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Oscars 2010: The armed forces vs the alien insurgents.

Oscars 2010: The armed forces vs the alien insurgents. (photo)

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Despite the early buzz around “Precious” and the timely subject matter of “Up in the Air,” it’s looking more and more like this year’s Oscar race is going to come down to a battle of the exes, of the alien insurgents versus the armed forces, the most expensive film ever made against a particularly well-funded indie.

The Academy Awards are going to war, and it’s “Avatar” versus “The Hurt Locker” with nine nominations each — unless, of course, “The Blind Side” sneaks in and steals the win. It wouldn’t surprise me — with this year’s ten film Best Picture race, there’s a feeling that anything goes.

Best Picture
“Avatar”
“The Blind Side”
“District 9”
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious”
“A Serious Man”
“Up”
“Up in the Air”

Best Director
Kathryn Bigelow, “The Hurt Locker”
James Cameron, “Avatar”
Lee Daniels, “Precious”
Jason Reitman, “Up in the Air”
Quentin Tarantino, “Inglourious Basterds”

Best Actor
Jeff Bridges, “Crazy Heart”
George Clooney, “Up in the Air”
Colin Firth, “A Single Man”
Morgan Freeman, “Invictus”
Jeremy Renner, “The Hurt Locker”

02022010_theblindside.jpgBest Actress
Sandra Bullock, “The Blind Side”
Helen Mirren, “The Last Station”
Carey Mulligan, “An Education”
Gabourey Sidibe, “Precious”
Meryl Streep, “Julie & Julia”

Best Supporting Actor
Matt Damon, “Invictus”
Woody Harrelson, “The Messenger”
Christopher Plummer, “The Last Station”
Stanley Tucci, “The Lovely Bones”
Christoph Waltz, “Inglourious Basterds”

Best Supporting Actress
Penelope Cruz, “Nine”
Vera Farmiga, “Up in the Air”
Maggie Gyllenhaal, “Crazy Heart”
Anna Kendrick, “Up in the Air”
Mo’Nique, “Precious”

Best Animated Feature Film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”

Best Foreign Film
Argentina, “El Secreto de Sus Ojos,” Juan Jose Campanella, director
Israel, “Ajami,” Scandar Copti and Yaron Shani, directors
Peru, “The Milk of Sorrow,” Claudia Llosa, director
France, “Un Prophète,” Jacques Audiard, director
Germany, “The White Ribbon,” Michael Haneke, director

Best Original Screenplay
Mark Boal, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Alessandro Camon and Oren Moverman, “The Messenger”
Joel and Ethan Coen, “A Serious Man”
Pete Docter and Bob Peterson, “Up”

Best Adapted Screenplay
Neill Blomkamp and Terri Tatchell, “District 9”
Nick Hornby, “An Education”
Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche, “In the Loop”
Geoffrey Fletcher, “Precious”
Jason Reitman and Sheldon Turner, “Up in the Air”

Best Documentary Feature
“Burma VJ”
“The Cove”
“Food, Inc”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”

05202009_inglouriousbasterds.jpgBest Cinematography
Mauro Fiore, “Avatar”
Bruno Delbonnel, “Harry Potter and the Half-Blood Prince”
Barry Ackroyd, “The Hurt Locker”
Robert Richardson, “Inglourious Basterds”
Christian Berger, “The White Ribbon”

Best Film Editing
Stephen Rivkin, John Refoua and James Cameron, “Avatar”
Julian Clarke, “District 9”
Bob Murawski and Chris Innis, “The Hurt Locker”
Sally Menke, “Inglourious Basterds”
Joe Klotz, “Precious”

Best Original Score
James Horner, “Avatar”
Alexandre Desplat, “Fantastic Mr. Fox”
Marco Beltrami and Buck Sanders, “The Hurt Locker”
Hans Zimmer, “Sherlock Holmes”
Michael Giacchino, “Up”

Best Original Song
“Almost There,” music and lyrics by Randy Newman, from “The Princess and the Frog”
“Down in New Orleans,” music and lyrics by Randy Newman, from “The Princess and the Frog”
“Loin de Paname,” music by Reinhardt Wagner, lyrics by Frank Thomas, from “Paris 36”
“Take It All,” music and lyrics by Maury Yeston, from “Nine”
“The Weary Kind (Theme from Crazy Heart),” music and lyrics by Ryan Bingham and T-Bone Burnett, from “Crazy Heart”

Best Costume Design
Janet Patterson, “Bright Star”
Catherine Leterrier, “Coco Before Chanel”
Monique Prudhomme, “The Imaginarium of Doctor Parnassus”
Colleen Atwood, “Nine”
Sandy Powell, “The Young Victoria”

Best Art Direction
Rick Carter and Robert Stromberg for art direction, Kim Sinclair for set decoration, “Avatar”
Dave Warren and Anastasia Masaro for art direction, Caroline Smith for set decoration, “The Imaginarium of Doctor Parnassus”
John Myhre for art direction, Gordon Sim for set direction, “Nine”
Sarah Greenwood for art direction, Katie Spencer for set direction, “Sherlock Holmes”
Patrice Vermette for art direction, Maggie Gray for set direction, “The Young Victoria”

Best Visual Effects
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones, “Avatar”
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken, “District 9”
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton, “Star Trek”

Best Makeup
Aldo Signoretti and Vittorio Sodano, “Il Divo”
Barney Burman, Mindy Hall and Joel Harlow, “Star Trek”
Jon Henry Gordon and Jenny Shircore, “The Young Victoria”

05132009_up.jpgBest Sound Editing
Christopher Boyes and Gwendolyn Yates Whittle, “Avatar”
Paul N.J. Ottosson, “The Hurt Locker”
Wylie Stateman, “Inglourious Basterds”
Mark Stoeckinger and Alan Rankin, “Star Trek”
Michael Silvers and Tom Myers, “Up”

Best Sound Mixing
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson, “Avatar”
Paul N.J. Ottosson and Ray Beckett, “The Hurt Locker”
Michael Minkler, Tony Lamberti and Mark Ulano, “Inglourious Basterds”
Anna Behlmer, Andy Nelson and Peter J. Devlin, “Star Trek”
Greg P. Russell, Gary Summers and Geoffrey Patterson, “Transformers: Revenge of the Fallen”

Best Documentary Short
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music By Prudence”
“Rabbit à la Berlin”

Best Animated Short
“French Roast”
“Granny O’Grimm’s Sleeping Beauty”
“The Lady and the Reaper (La Dama y la Muerte”)
“Logorama”
“A Matter of Loaf and Death”

02022010_thedoor1.jpgBest Live-Action Short
“The Door”
“Instead of Abracadabra”
“Kavi”
“Miracle Fish”
“The New Tenants”

[Photos: Cameron on the set of “Avatar,” Twentieth Century-Fox Film Corporation, 2009/Bigelow on the set of “The Hurt Locker,” Summit, 2009; “The Blind Side,” Warner Bros. Pictures, 2009; “The White Ribbon,” Sony Pictures Classics, 2009; “Inglourious Basterds,” Weinstein Company, 2009; “The Imaginarium of Doctor Parnassus,” Sony Pictures Classics, 2009; “Up,” Walt Disney Studios Motion Pictures, 2009; “The Door,” Octagon Films, 2008]

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SAG Life

Rappers Act Up

Watch the Yo! IFC Acts Movie Marathon Memorial Day Weekend.

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Photo Credit: Courtesy of the Everett Collection (and the '90s)

Memorial Day weekend: how to celebrate? Nothing quite says “screw spring—let’s do summer” like blockbuster movies starring rappers who ditched lucrative music careers in order to become actors. It happened a lot, remember? Especially in and around the ’90s. Will Smith, Eminem, Ice Cube, Ice-T, Marky Mark Wahlberg, Ludacris…icons with the hubris to try the silver screen instead and have it totally work out.

But what if more rappers had made the leap? That’s a rhetorical question—movies (and life) would’ve been better, obviously. To prove it, here are some movies that would’ve been more memorable with rappers.

The Godfather

Starring Biggie, not Brando.
Godfather-BIG

Charlie And The Chocolate Factory

Only Coolio could improve upon Gene Wilder’s performance.
Coolio-Wonka

Billy Elliot

Billy Elliot, with a dose of Missy Elliott.
Missy-Billy-Elliott

Robin Hood: Prince of Thieves

Low hanging fruit, Hollywood.
Robin-Hood-and-Lil-Jon

And of course…

Kanye-of-The-Lambs

See NONE of those movies and a whole bunch of real ones this Memorial Day weekend on IFC’s rapper-filled movie marathon.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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