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Jason Reitman at the New Beverly

Jason Reitman at the New Beverly (photo)

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More Spring Preview: [Theatrical Calendar]
[Anywhere But a Movie Theater]
[Repertory Calendar for the Coasts]

Forgive Jason Reitman if he can’t remember exactly how it came about that he would be guest programming the New Beverly Cinema in Los Angeles. Even though he can easily recall first stepping inside the repertory shrine for a program of Alfred Hitchcock miscellany including WWII propaganda shorts and the “Alfred Hitchcock Presents” episode “An Occurrence at Owl Creek Bridge” when he was 16, these are busy times for the writer/director, who has either been shuttling around town collecting awards for “Up in the Air” or holed up adapting Joyce Maynard’s novel “Labor Day” in recent months. Still, he’s taking a break to show some of his favorite films this week at the theater, and introducing each double feature on first night they show. He also found the time to tell us about his choices, so even if you aren’t in L.A. this week, you can get a prime the pump for watching them at home.

02152010_BuellerElection.jpgJohn Hughes’ “Ferris Bueller’s Day Off” and Alexander Payne’s “Election” (February 19 & 20)

First, I think “Ferris Bueller’s Day Off” is kind of a perfect movie and in particular, “Election” is a film that deeply influenced me and I just thought it would be interesting to see Matthew Broderick as student versus Matthew Broderick as teacher, not to mention Matthew Broderick in control of the world versus Matthew Broderick [with] the world in control of him. I think they’re oddly perfect two sides of the same coin, in which in “Ferris Bueller” we see the world as hopeful as it gets – that last year of high school when there is opportunity in anything, and then “Election” is about the opposing moment when you realize this is it. “Ferris Bueller” is a movie about there being no ceiling and “Election” seems to be a movie about touching the ceiling for the first time. Or banging your head on it.

02152010_BoogieShampoo.jpgHal Ashby’s “Shampoo” and Paul Thomas Anderson’s “Boogie Nights” (February 21 & 22)

“Boogie Nights” is a film that I saw at the Beverly Center for the first time at their first test screening and I saw the long version and that was a movie where I saw it and thought, wow, everything’s about to change. And “Shampoo” is a film that had an extraordinary influence on me as well, just in how I tell stories. I think “Up in the Air” is me desperately trying to make my “Shampoo” and I just thought they oddly went together. I think of Wahlberg’s character and Beatty’s character as interesting parallels. Oddly, now that I’m looking at all of my double features, I have to do with comparing the main characters. That there’s interesting line between the stars. Looking at “Boogie Nights” and “Shampoo,” there’s this inexplicable connection between their main characters and their ability to woo women that in a strange way their knack for romance is also their albatross.

02152010_BreakingBottle.jpgPeter Yates’ “Breaking Away” and Wes Anderson’s “Bottle Rocket” (February 24 & 25)

In the case of “Bottle Rocket” and “Breaking Away,” they’re my two favorite movies about misunderstood youth. They’re both about groups of guys in their late teens, early twenties who have been kind of cast aside and are trying to figure it out. I think it’s the [double feature] that excites me the most. It’s funny, I find a lot of people haven’t seen “Breaking Away” or haven’t seen it in a long time and I saw it recently, maybe a year or two ago, and I was struck by how perfect it is. It’s a movie without a false note and the actors are perfect. All four of those guys are just impeccable in it and it takes a world that people [ordinarily] don’t have access to, Suburban town in Indiana and yet has all these accessible ideas. And it speaks to the idea of our hopes and dreams and perhaps the moment where we’re let down. I suppose that’s in all six films that I’m showing and I guess it’s an important idea to me because it runs throughout my films as well — that moment of awakening and whether you acknowledge it or not.

If you live in the L.A. area, tickets are still available for Jason Reitman’s guest programming stint at the New Beverly with double features of “Ferris Bueller’s Day Off” and “Election” (Feb. 19-20), “Shampoo” and “Boogie Nights” (Feb. 21-22), and “Breaking Away” and “Bottle Rocket” (Feb. 24-25).

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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