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Review: “My Own Love Song” takes so many wrong turns it’s almost all right.

Review: “My Own Love Song” takes so many wrong turns it’s almost all right. (photo)

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Reviewed at the 2010 Tribeca Film Festival.

One of my fondest memories of the Tribeca Film Festival involves the time I went to see “Tennessee,” the road trip drama in which Mariah Carey found her voice, literally and figuratively, and helped two lost souls find their way as well. It was an awful movie, but not in the fun way that the trio of friends sitting next to me had hoped, sneaking in a flask under one of their coats and making all sorts of snide comments about Carey before the film started. Unfortunately, the alcohol was more likely to put them to sleep rather than enhance their enjoyment of the film, which was a total bore.

It saddened me to think those guys probably weren’t at the premiere of “My Own Love Song,” which took essentially the exact same story and threw in scenes of animated flamingos and kingfishers, a batshit Forest Whitaker and Elias Koteas, and Nick Nolte serving up slices of a psychedelic chocolate cake. Sadly, these things overshadow Renee Zellweger’s first genuine performance in years as a wheelchair-bound singer who reluctantly travels down south to New Orleans when her mentally unstable pal (Whitaker) stumbles upon a letter from her son who she gave up for adoption.

The rosy glow that Zellweger once exuded has seemed to return, albeit under a thicket of brown hair and little makeup. It’s one of the rare examples of subtlety on the part of director Olivier Dahan (“Ma Vie En Rose”), who, like Wong Kar-wai and so many other foreign filmmakers, decided to make his English-language debut on a de Tocqueville-esque travelogue.

04232010_ZellwegerMyOwnLoveSong3.jpgIn some sense, it wouldn’t matter where “My Own Love Song” takes place, as Dahan explained during the post-screening Q & A how “it’s not a real realistic movie, it’s more about dreams,” but, like an early scene at the start of the film where Whitaker carries Zellweger into an ice cold lake during a day of fun in the sun, Dahan doesn’t ease us into the water.

We first meet Zellweger’s Jane Wyatt at a bar where she feigns interest in a farm machinery insurance agent who won’t take no for an answer — until she reveals her paralysis from behind a table. The first shot of Whitaker’s Joey has him laying flat in a parking lot as a galaxy of stars turns to asphalt. The pair are bonded by their shared trauma and add a third when a young married woman named Billie (Madeline Zima) shares a bus ride with them and explains how her husband has disappeared.

All three are looking for something, but in setting up tangible goals for each of the characters, Dahan makes a film that’s utterly adrift when it comes to a coherent narrative. For instance, don’t ask for the specifics when the trio is lured into Nolte’s cabin in the woods of Cairo, Mississippi by a guitar riff and then listen patiently as he recounts how Robert Johnson sold his soul to the devil in Clarksdale to play the blues, complete with a reenactment. Also, it’s best not to wonder why Zellweger is suddenly able to sing a stirring rendition of “This Land is Your Land” after years of refusing such requests (though the moment gives an idea of what she might’ve done had she played Janis Joplin, as was once planned).

04232010_WhitakerMyOwnLoveSong.jpgTo be fair, “My Own Love Song” couldn’t be anywhere near as bad as it is without being as ambitious as it is. The film features original music from Bob Dylan (I counted four of a reported 16 new songs composed specifically for the film), and frequent Spike Lee and Darren Aronofsky cinematographer Matthew Libatique rarely stops using a steadicam — there’s a car chase in the film that is almost breathtaking between its constant movement and Dahan’s use of split-screens, until it gets confusing and ultimately frustrating.

You could also use those adjectives to describe Whitaker’s performance of the schizophrenic Joey; like Nicolas Cage, you can always count on Whitaker’s commitment to character, but you never know when you’re going to get “The Last King of Scotland” or something like this, which borders on parody with all of Joey’s strange tics and a half-baked romance that develops between he and Billie.

After the film’s international premiere at Tribeca, Dahan was warmly received by the minority of the audience that stayed, with those using their questions to praise the director for the dreamlike quality he brought to the film, which is why Zellweger’s Sarah may sum up the film’s appeal best when she asks during her wistful narration, “Should I believe or should I disappear?” The answer may be the former for some, but as the festival walkouts testified, the latter for most.

“My Own Love Song” is currently without U.S. distribution.

[Photos: “My Own Love Song,” Légende Films, 2010]

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Inauguration Alternative

Bill Murray On Repeat

It's a movie "Murray-thon" all-day Friday on IFC.

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Photo Credit: Everett Collection, GIFs courtesy of GIPHY

Democrats, Republicans and Millennials agree: 2017 is shaping up to be a spectacle — a spectacle that really kicks into high gear this Friday with the presidential inauguration. Not only will the new POTUS swear in, but all the Country’s highest offices will be filled. It’s a daunting prospect, and to feel a little anxious about it is only normal. But if your anxiety is snowballing into panic, we have a solution:
Bill Murray.

He’s the human embodiment of a mental “Happy Place”, and there’s really no problem he can’t solve. So, with that in mind, how about we all set aside reality for a moment and let Bill take the pain away by imagining a top-shelf White House cabinet filled exclusively by his signature characters. Here are a few hypothetical appointments for your consideration…

Secretary of Defense:
Bill Murray from Stripes

His incompetence is balanced by charm, and dumb luck is inexplicably on his side. America could do worse.

Secretary of State:
Bill Murray from Lost In Translation

A seasoned globetrotter steeped in regional traditions who has the respect of the whole wide world. And he kills Costello in karaoke, which is very important.

Press Secretary:
Bill Murray from Ghostbusters

“Cats and dogs, living together. Mass hysteria.” Dude knows how to brief a room.

Secretary of Health and Human Services:
Bill Murray from What About Bob.

A doctor-approved people person who knows that progress is measured in baby steps.

Secretary of Energy:
Bill Murray from Groundhog Day

Let’s be honest, this world is going to need a lot of do-overs.

Feeling better? Hold on to that bliss. And enjoy a healthy alternative to the inauguration brouhaha with multiple Murrays all Friday long in an IFC movie marathon including Kingpin, Zombieland, Ghostbusters, and Ghostbusters II.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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