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Waking Up in Strange Places

Waking Up in Strange Places (photo)

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Global phenom though it’s been, the Korean New Wave has been as badly hit by the 2008 economic crisis as any national industry, a situation that opened the door in the last two years for a variety of dirt-cheap indies, most notoriously Yang Ik-joon’s “Breathless,” which took South Korea by storm. The far less flamboyant example is Noh Young-Seok’s “Daytime Drinking,” a peripatetic generation-Z comedy that’s as eventless, but as seductive and wistful, as a real afternoon boozing spree.

In fact, it’s a difficult movie to stay sober for. The cultural context, provided neatly on the Canadian DVD notes by Asian film obsessive Grady Hendrix, is simply that Koreans drink a lot, and they drink a lot of soju (a cheap, low-amp, sweetened vodka potion, consumed at the rate of almost seven gallons per adult per year), and so movies like Noh’s (and Hong Sang-soo’s, among others) express a reality all Koreans can relate to — the lost comedy of waking up in strange places, of losing time, or forgetting why you are where you are, and just letting life carry you forward.

02092010_DaytimeDrinking2.jpgYou could call it Korean mumblecore, if mumblecore films were ever funny, and if Noh seemed overly interested in relationships. Made for spare change, “Daytime Drinking” hardly deviates from its title — it begins with a soju-soaked outing of four buddies; the rather lachrymose Hyuk-jin (Song Sam-dong) is suffering after a break-up, and his trio of pals agree to help him forget by meeting in a snowy seashore vacation town the next day to party. Hyuk-jin buses in, but no one else does.

Wandering around, Hyuk-jin heads to the guest house (owned by a friend of a friend, he was assured), but the owner is nasty. He gets a room anyway, drinks, dawdles. He doesn’t have much of an agenda, but his hungover friend keeps telling him on the phone that he’ll come the next day, but he doesn’t, day after day, so Hyuk-jin loiters, drinks too much, falls in with other wanderers, crosses paths too many times with the wrong people, and ends up waking up in the snow by the highway, without his pants.

He wears several other characters’ clothes by the end, but “Daytime Drinking” is not a high-concept, raunchy comedy romp — rather, it’s as affectless and unassuming as its hero, and thus suggests early Jim Jarmusch even as it retains an unstructured looseness and a very Korean propensity for deadpan, peppered by drunken chaos. Beautifully composed and never stretching for an easy visual gag, Noh’s film tries not to be taken seriously, but you can hardly help but notice that almost no one in the film is trustworthy or kind. Because they’re all drunk to one degree or another, every moment of camaraderie stands a good chance of morphing into belligerence or at least negligence at the drop of a hat. Hyuk-jin is not only lost in the semi-wilderness, and in his own young life, but in Korea at large, plagued by passive-aggressive hostility, boozy bitterness and selfish agendas.

Still, it’d be a mistake to read “Daytime Drinking” as a critique — or as anything but a laid-back and seriously endearing experience. By his own admission, Noh is a modest first-timer finding his way, and the film ambles along organically, as if it kinda happens on its own, like a mushroom patch or blast of sunlight on a cloudy day. The complete absence of pretension or “connectedness” or character arcs feels like someone poured me a drink.

02092010_KillerThatStalkedNew-York.jpgAnother recreational high: the ongoing and perhaps deathless DVDization of authentic film noir, hitting the bricks now with the four-disc, eight-film Columbia set “Bad Girls of Film Noir.” It’s just a marketing label — the films are not entirely devoted to classic femme fatales, but rather cover the gamut of woman-centered crime-genre tragedy, all in vintage B-movie style and with dizzying degrees of invention, eloquence and invention.

You get a Gloria Grahame and a Charlton Heston in the mix, but mostly you get Cleo Moore and Lizabeth Scott and William Gargan and Ida Lupino — forgotten movies with semi-forgotten stars wandering the gray halls and low-rent shops and flophouse beats of the postwar fringe. You also get the auteurs that even noiristes and scrounging auteurists neglect: Hugo Haas and Lewis Seiler and Henry Levin and Irving Rapper, Industry dray horses that have contributed to America’s concept of itself in ways that are as overlooked today as yesteryear’s housing developments.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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