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Oscars 2010: The armed forces vs the alien insurgents.

Oscars 2010: The armed forces vs the alien insurgents. (photo)

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Despite the early buzz around “Precious” and the timely subject matter of “Up in the Air,” it’s looking more and more like this year’s Oscar race is going to come down to a battle of the exes, of the alien insurgents versus the armed forces, the most expensive film ever made against a particularly well-funded indie.

The Academy Awards are going to war, and it’s “Avatar” versus “The Hurt Locker” with nine nominations each — unless, of course, “The Blind Side” sneaks in and steals the win. It wouldn’t surprise me — with this year’s ten film Best Picture race, there’s a feeling that anything goes.

Best Picture
“Avatar”
“The Blind Side”
“District 9”
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious”
“A Serious Man”
“Up”
“Up in the Air”

Best Director
Kathryn Bigelow, “The Hurt Locker”
James Cameron, “Avatar”
Lee Daniels, “Precious”
Jason Reitman, “Up in the Air”
Quentin Tarantino, “Inglourious Basterds”

Best Actor
Jeff Bridges, “Crazy Heart”
George Clooney, “Up in the Air”
Colin Firth, “A Single Man”
Morgan Freeman, “Invictus”
Jeremy Renner, “The Hurt Locker”

02022010_theblindside.jpgBest Actress
Sandra Bullock, “The Blind Side”
Helen Mirren, “The Last Station”
Carey Mulligan, “An Education”
Gabourey Sidibe, “Precious”
Meryl Streep, “Julie & Julia”

Best Supporting Actor
Matt Damon, “Invictus”
Woody Harrelson, “The Messenger”
Christopher Plummer, “The Last Station”
Stanley Tucci, “The Lovely Bones”
Christoph Waltz, “Inglourious Basterds”

Best Supporting Actress
Penelope Cruz, “Nine”
Vera Farmiga, “Up in the Air”
Maggie Gyllenhaal, “Crazy Heart”
Anna Kendrick, “Up in the Air”
Mo’Nique, “Precious”

Best Animated Feature Film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”

Best Foreign Film
Argentina, “El Secreto de Sus Ojos,” Juan Jose Campanella, director
Israel, “Ajami,” Scandar Copti and Yaron Shani, directors
Peru, “The Milk of Sorrow,” Claudia Llosa, director
France, “Un Prophète,” Jacques Audiard, director
Germany, “The White Ribbon,” Michael Haneke, director

Best Original Screenplay
Mark Boal, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Alessandro Camon and Oren Moverman, “The Messenger”
Joel and Ethan Coen, “A Serious Man”
Pete Docter and Bob Peterson, “Up”

Best Adapted Screenplay
Neill Blomkamp and Terri Tatchell, “District 9”
Nick Hornby, “An Education”
Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche, “In the Loop”
Geoffrey Fletcher, “Precious”
Jason Reitman and Sheldon Turner, “Up in the Air”

Best Documentary Feature
“Burma VJ”
“The Cove”
“Food, Inc”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”

05202009_inglouriousbasterds.jpgBest Cinematography
Mauro Fiore, “Avatar”
Bruno Delbonnel, “Harry Potter and the Half-Blood Prince”
Barry Ackroyd, “The Hurt Locker”
Robert Richardson, “Inglourious Basterds”
Christian Berger, “The White Ribbon”

Best Film Editing
Stephen Rivkin, John Refoua and James Cameron, “Avatar”
Julian Clarke, “District 9”
Bob Murawski and Chris Innis, “The Hurt Locker”
Sally Menke, “Inglourious Basterds”
Joe Klotz, “Precious”

Best Original Score
James Horner, “Avatar”
Alexandre Desplat, “Fantastic Mr. Fox”
Marco Beltrami and Buck Sanders, “The Hurt Locker”
Hans Zimmer, “Sherlock Holmes”
Michael Giacchino, “Up”

Best Original Song
“Almost There,” music and lyrics by Randy Newman, from “The Princess and the Frog”
“Down in New Orleans,” music and lyrics by Randy Newman, from “The Princess and the Frog”
“Loin de Paname,” music by Reinhardt Wagner, lyrics by Frank Thomas, from “Paris 36”
“Take It All,” music and lyrics by Maury Yeston, from “Nine”
“The Weary Kind (Theme from Crazy Heart),” music and lyrics by Ryan Bingham and T-Bone Burnett, from “Crazy Heart”

Best Costume Design
Janet Patterson, “Bright Star”
Catherine Leterrier, “Coco Before Chanel”
Monique Prudhomme, “The Imaginarium of Doctor Parnassus”
Colleen Atwood, “Nine”
Sandy Powell, “The Young Victoria”

Best Art Direction
Rick Carter and Robert Stromberg for art direction, Kim Sinclair for set decoration, “Avatar”
Dave Warren and Anastasia Masaro for art direction, Caroline Smith for set decoration, “The Imaginarium of Doctor Parnassus”
John Myhre for art direction, Gordon Sim for set direction, “Nine”
Sarah Greenwood for art direction, Katie Spencer for set direction, “Sherlock Holmes”
Patrice Vermette for art direction, Maggie Gray for set direction, “The Young Victoria”

Best Visual Effects
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones, “Avatar”
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken, “District 9”
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton, “Star Trek”

Best Makeup
Aldo Signoretti and Vittorio Sodano, “Il Divo”
Barney Burman, Mindy Hall and Joel Harlow, “Star Trek”
Jon Henry Gordon and Jenny Shircore, “The Young Victoria”

05132009_up.jpgBest Sound Editing
Christopher Boyes and Gwendolyn Yates Whittle, “Avatar”
Paul N.J. Ottosson, “The Hurt Locker”
Wylie Stateman, “Inglourious Basterds”
Mark Stoeckinger and Alan Rankin, “Star Trek”
Michael Silvers and Tom Myers, “Up”

Best Sound Mixing
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson, “Avatar”
Paul N.J. Ottosson and Ray Beckett, “The Hurt Locker”
Michael Minkler, Tony Lamberti and Mark Ulano, “Inglourious Basterds”
Anna Behlmer, Andy Nelson and Peter J. Devlin, “Star Trek”
Greg P. Russell, Gary Summers and Geoffrey Patterson, “Transformers: Revenge of the Fallen”

Best Documentary Short
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music By Prudence”
“Rabbit à la Berlin”

Best Animated Short
“French Roast”
“Granny O’Grimm’s Sleeping Beauty”
“The Lady and the Reaper (La Dama y la Muerte”)
“Logorama”
“A Matter of Loaf and Death”

02022010_thedoor1.jpgBest Live-Action Short
“The Door”
“Instead of Abracadabra”
“Kavi”
“Miracle Fish”
“The New Tenants”

[Photos: Cameron on the set of “Avatar,” Twentieth Century-Fox Film Corporation, 2009/Bigelow on the set of “The Hurt Locker,” Summit, 2009; “The Blind Side,” Warner Bros. Pictures, 2009; “The White Ribbon,” Sony Pictures Classics, 2009; “Inglourious Basterds,” Weinstein Company, 2009; “The Imaginarium of Doctor Parnassus,” Sony Pictures Classics, 2009; “Up,” Walt Disney Studios Motion Pictures, 2009; “The Door,” Octagon Films, 2008]

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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