This browser is supported only in Windows 10 and above.

DID YOU READ

Plan 10 From Half Moon Bay

Plan 10 From Half Moon Bay (photo)

Posted by on

A few minutes past midnight on Friday, a man in a gray suit and bright red tie took to the stage of the IFC Center’s Theater One and, to the applause of the sold-out audience, proudly waved a wire coat hanger in the air like an athlete brandishing the Olympic torch. This borderline deranged behavior would only draw an enthusiastic positive response at two places: a Joan Crawford impersonators’ convention or the New York City premiere of “Birdemic: Shock and Terror,” a eco-horror romantic thriller that has been dubbed “the next hilariously great cult movie” by no less an appropriate outlet than New York magazine’s Vulture blog.

The hanger-wielding man in the suit was “Birdemic” writer/director James Nguyen, a software salesman by day who boasted that he “went to the film school of Hitchcock cinema” during the introductory Q & A. Arguably, he also could’ve attended the film school of Edward D. Wood Jr. cinema, since “Birdemic” feels far more indebted to Wood’s “Plan 9 From Outer Space” with its blend of ultra-low budget filmmaking and cuckoo bananas ecological message than anything by the Master of Suspense.

03292010_Birdemic2.jpgTo be clear: I mean that as a compliment. I was laughing so hard that tears were running down my face even before the end of the opening credits sequence, which blends title cards like “Moviehead Pictures Presents… A Moviehead Production” with the most artless, endless and pointless driving scenes since “Manos: The Hands of Fate.” “Birdemic” is the rare film worthy of comparison to “Plan 9,” “Troll 2,” “Battlefield Earth” and “The Room” as one of the best bad movies ever made. A still of any of its laughably unconvincing bird-related special effects would be the ideal illustration in any reprinting of Susan Sontag’s 1964 essay “Notes on ‘Camp’, “ particularly if placed alongside the paragraph that reads:

“In naïve, or pure, Camp the essential element is seriousness, a seriousness that fails. Of course, not all seriousness that fails can be redeemed as Camp. Only that which has the proper mixture of the exaggerated, the fantastic, the passionate, and the naïve.”

Ed Wood had aliens threaten mankind for their use of atomic energy. Nguyen has two different characters — an ornithologist and a treehouse-dwelling hippie — deliver subtlety-free pro-environment monologues that pin the blame for the avian chaos on mankind’s wasteful habits. During his introduction, Nguyen cribbed from an old Jack Warner line in his claim that the film “not here to send a message. If I wanted to do that I’d use a post office.” Yet “Birdemic”‘s shock and terror is rooted in a kind of didactic ecological panic that makes M. Night Shyamalan’s “The Happening” look relatively cogent in comparison.

My own personal measuring stick for camp movie greatness has five dimensions: poor acting, bad dialogue, enormous plot holes, technically incompetent filmmaking, and inexplicable personal touches indicative of the naïve passion Sontag talked about. “Birdemic” hits them all. It has a leading man (Alan Bagh) who always looks like he just woke up from a nap. It has lines of dialogue like “That was a great movie! ‘An Inconvenient Truth!'”

03292010_Birdemic5.jpgIt has characters who make hilariously bad decisions, like stopping for a leisurely outdoor picnic in the middle of a bird invasion. It has a timeline that makes absolutely no sense — in one implausible and very busy week, the hero makes $1 million when his software company is acquired by Oracle, invents a new kind of non-silicon-based solar panel, builds a start-up company around it, convinces a venture capitalist to invest $10 million in his idea, gets a new girlfriend and is attacked by hundreds of eagles and vultures. Finally, “Birdemic” has maybe the worst sound mix of any film that has ever received a theatrical release in major venues around the country. (You know what the last line of the film is? Me neither. I couldn’t hear it over the sound of the wind howling through the microphone.)

And it’s all done in support of Nguyen’s deeply felt and clumsily delivered lefty politics, which come through in the go-green speechifying, the character who repeatedly wears an ImaginePeace.com T-shirt, and a bunch of interminable driving scenes which initially seem to exist only to pad the running time but are ultimately revealed as a poorly chosen stab at social commentary. The characters in “Birdemic” literally drive themselves to death, a clunky Woodian metaphor for the message Nguyen insists he’s not sending. It was just as the director predicted in his introduction. “After they make love,” he told us, “when the eagles and vultures attack, you will understand why the eagles and vultures attack.”

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.