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DID YOU READ

Pasolini’s ghost (via Morrissey).

Pasolini’s ghost (via Morrissey). (photo)

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On his 2006 single “You Have Killed Me,” Morrissey dug deep into the reference well for opening lines that it’d take a cinephile to love: “Pasolini is me. Accattone you’ll be.” It’s likely the only English-language song to reference not just Pier Paolo Pasolini but “Accattone,” his unrelievedly grim 1961 writer-director debut. But, the eternal question: what does it mean?

Pasolini’s filmography is incredibly diffuse and hard to pin down. At least one of his films — “The Gospel According to Matthew” (Pasolini’s militant atheism led him to remove the “Saint”) — is a stone-cold classic, endorsed by film buff and Vatican alike. He’s also responsible for the notorious “Salo” and dabblings in a particularly academic/theoretical type of documentary (his “Notes Towards An African Orestes” is a nearly indigestible mixture of touristic/anthropological footage, Greek myth and free jazz).

And yet Pasolini is, unfortunately, best known for being murdered under mysterious circumstances. Italy was (and still can be) a violent place, and certainly the controversy-steeped Pasolini courted all kinds of troublesome attention from unwanted corners. At age 53, he was first violently beaten, then run over several times with his own car. It was all kinds of suspicious: a sweater in the car belonged neither to him nor the alleged criminal (who retracted his confession in 2005), and bloody fingerprints were never checked. Say what you will about the CIA, at least they’ve never bumped off any militant directors.

This well-known story is as the Independent reports, popping up again due to calls to reopen the investigation and make use of DNA tests. A conspiracy theory about it being a political killing ties in not just with an article Pasolini wrote before his death claiming he knew names of people hiring hitmen, but with the generally turbulent climate of the time — the equal conspiracies surrounding, say, Prime Minister Aldo Moro, kidnapped and killed in 1978 shortly after a plan to integrate communists into the majority government was announced.

03242010_orestes.jpgAll this serves to remind that Pasolini’s image can be claimed and reclaimed however you like; for a man prone to blunt statements about class, he’s awfully ambiguous. Back to Morrissey: having claimed self-identification with Pasolini, he takes it a step further: “As I live and breathe, you have killed me.” Furthermore: “I walk around somehow, but you have killed me.” On one level , this is almost certainly about Moz repudiating celibacy — but look at it again and he seems to be saying that Pasolini’s ghost walks among us, as alive as ever — preserved, ironically, by his controversial death more than anything.

Here’s Morrissey with the song on Italian TV. The audience cutaways are priceless:

[Photos: “Accattone,” Water Bearer Films, 1961; “Notes Towards An African Orestes,” I Film Dell’Orso, 1970]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.