Bodies of work.

Bodies of work. (photo)

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Writing about this week’s DVD release of “Where The Wild Things Are” in the LA Times, Dennis Lim notes that to really understand Spike Jonze, you can’t stop at his three feature films. “A true appreciation of Jonze’s sensibility requires a familiarity with his shorts, videos and promos,” he writes. It’s true — you can learn more about Jonze from a 90-second Gap ad than from “Adapatation.” and “Being John Malkovich,” both great fun, but both about Jonze putting his skills at the service of Charlie Kaufman.

Watching that “Pardon our dust” spot gives you all of the Wild Rumpus and Jonze’s skater background in a condensed fashion; watching “Adaptation.” just tells you he knows how to keep a straight face.

Jonze is an extreme case, though a lot of filmmakers now work outside of features on a regular basis. Many supplement their income with commercials, but there’s other ways to go. The L.A. Opera has brought in film directors: Woody Allen, William Friedkin, David Cronenberg — even (yes!) Garry Marshall. It’s possible that Franco Zeffirelli’s staging of “La Boheme” for the Met — performed more times than any other production in the company’s history — is more important than any of his movies, except for maybe the 1968 “Romeo and Juliet.”

Or look at the art world. The sum total of Thai filmmaker Apichatpong Weerasethakul’s shorts and installations likely adds up to something close to the duration of his five features. (Weerasethakul’s unspeakably awesome “Anthem” condenses his entire body of work down to its most purely pleasurable five-minute essence — if it were on YouTube, he’d be famous by Friday.)

03022010_anthem.jpgAtom Egoyan also puts out the odd video installation and he’s made at least one film — 2006’s “Citadel” — he seems positively thrilled was seen by hardly anyone. In an interview that’s not, unfortunately, available online in “Dekalog 3,” he purrs “I really haven’t shown it at any festival at al because it wasn’t meant to be a commercial project and was made with no budget whatsoever. […] I prefer to see it as a purely artisanal project.”

That film directors can do non-film work is a fairly recent innovation: Frank Capra dabbled in educational TV in the ’50s, but he was an anomaly. Decades into the auteur theory, many directors seem self-conscious about how their movies are scrutinized and pieced together as a larger body of work. I’d imagine there’s a certain amount of relief in working in areas it’s harder to keep track of, to blow off steam and try new tricks in an arena that either won’t be preserved for posterity or will take years for most people to be able to access. At least when Wes Anderson makes an IKEA commercial no one’s going to talk about how twee it is, you know?

[Photos: Spike Jonze’s unused Gap ad, 2005; “Anthem,” made for LUX/Frieze Art Fair, 2006]


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.