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Jason Reitman at the New Beverly

Jason Reitman at the New Beverly (photo)

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More Spring Preview: [Theatrical Calendar]
[Anywhere But a Movie Theater]
[Repertory Calendar for the Coasts]

Forgive Jason Reitman if he can’t remember exactly how it came about that he would be guest programming the New Beverly Cinema in Los Angeles. Even though he can easily recall first stepping inside the repertory shrine for a program of Alfred Hitchcock miscellany including WWII propaganda shorts and the “Alfred Hitchcock Presents” episode “An Occurrence at Owl Creek Bridge” when he was 16, these are busy times for the writer/director, who has either been shuttling around town collecting awards for “Up in the Air” or holed up adapting Joyce Maynard’s novel “Labor Day” in recent months. Still, he’s taking a break to show some of his favorite films this week at the theater, and introducing each double feature on first night they show. He also found the time to tell us about his choices, so even if you aren’t in L.A. this week, you can get a prime the pump for watching them at home.

02152010_BuellerElection.jpgJohn Hughes’ “Ferris Bueller’s Day Off” and Alexander Payne’s “Election” (February 19 & 20)

First, I think “Ferris Bueller’s Day Off” is kind of a perfect movie and in particular, “Election” is a film that deeply influenced me and I just thought it would be interesting to see Matthew Broderick as student versus Matthew Broderick as teacher, not to mention Matthew Broderick in control of the world versus Matthew Broderick [with] the world in control of him. I think they’re oddly perfect two sides of the same coin, in which in “Ferris Bueller” we see the world as hopeful as it gets – that last year of high school when there is opportunity in anything, and then “Election” is about the opposing moment when you realize this is it. “Ferris Bueller” is a movie about there being no ceiling and “Election” seems to be a movie about touching the ceiling for the first time. Or banging your head on it.

02152010_BoogieShampoo.jpgHal Ashby’s “Shampoo” and Paul Thomas Anderson’s “Boogie Nights” (February 21 & 22)

“Boogie Nights” is a film that I saw at the Beverly Center for the first time at their first test screening and I saw the long version and that was a movie where I saw it and thought, wow, everything’s about to change. And “Shampoo” is a film that had an extraordinary influence on me as well, just in how I tell stories. I think “Up in the Air” is me desperately trying to make my “Shampoo” and I just thought they oddly went together. I think of Wahlberg’s character and Beatty’s character as interesting parallels. Oddly, now that I’m looking at all of my double features, I have to do with comparing the main characters. That there’s interesting line between the stars. Looking at “Boogie Nights” and “Shampoo,” there’s this inexplicable connection between their main characters and their ability to woo women that in a strange way their knack for romance is also their albatross.

02152010_BreakingBottle.jpgPeter Yates’ “Breaking Away” and Wes Anderson’s “Bottle Rocket” (February 24 & 25)

In the case of “Bottle Rocket” and “Breaking Away,” they’re my two favorite movies about misunderstood youth. They’re both about groups of guys in their late teens, early twenties who have been kind of cast aside and are trying to figure it out. I think it’s the [double feature] that excites me the most. It’s funny, I find a lot of people haven’t seen “Breaking Away” or haven’t seen it in a long time and I saw it recently, maybe a year or two ago, and I was struck by how perfect it is. It’s a movie without a false note and the actors are perfect. All four of those guys are just impeccable in it and it takes a world that people [ordinarily] don’t have access to, Suburban town in Indiana and yet has all these accessible ideas. And it speaks to the idea of our hopes and dreams and perhaps the moment where we’re let down. I suppose that’s in all six films that I’m showing and I guess it’s an important idea to me because it runs throughout my films as well — that moment of awakening and whether you acknowledge it or not.

If you live in the L.A. area, tickets are still available for Jason Reitman’s guest programming stint at the New Beverly with double features of “Ferris Bueller’s Day Off” and “Election” (Feb. 19-20), “Shampoo” and “Boogie Nights” (Feb. 21-22), and “Breaking Away” and “Bottle Rocket” (Feb. 24-25).

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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