The most puzzling filmmakers of them all.

The most puzzling filmmakers of them all. (photo)

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In preparation for the Oscars, Slate‘s Juliet Lapidos takes one more look at “A Serious Man,” which she deems “the most puzzling of the best-picture nominees.” We’ve been down this road with the Coens before, where the film’s inscrutability rebuts any efforts to pin it down — take “Barton Fink,” whose novella-length Wikipedia entry reads like the boiled-down essence of a thousand graduate theses.

To the extent that the Coens absolutely refuse to discuss whatever any of their movies might “mean,” they’re like David Lynch, though their work isn’t nearly as obtuse. All of their films have strange, willfully monolithic elements — look at it from the right angle and “The Big Lebowski” is more philosophical discourse than slacker comedy. (In general, few filmmakers have so consistently peppered their work with philosophical references — on “The Man Who Wasn’t There”‘s commentary track, the brothers get a big kick out of the fact that Tony Shalhoub’s speech about the Heisenberg uncertainty principle is just wrong.)

Personally, “Barton Fink” or “A Serious Man” seem fairly straightforward to me. “Barton Fink” is about the arrogance of a man who thinks he’s speaking on behalf of the working people until it becomes very clear that he isn’t and everything burns down; “A Serious Man” is a long joke about how asking the question of whether seemingly meaningless bad events have meaning is, in and of itself, meaningless.

03022010_magnolia.jpgThe thing about the Coens’ proposed inscrutability, though, is that they’re very good at giving you just enough allusive possibilities to hang yourself with your own interpretive rope. Compare that to Lynch’s work: after years of arguments and group efforts, there are now mostly standard, accepted interpretations of how “Mulholland Drive” and “Inland Empire” work. His films are all id, but they’re not freighted with the weight of too many things to sort out.

I swear that the most underappreciatedly inscrutable film of recent years is “There Will Be Blood.” You want to talk puzzling? Let’s talk about a movie that gives every outward indication that it’s an allegory for something, with morality play names (Daniel Plainview, the Sunday family of Eli — both Paul and Abel), overarching historical framework and religion vs. business framework. But if you try to add up the pieces, you just can’t.

“Magnolia,” P.T. Anderson’s earlier, similarly elegant but maddening exercise, starts with the promise “This will all make sense” and never delivers. Instead, we get a scientifically explained rain of frogs. Truly, Anderson should be hailed as the most overtly brain-testing director working — one who promises something he has no interest in delivering.

[Photos: “A Serious Man,” Focus Features, 2009; “Magnolia,” New Line Cinema, 1999]


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.