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Not All Tomboys Are Created Equal

Not All Tomboys Are Created Equal (photo)

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Anyone who believes progress is linear need only look at the history of women on film — especially the tomboy. Fierce and independent, the tomboy has always proved an ideal symbol of female power, a term I can scarcely invoke for fear of sounding outré these days. Whether gay or straight, she’s the kind of girl who pursues her passions with nary a
thought about how pretty she looks while doing so. It’s not that she doesn’t care about anything; she cares a lot. She just doesn’t give a fuck about what others think of her. It’s hardly surprising that US cinema hasn’t always known how to handle her.

Take the intrepid Jo March, of Louisa May Alcott’s novel “Little Women.” In George Cukor’s 1933 film adaptation, she was portrayed by Great Kate Hepburn in a nearly perfect feat of casting. Only 16 years later, toothless June Allyson watered her down shamefully, but it was Winona Ryder — smack-dab in the Riot-Grrrl ’90s, even — who turned in the worst Jo yet, simpering each line of dialogue as if it were a tremulous question.

Perhaps progress is linear, after all — in the sense that it is a linear devolution, at least in US film. What else could explain “The Runaways,” about the girls rock group that gave Joan Jett her start? Biopics, especially music biopics, always prove a thorny endeavor; either they stray too far from actual facts or kowtow to the weak dramatic arc of actual human lives. But “The Runaways” fails entirely on its own terms, mostly because it dishonors the tomboy, the very concept that should live at its core.

03182010_runaways2.jpgOnce again, part of the problem lies in the casting. Based on contemporary American cinema, you’d think there were no badass women alive under the age of 50. (Thank G-d for the Susan Sarandons of this world.) “Arrested Development”‘s Alia Swawkat, she of the perfect timing, is wasted in the criminally underwritten character of fictional bandmate Robin. The gimmick of former child star Dakota Fanning as hopped-up, sexed-up lead singer Cherie proffers nothing save some rubbernecking appeal.

But it’s Kristen Stewart (“Twilight”‘s antifeminist heroine Bella Swan) as Joan Jett who is most wildly miscast. Shifting nervously from side to side, she mumbles her dialogue with less teen-rebel disdain than a general lack of fortitude. While belting out a song lyric, she actually rolls her eyes, as if embarrassed by her own stridency. Although the physical resemblance between the two is uncanny, it’s easier to place the ever-passive Stewart as a groupie than as the unflinching groundbreaker Jett has been for 35 years now. O Lady Joan, how has she forsaken thee?

But it’s too simple to lay all the blame at the actress’ feet. As band manager Kim, Michael Shannon is wonderfully, manically grim, but he’s sinking his fangs into the only well-written role in the film. “The Runaways” is hobbled by a lousy script and lousier direction, both by Floria Sigismondi, who seems too invested in her earlier incarnation
as a photographer. Actual plot development is supplanted by montages shot at funny angles, sometimes underwater. Characters drift along and then suddenly explode into an unearned hyperdrive, in which they break guitars and hoover coke in airplane bathrooms.

03172010_somedays3.jpgWorse, without warning they sometimes break out of their verbal torpor to lapse into bumperstickerese: “It’s about the music, not your crotch.” “This isn’t about women’s lib, this is about women’s libido.” And even though this film finally outs Jett once and all (unconfirmed rumors of her lesbianism have followed her since the ’70s), her sexual dalliances are captured in such mealymouthed, fun-house blurs that her queerness seems more a fashion choice than an earnest compulsion.

Many may be inclined toward this film solely because of the novelty of women playing rock and roll in such pitch-perfect costumes. But I find it the worst kind of form over function, in which all involved seem to have forgotten that the aesthetic rebellions of the time stemmed from a deeper defiance of the status quo. None of these girls hint at any interior lives, so all they can do is aim to please no matter how hardened their façade. They are objects rather than subjects, even to themselves. And you can’t get less punk than that.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….


IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.


IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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