuation in focus than if it settled for a more conventional route down only one of those paths.

For instance: There’s a scene in which Karo’s mother Dalia, who’s been struggling with how to deal with the new lover that Raven, Karo’s father, has taken, approaches the couple as they’re getting frisky on a large shared mattress. She disrobes, and they cautiously welcome her into their embrace. And then Karo, through whose point of view everything unfolds, loses interest and, though we might crane our necks trying to keep watching the bohemian threesome, trots off to entertain herself with the constellation pattern made when she shines a flashlight through the fabric of her ratty bathing suit. She understands that her parents have been fighting, and that this moment represents a tentative, temporary truce. She doesn’t know that the very arrangement, not to mention the fact that a ten-year-old girl is witnessing it, would be enough to give some people heart palpitations.

04062010_myqueenkaro5.jpgIt’s the ’70s, and Karo, Dalia and Raven move to Amsterdam from Belgium, a uprooting echoing a similar one in director Dorothée Van Den Berghe’s childhood. Dalia (“L’enfant”‘s Déborah François), young and a little fragile, is in love with Raven. Raven (Matthias Schoenaerts), a handsome, charismatic artist, is in love with the whirling ideals of the era. They and their friends set up a utopian living arrangement in which everything — including sleeping, squabbles, sex, childcare and drug use — takes place in the open, in one giant communal room. This idealistic casting off of the bounds of convention begins causing problems almost instantly, when Raven meets the free-spirited Alice (Maria Kraakman) and welcomes her into the fold despite Dalia’s objections.

Raven’s a knotty character, someone who likes to use his own enthusiastic embrace of countercultural objectives as a bludgeon in his personal life. “We came here to be free, and already you’re laying down rules?” he sniffs at a devastated Dalia when she requests monogamy. And yet he is a true believer, a genuine activist and a magnetic one — he’s even able to pull Karo, who feels very protective over Dalia, to his side. Karo, played by the boyish Anna Franziska Jaeger, is realistically childlike in not always charming ways — she’s capricious and half-feral, runs away, throws tantrums and acts out. In a place where every potential authority figure has already tossed out all the rules, there’s a disquieting amount of room for her to roam unattended.

04062010_myqueenkaro2.jpgAnd yet… while “My Queen Karo” doesn’t offer anything like a seal of approval for the rickety lifestyle it portrays, it refuses to condemn the whole doomed, starry-eyed enterprise either. There are many moments of unfettered joy, from the arrivals tossing down their giant mattress in their new squat and bounding onto it, home at last, to the camera that stays with Karo as she’s on the swing, keeping on her happy face as the world swirls behind her. Maybe the film’s best read as a universal coming of age after all: Karo’s forced, earlier than most, to deal with the realization that her parents are flawed and far from infallible, while her parents and their compatriots have to face the fact that people come up with rules and build walls for a reason.

“My Queen Karo” is currently without U.S. distribution.


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.