DID YOU READ

Seven plus-sized actresses with big careers.

Seven plus-sized actresses with big careers. (photo)

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Last week, Howard Stern got ruder than usual on the topic of recent Oscar nominee Gabourey Sidibe. Overweight people, he said, can’t have acting careers: “She should have gotten the Best Actress award because she’s never going to have another shot. What movie is she gonna be in?” But, of course, obesity is not an automatic impediment to thespian success, male or female — one need only look at Sidibe’s “Precious” co-star Mo’Nique for an example of a full-figured actress who has collected a steady paycheck from the movie business. True, it’s rare to see an onscreen presence bigger than a size two, but a life on the character actor margins can be eked out at the very least. So here’s a list of seven actresses that prove Stern wrong:

03152010_grapes.jpgJane Darwell

Arguably the most famous person from Palmyra, Mo., Darwell is uncharitably described on Turner Classic Movies database is kinder: “A heavy-set character player with a hearty voice and a slightly worried expression.” Darwell worried herself into somewhere around 170 film parts, including the iconic turns as the Bird Lady in “Mary Poppins” and Ma Joad in John Ford’s “The Grapes of Wrath,” where the only thing that exceeded her presence was the film’s incredibly hyperbolic trailer:

03152010_eightandahalf.jpgEddra Gale

Little is known about the enigmatic Gale, except that she was an opera singer Fellini discovered on a trip to Milan and ultimately threw her weight around the in film world, racking up a string of supporting credits in American films through 1980, most notably as Peter Sellers’ wife in “What’s New Pussycat.” But she’ll always be best known for her debut in “8 ½” as La Saraghina, the monstrously voluptuous prostitute who warps Marcello Mastroianni’s childhood on the beach:

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Ricki Lake

Best remembered for playing the Hefty Hideaway-sponsored dance queen Tracy Turnblad in the original “Hairspray,” Lake went on to a successful career as a daytime talk show in the ’90s and slimmed down as a result, blaming child abuse for her one-time weight of 260 pounds. Frankly, some fans liked her heavier, such as Elizabeth Turnquist, who felt betrayed by the former plus-sized teen queen, writing on WeAreTheRealDeal.com, “I was 15 in 1989 when I watched the made-for-TV movie ‘Babycakes,'” she says. “It was the first time I was able to identify – as a fat girl – with an actress.” However, judging by how Lake stares off into the distance like patience on a particularly painful monument and the less-than-dignified song choice of “Big Girls Don’t Cry” in “Babycakes”‘ opening scene, perhaps it was the actress who wasn’t able to identify with the fat girl:

03152010_bringing.jpgQueen Latifah

Speaking of “Hairspray,” Latifah stepped into the shoes of Motormouth Maybelle for the 2007 musical remake, capitalizing on the success of her Oscar-nominated turn in “Chicago” and her abilities as an acting/singing double threat. But if you think about it, there’s really no one physically resembling Latifah at the same level of prominence, which may be why she’s been so prolific in recent years, mostly in pretty dubious material like “Bringing Down the House” and “Mad Money,” and has also become a controversial figure in the eyes of Turnquist (see above), who sees the actress as a turncoat for endorsing Jenny Craig. Not that Latifah sees it that way: “[The fans] see that I’m doing this for the health reasons but also say, ‘She’s still representing for the big girls.'”

03152010_misery.jpgKathy Bates

Until she won an Oscar for “Misery,” the brash and always fun Bates had been known for her ability to seamlessly fuse acid sarcasm and barely concealed warmth for much of her career. Fortunately, she didn’t allow herself to be typecast as the fat psychopath in subsequent pictures, instead carving out memorable appearances as Molly Brown in “Titanic” and, of course, getting naked with Jack Nicholson in “About Schmidt.” Upon her third Oscar nomination for the latter, Bates remarked, “I think the Academy gave me a nomination for that one so that I would never take off my clothes on camera again.” As if Jack looked any better.

03152010_margo.jpgMargo Martindale

Like Bates, Martindale fit the bill when Alexander Payne was looking for a hefty middle-aged Midwesterner and gets the full seven minutes to herself in “14th Arrondissement,” Payne’s contribution to “Paris je t’aime,” in which she plays Carol, the real American in Paris who wants badly to connect with another culture but doesn’t know how. Charges of condescension were leveled against Payne as they always are, but this is a great empathetic showcase for the longtime character actress who is probably known to most as the woman behind the dry cleaning counter in that ubiquitous Yoplait commercial:

03152010_fat.jpgKirstie Alley

What can we say about Kirstie Alley that she hasn’t said herself? After sailing past the 200-pound mark in 2005, Alley hope to reboot her flagging career with the meta Showtime series “Fat Actress” after her last shot at a movie career peaked with “Drop Dead Gorgeous” in 1999. Lasting all of seven episodes, Alley took the Charlie Kaufman approach to the half-hour comedy, playing herself and pluckily confronting the struggle with weight that made her catnip for the tabloids, but with none of the awkwardness. So what’s a fat actress to do when her show’s cancelled? Jenny Craig, of course. Those are the breaks.

[Photos: “Precious: Based on the Novel Push by Sapphire,” Lionsgate, 2009; “The Grapes of Wrath,” 20th Century Fox, 1940; “8 1/2,” The Criterion Collection, 1963; “Hairspray,” New Line Cinema, 1988; “Bringing Down The House,” Buena Vista, 2003; “Misery,” Columbia Pictures, 1990; “Paris, je t’aime,” First Look International, 2006; “Fat Actress,” Showtime, 2005.]

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.