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DID YOU READ

JFK, cinematic bit player.

JFK, cinematic bit player. (photo)

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If most cinematic biopics are missed opportunities to do something bold, the biographical TV mini-series tends to be inherently unsalvageable, with too much time to do anything but plod through and hit the high notes at cut-rate cost. So it’s hard to get too worked up about news thatJohn F. Kennedy’s life will be the subject of a new mini-series, no matter what the political talking points. Nevertheless, people are.

In one corner, you have “24” creator and conservative activist Joel Surnow, who also had a hand in the little loved 17 episodes of “The 1/2 Hour News Hour,” Fox News’ short-lived rejoinder to “The Daily Show.” In the other is Robert Greenwald, famed director of “Xanadu,” whose attention of late has been turned to preaching-to-the-choir type liberal activist documentaries (“Walmart: The High Cost of Low Price”). Greenwald charges that the JFK script is defamatory conservative propaganda, “political character assassination,” including a scene where JFK asks Bobby “What do you do when you’re horny?” Which is stupid, mostly because it’s hard to imagine JFK using the precise word “horny.”

There’s been action of late to reclaim JFK as, if not a conservative, at least not an antecedent of modern liberalism. (See, if you must, “An American Carol,” in which JFK emerges from the TV to smack the Michael Moore stand-in around.) It’s more interesting, though, that the charges center around the usual timeline compressions/inaccuracies and “sexual titillation.” Disputes over what happened when and sex: what could be more JFK-esque?

With rare exceptions, JFK’s presence on film and TV has been surprisingly small. Out of sixty-something on-screen turns credited by IMDb, he’s almost never at the center of things, either part of the big swath of history cut by the Kennedys as a whole (like 1990’s mini-series “The Kennedys of Massachusetts,” with Steven Weber [!] as JFK) or the people whose paths he crossed (with appearances in mini-series and TV movies about RFK, J. Edgar Hoover, Marilyn Monroe and so on). Alternately, Oliver Stone’s “JFK” makes explicit that JFK’s assassination defines his legacy, not so much a president as a locus for various dark points of view about America.

02172010_thirteendays.jpgThe few exceptions aren’t much to write about: as Slant‘s Len Sousa notes, 1983’s “Kennedy” mini-series (starring Martin Sheen) is at least a little undermined by opening “each episode with an American flag fluttering in the breeze and suddenly freeze-framing it with some cartoon blood splattered over the image.” “JFK”‘s a terrific movie that has little to do with the man.

Probably best is 2000’s underrated “Thirteen Days,” a relatively dry and understated look at the White House’s internal workings during the Cuban Missile Crisis that smartly took much of its dialogue from JFK’s tapes of policy meetings. It’s probably the only film more interested in JFK as policy-maker and president than as a symbol of one kind or another.

Sex has always surrounded JFK on-screen (the sex and paranoia go hand in hand in last year’s ghastly “An American Affair,” where we’re supposed to believe that his affair with Gretchen Mol somehow contributed to his death). At times, that seems to be JFK’s greatest cinematic legacy, besides providing a well-known New England accent for overzealous actors to take as a model. I suppose this mini-series could push things further, but it’s no matter: it’ll be just another one for the slag-heap of movies more interested in JFK as a generically flawed human rather than a politician.

[Photos: “Kennedy,” NBC, 1983; “Thirteen Days,” New Line Cinema, 2000]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.