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Dancing on the erotic thriller’s grave.

Dancing on the erotic thriller’s grave. (photo)

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See what I did there? I put the word “erotic” in the headline, exciting the diligent robots of Google to no end. On the internet, sex still sells — but if you’re at work, what’s even better than sex is at least reading about sex, because it’s technically not a violation and you can still get mildly titillating details. The folks at The Wrap, who understand this well, have cooked up a list of ten “erotic duds” for your slideshow enjoyment. The implicit premise is that the erotic thriller is dead, a ’90s punchline no longer in flux.

It’s true that the number of movies that could be labeled “erotic thrillers” have died down. In Tatiana Siegel’s benchmark article on the subject in the Hollywood Reporter (from five years ago, which tells you something right there), everything from American puritanism to the internet is blamed for the genre’s decline. (The then-upcoming “The Number 23” is cited as a rare new entry in the genre. There’s little less arousing to anyone, I’d imagine, than Jim Carrey ranting about numbers.)

But how valid are those explanations? Yes, we’re conflicted and confused about how we talk about and respond to sex in public, but that’s true of, like, global warming. And the rise of internet porn has siphoned off the people who would watch any old direct-to-video sleaze for a few minutes of soft-core action.

04072010_femme.jpgBut if porn is huge (thereby taking care of the sex/nudity question), perhaps a better question might be what’s specifically enticing about the combination of sex and danger — or why it once was and now isn’t. If “Fatal Attraction” touched a nerve largely watered down by subsequent copycats, what’s changed?

The answer’s quite possibly sex tapes. Forget rabbits being boiled: there’s nothing quite like the endlessly repeatable spectacle of some celebrity or other doing damage control to their image/marriage in the wake of evidence not just of a sex life/adultery, but of actually being able to watch the evidence itself. (I’m not even going to say what’s on the internet: it’s being over-analyzed enough as we speak.

This is something for which, I suppose, we must all thank Pam Anderson and her spiritual descendants. But really, what would be more compelling — watching someone in an “erotic thriller,” or the real-world equivalent? The answer isn’t a nice one, but it’s kind of obvious.

Incidentally, the best movie in this genre recently is clearly 2002’s Brian De Palma’s “Femme Fatale.” Rebecca Romijn-Stamos lesbian make-out in ten minutes or your money back — but also a “Vertigo” tribute and treatise on Catholic redemption symbolism. It’s one of the few that got the self-mocking titillation/non-sexual setpiece balance exactly right.

[Photos: “Fatal Attraction,” Paramount, 1987; “Femme Fatale,” Warner Bros., 2002]


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.