DID YOU READ

Floria Sigismondi’s Runaway Movie

Floria Sigismondi’s Runaway Movie (photo)

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On the Paramount stage in Austin with Cherie Currie, Kristen Stewart and Dakota Fanning, it was Floria Sigismondi who shined brightest, and it wasn’t just because of her sparkly black dress. Credited by Apparition chief Bob Berney for bringing them all together on this evening at SXSW, the filmmaker, photographer and visual artist who was born in Italy, raised in Hamilton, Ontario and traveled the world making otherworldly music videos for the likes of The White Stripes, Sigur Rós and Incubus settled down in Los Angeles and wasted no time in chronicling one of the area’s most legendary (and short-lived) rock acts, the ’70s all-grrrl group The Runaways, for her feature directorial debut.

Featuring Stewart and Fanning as Joan Jett and Currie, “The Runaways” may seem at first glance like the all-too-usual tale of a band that burned bright before burning out after just four years together, but Sigismondi is less concerned with the career trajectory of The Runaways than the emotional rollercoaster of the young, rebellious rockers who are patched together by the screwy impresario Kim Fowley (played by a particularly demented Michael Shannon). Although hits like “Cherry Bomb” are naturally cranked up, Sigismondi’s most inspired move is to dial things down to a slow simmer, lingering on long takes and filming in cramped quarters to convey the intimacy of the era. While at SXSW, Sigismondi took the time to talk about being patient in making her film debut and the film itself, as well as being pestered by the paparazzi and the pessimism of young people.

Did you have a connection with the Runaways growing up or did this seem like a good movie for you to direct?

Yeah, I had a connection in art college – I’m younger, so I didn’t experience [The Runaways] firsthand, but they were still playing them ten years later at a club that I used to go to work at actually as a beer bar girl through art college. For some reason, “Cherry Bomb” was a staple and I remember dancing to it. But [my representatives] gave me Cherie Currie’s book — it was a captivating story because of how young she was and everything that she had gone through, and Joan, being her first band and how that’s informed the rest of her career — it just felt like it was the right thing to do. They were at the forefront of something — I think they really put themselves out there and I admired that.

03202010_Runaways5.jpgFor you personally, was this a situation where the time was right to make a feature?

Yeah, I had been wanting to make a feature for a while, just nothing stuck and [“The Runaways”] happened like three months after I moved to Los Angeles, so it was okay, this is why I’m here. I took it as a sign. And after making a film you realize how many things can go wrong and when they come together, you know when it feels right.

Is it difficult to move from a medium of music videos where your story is in service of the music to features where the music is in service of the story?

I had a little bit of back and forth on that because I would get information from the Runaways’ songs and I’d use them to tell the story, like using “Love is Pain” near the end where it served the storyline there and then in the airplane going to Japan [where the band plays their first major concert], “I said I want you! I want this! I want that!”, the people were grabbing at them — it was all about wanting, so I did use the songs in that respect; I listened to them, listened to their words and these were young girls singing about their lives and that kind of was the first time I think there was music talking to people of their age. I found that in writing the script, the more I listened to the music, the more it actually inspired me to come up with scenes, maybe because I’ve done that in the past so often that it’s the trigger for creativity.

03202010_Runaways1.jpgIt was interesting how this film seemed to deal more with the creative process of the band than the decadence of fame and success that is standard of most rock-related movies, which most people probably have a good idea of in the case of the Runaways.

I think everybody does, too, especially today. My God, it’s so crazy. That part to me was sort of easy, you need one scene to say maybe when they arrive in Japan and for me, the most exciting part was how do they react to that fame, so I kept it kind of insular and made it about this little fight that happens backstage more than about how they end up signing autographs and becoming this thing, which we’ve seen a thousand times. Actually, in any kind of rock movie, there’s something about that, so I wanted to stay away from those kind of clichéd things and keep it about how does it affect them personally.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.